Ruth Rendell - Portobello

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Portobello: краткое содержание, описание и аннотация

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The Portobello area of West London has a rich personality – vibrant, brilliant in colour, noisy, with graffiti that approach art, bizarre and splendid. An indefinable edge to it adds a spice of danger. There is nothing safe about Portobello…
Eugene Wren inherited an art gallery from his father near an arcade that now sells cashmere, handmade soaps and children's clothes. But he decided to move to a more upmarket site in Kensington Church Street. Eugene was fifty, with prematurely white hair. He was, perhaps, too secretive for his own good. He also had an addictive personality. But he had cut back radically on his alcohol consumption and had given up cigarettes. Which was just as well, considering he was going out with a doctor. For all his good intentions, though, there was something he didn't want her to know about…
On a shopping trip one day, Eugene, quite by chance, came across an envelope containing money. He picked it up. For some reason, rather than report the matter to the police, he wrote a note and stuck it up on lamppost near his house:
'Found in Chepstow Villas, a sum of money between eighty and a hundred and sixty pounds. Anyone who has lost such a sum should apply to the phone number below.'
This note would link the lives of a number of very different people – each with their obsessions, problems, dreams and despairs. And through it all the hectic life of Portobello would bustle on.

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He no longer needed the torch. His eyes were used to the dark. He rather liked the darkness, the way it hid him. Why not have some more to eat while he had the chance? No one had seen him. No one had a clue he was in here. The roads were empty, the neighbours asleep. He had taken the peaches from a cupboard where a shelf was full of tins: more fruit, beans of various kinds, soup, and fancy rubbish like artichoke hearts and asparagus. Lance helped himself to a can of tomato soup, heated it up in a saucepan, made more toast and settled down at the kitchen table to have a second supper. Strawberry ice cream, also from the freezer, would do for afters. A clock on the kitchen wall told him it was five past two.

When the sound of it reached him, the huge bursting roar, Uncle Gib knew at once what it was. A bomb or some such thing had been pushed through his letter box and the cigarette he had left in the tin on the green chair had set it off. Immediately he thought of Lance and Lance's pals. Barefoot and wrapped in the brown cable-knit cardigan, he padded out of the privy to look through the kitchen window, which gave on to this narrow strip of concrete. As he did so the flames were just licking the doorway from the hall and within seconds they streamed through, intense yellow flames, which roared through the kitchen and poured into the scullery. He turned his gaze upwards and saw behind the window of Lance's room dense eddies of black smoke. The window was open at the top and the smoke billowed out as currents of fresh air fed the fire.

It was a little to Uncle Gib's credit that he told himself Lance couldn't be in there as he must be responsible for this conflagration. He had no doubt what was the better part of valour and, with one backward glance at the flames engulfing his home, he ran down the garden through the rain-soaked bushes and stinging nettles, to the shed in the corner where his garden met that of his neighbours. On the other side loomed the flyover with its cargo, even at this hour, of traffic tearing east and west. There, side by side, inside the shed, the door of which had long fallen off its hinges and got lost, stood the two chairs, one missing a leg, the other intact. Uncle Gib sat down in the chair that had all its legs and found he was trembling all over. It had been a shock.

But the spectacle before him was worth looking at. By this time Lance's window had split open and flames and smoke were spilling out, curved flames like waves in an orange sea, but waves that hissed and roared, licking the windowsills of the room above. The fire itself had reached there before them or the smoke had. Inside the closed window he could see dark clouds of it, still and thick.

It didn't occur to him to call anyone or attempt to phone the emergency services. Someone else would do that. In the midst of his wonder and astonishment he remembered that he had insured his house, had filled in the form, sent the cheque and received confirmation of his cover. It was wonderful, it was much better than trying to sell the place. With relish he stared at the window frames, the woodwork, the bricks and stone facing of his house beginning to glow red from the heat generated within.

'It's a goner,' he said aloud and then he heard the braying sirens of fire engines coming down from Great Western Road.

