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Ismaíl Kadaré: The Accident

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Ismaíl Kadaré The Accident

The Accident: краткое содержание, описание и аннотация

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On the autobahn in Vienna a taxi leaves the carriageway and strikes the crash barrier, flinging its male and female passengers out of its back doors as it spins through the air. The driver cannot explain why he lost control; only saying that the mysterious couple in the back seat seemed to be about to kiss…Set against the tumultuous backdrop and aftermath of the war in the Balkans, THE ACCIDENT intimately documents an affair between two people caught in each other's webs. The investigation into their deaths uncovers a mutually destructive obsession that mirrors the conflicts of the region. Somewhere between vivid hallucination and cold reality, Ismail Kadare's new novel is a bold departure and an intense exploration of the contours of a union that moves inexorably towards its own demise.

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12

More and more often he fell into a drowsy state, from which only the prospect of writing his own will could rouse him. Before drafting it he waited for a final answer from the European Road Safety Institute. Its reply came after a long delay. The Institute accepted his condition. He would deliver to them the results of his inquiry in exchange for the taxi’s rear-view mirror.

In the offices which he visited, they looked at him in surprise, and even with a kind of pity, as if he were sick. At the waste disposal site, he met with a similar reception. It took a long time to find the mirror; he could hardly believe his eyes when at last they handed it to him.

It was not easy to prepare his will. In the course of writing it, he discovered that there was an infinite universe of testaments. Down the ages, history had recorded the most diverse kinds. Testaments had been left in the form of poisons, antique tragedies, storks’ nests, appeals by national minorities or metro projects. The material attachments appended to them were no less surprising, ranging from revolvers and condoms, to oil pipes and the devil knew what. The taxi’s rear-view mirror, buried with the man who had been so preoccupied with it in life, was the first such object of its kind.

He handed over the text of his will for translation into Latin and then into the principal languages of the European Union. He spent weeks sending it to every possible institution he could find on the internet: archaeological institutes, psycho-mystical research units, university departments of geochemistry. A huge and deadly bunker in the United States. Finally, the World Probate Institute.

While dealing with all this, he heard vague pieces of news, some about the long-standing question of whether Besfort Y. had murdered his girlfriend or not. Opinions were as divided as ever. Now there was a third view, that Besfort had indeed committed a murder, but it was impossible to ascertain at what time. In this case the allegation of murder had to be withdrawn, unless it could be shown to have been committed in another dimension in which actions do not take place in time, because time does not exist.

As expected, there were also rumours that Rovena St. (as time passed, some interpreted St. as an abbreviation of “Saint”) was still alive. It was said that Besfort Y. too had been seen, hurrying across a road junction with the collar of his overcoat raised in order not to be recognised. He was even sighted in Tirana, sitting on a sofa after dinner, persuading a young woman to take a trip with him round Europe.

Absorbed in his will, he tried to forget all these things. He returned to the text every day. He would correct words here and there, or remove and replace them, but without altering the essential content.

His will essentially provided for the reopening of his grave, in which, inside his lead coffin, the famous mirror would be buried beside his body.

First, he set a date for his exhumation thirty years hence. Later, he changed this to one hundred, only to erase this and write one thousand years.

He spent what life remained to him imagining what the diggers would find when they opened his grave. He firmly believed that mirrors, into which women looked as they beautified themselves before they were kissed, or murdered, absorbed something of the images they reflected. But nobody in this scornful world had thought of taking an interest in any of this.

He hoped that what happened in the taxi carrying two lovers to an airport, one thousand years ago, would leave some trace, however slight, on the surface of the glass.

There were days when he thought he discerned the outline of this mystery, as if through mist, but there were others when it seemed that the mirror, even after lying for a thousand years next to his skull, opaquely reflected nothing but the infinite void.

Tirana, Mali i Robit, Paris

Winter, 2003 - 2004

Ismaíl Kadaré

Born in 1936 Ismail Kadare is Albanias bestknown poet and novelist - фото 2

Born in 1936, Ismail Kadare is Albania’s best-known poet and novelist. Translations of his novels have appeared in more than forty countries. In 2005 he was awarded the first Man Booker International Prize for ‘a body of work written by an author who has had a truly global impact.’ He is the recipient of the highly prestigious 2009 Principe de Asturias de las Letras in Spain.

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The Accident - фото 3
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