It would be best, when they came, to find him a broken defeated old man, feeble and helpless, shocked almost to death by the destruction of his home. Carefully he lowered himself to the ground and lay face-downwards, his bare feet on concrete, his head and upper body among the shaggy grass and weeds. He heard them come into the garden. Not through the house, that would have been impossible, but by climbing over the wall that divided his property from that of the people who had complained about the rats.

Someone said, 'We'll want an ambulance for the old chap.'

A woman's voice next, her next door, he thought. 'How dreadful for him. Losing his home like this. They can come in this way and get a stretcher over the wall.'

The rats were forgotten, she was all sympathy and concern. Uncle Gib stirred a little, aware after a few minutes that a paramedic was kneeling down beside him. The heat from the burning house was far from unpleasant, just what was needed, in fact, on a night in this unseasonable August.

'Can you tell me your name?'

They always said that, he'd seen it on the telly. It happened in nearly every instalment of Casualty . 'Gilbert,' he said in a quavering voice.

Hoisted on to a stretcher, wrapped in nice clean blankets, he took a look at his house or what remained of it as he was floated expertly over the wall. It was as well to make sure the place was a write-off, not that he could have done anything about it if it hadn't been. To maintain the pathos and the drama, he whispered to the kind paramedic, 'My whole life was in there, all my worldly goods.'

'Never you mind, Gilbert. You're all right and that's the main thing.'

He was driven away at high speed to St Mary's Hospital, the siren bellowing.

An hour after falling asleep Eugene woke up. The nearest packets of Chocorange were in the guest bathroom on the same floor. First dropping a light kiss on Ella's upturned cheek, he tiptoed out of the bedroom and across the landing. Still inviolate, the carefully hoarded packets sat inside their pink plastic Superdrug bag in the bottom drawer of the cabinet in the spare bathroom. He took momentary pleasure from looking at them, a glossy orange and chocolate-brown, each one sheathed in clear cellophane. So, he supposed, it must be for the druggie who contemplates a carefully hoarded jar of ecstasy tablets or a slab of hashish. The advantage to his habit was that it was harmless whereas theirs was destructive, damaging and often deadly. On the other hand, theirs was also glamorous, sexy and raffish while his was – what? There was no use in thinking along those lines, especially in the middle of the night. He put a sweet in his mouth, restored the rest to the cabinet and wandered into one of the spare bedrooms.

From there he could see across the gardens to the rear of Elizabeth Cherry's house. It was as he had left it earlier, still, silent, unlit. Street lamps gave enough light to see quite clearly at the front and, here at the back, a wall lantern, permanently kept on by the Sharpes as a security measure, shed a green radiance, half masked as it was by fronds of jasmine and ivy leaves. There was nothing to be done about it, one must indulge one's neighbours, but Eugene disliked that lantern burning there all night almost as much as he disliked Bathsheba. He could see her sitting on the shelf that ran along the wall, her deep furry blueness turned to emerald by the light, her cold eyes open and staring, themselves like lamps. Why not have another Chocorange? He took a second one out of the bathroom bag and walked softly into the bedroom next to his own.

Chepstow Villas, the finest houses of this part of elegant Notting Hill, slept behind their pillared walls, their exotic shrubs and their trimmed hedges. White stucco, most of them, Georgian, which really meant mid-Victorian, Italianate and the rare example from the Arts and Crafts era, all bathed in faint moonlight. The street was empty but for one incongruous figure. Plodding down towards Denbigh Road was a young man with a backpack. Even in the lamplit and moonlit dark, Eugene recognised that potato face and shock of straw-coloured hair. He could actually remember his name from the time he had sat in this house, nervous, not knowing what to do with his hands, as he tried to make his potential benefactor believe that he had lost ninety-five pounds.

What could he be doing here at this hour? He was walking in the Denbigh Road direction, heading perhaps for Westbourne Park Road and, ultimately, for the council housing in Wornington Road or Golborne Road. It's nothing to me, Eugene thought. He's not doing any harm. It's a bad way to live, searching for crime where none exists, suspecting innocent people. What did he know to make him think Lance Platt was anything but a harmless and somewhat gormless youth?

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