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Tana French: Broken Harbour

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Tana French Broken Harbour

Broken Harbour: краткое содержание, описание и аннотация

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In Broken Harbour, a ghost estate outside Dublin – half-built, half-inhabited, half-abandoned – two children and their father are dead. The mother is on her way to intensive care. Scorcher Kennedy is given the case because he is the Murder squad's star detective. At first he and his rookie partner, Richie, think this is a simple one: Pat Spain was a casualty of the recession, so he killed his children, tried to kill his wife Jenny, and finished off with himself. But there are too many inexplicable details and the evidence is pointing in two directions at once. Scorcher's personal life is tugging for his attention. Seeing the case on the news has sent his sister Dina off the rails again, and she's resurrecting something that Scorcher thought he had tightly under control: what happened to their family, one summer at Broken Harbour, back when they were children. The neat compartments of his life are breaking down, and the sudden tangle of work and family is putting both at risk…

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“No.”

“No, it’s not. And, on top of that, a beat-up old Toyota would make us look like a pair of losers. That matters, my man. Not just to my ego. If the bad guys see a pair of losers, they feel like their balls are bigger than ours, and that makes it harder to break them down. If the good guys see a pair of losers, they figure we’ll never solve this case, so why should they bother trying to help us? And if we see a pair of losers every time we look in the mirror, what do you think happens to our odds of winning?”

“They go down. I guess.”

“Bingo. If you want to come out a success, Richie, you cannot go in smelling of failure. Do you get what I’m saying here?”

He touched the knot in his new tie. “Dress better. Basically.”

“Except that it’s not basic, old son. There’s nothing basic about it. The rules are there for a reason. Before you go breaking them, you might want to have a think about what that reason might be.”

I hit the M1 and opened up wide, letting the Beemer do her thing. Richie glanced at the speedometer, but I knew without looking that I was bang on the limit, not a single mile over, and he kept his mouth shut. Probably he was thinking what a boring bollix I was. Plenty of people think the same thing. All of them are teenagers, mentally if not physically. Only teenagers think boring is bad. Adults, grown men and women who’ve been around the block a few times, know that boring is a gift straight from God. Life has more than enough excitement up its sleeve, ready to hit you with as soon as you’re not looking, without you adding to the drama. If Richie didn’t know that already, he was about to find out.

* * *

I’m a big believer in development-blame the property developers and their tame bankers and politicians for this recession if you want, but the fact is, if it wasn’t for them thinking big, we’d never have got out of the last one. I’d rather see an apartment block any day, all charged up with people who go out to work every morning and keep this country buzzing and then come home to the nice little places they’ve earned, than a field doing bugger-all good to anyone except a couple of cows. Places are like people are like sharks: if they stop moving, they die. But everyone has one place that they like to think is never going to change.

I used to know Broken Harbor like the back of my hand, when I was a skinny little guy with home-cut hair and mended jeans. Kids nowadays grew up on sun holidays during the boom, two weeks in the Costa del Sol is their bare minimum. But I’m forty-two and our generation had low expectations. A few days by the Irish Sea in a rented caravan put you ahead of the pack.

Broken Harbor was nowhere, back then. A dozen scattered houses full of families named Whelan or Lynch who’d been there since evolution began, a shop called Lynch’s and a pub called Whelan’s, and a handful of caravan spaces, just a fast barefoot run over slipping sand dunes and between tufts of marram grass to the cream-colored sweep of beach. We got two weeks there every June, in a rusty four-bunker that my dad booked a year in advance. Geri and I got the top bunks; Dina got stuck on the bottom, opposite my parents. Geri got first pick because she was the oldest, but she always wanted the land-facing side so she could see the ponies in the field behind us. That meant I got to open my eyes every morning on white lines of sea foam and leggy birds dashing along the sand, all of it glinting in the early light.

The three of us were up and out at daybreak with a slice of bread and sugar in each hand. We had all-day games of pirates with the kids from the other caravans, went freckly and peeling from salt and windburn and the odd hour of sunshine. For tea my mother would fry up eggs and sausages on a camping stove, and afterwards my father would send us to Lynch’s for ice creams. We’d come back to find my mum sitting on his lap, leaning her head into the curve of his neck and smiling dreamily out at the water; he’d wind her hair around his free hand, so the sea breeze wouldn’t whip it into her ice cream. I waited all year to see them look like that.

Once I got the Beemer off the main roads I started remembering the route, like I had known I would, just a faded sketch at the back of my head: past this clump of trees-taller, now-left at that kink in the stone wall. Right where the water should have risen into view over a low green hill, though, the estate came charging up out of nowhere and blocked our way like a barricade: rows of slate roofs and white gables stretching for what looked like miles in either direction, behind a high breeze-block wall. The signboard at the entrance said, in flamboyant curly lettering the size of my head, WELCOME TO OCEAN VIEW, BRIANSTOWN. A NEW REVELATION IN PREMIER LIVING. LUXURY HOUSES NOW VIEWING. Someone had spray painted a big red cock and balls over it.

At first glance, Ocean View looked pretty tasty: big detached houses that gave you something substantial for your money, trim strips of green, quaint signposts pointing you towards LITTLE GEMS CHILDCARE and DIAMONDCUT LEISURE CENTER. Second glance, the grass needed weeding and there were gaps in the footpaths. Third glance, something was wrong.

The houses were too much alike. Even on the ones where a triumphant red-and-blue sign yelled SOLD, no one had painted the front door a crap color, put flowerpots on the windowsills or tossed plastic kiddie toys on the lawn. There was a scattering of parked cars, but most of the driveways were empty, and not in a way that said everyone was out powering the economy. You could look straight through three out of four houses, to bare rear windows and gray patches of sky. A heavyset girl in a red anorak was shoving a buggy along a footpath, wind grabbing at her hair. She and her moon-faced kid could have been the only people within miles.

“Jaysus,” Richie said; in the silence his voice was loud enough that both of us jumped. “The village of the damned.”

The call sheet said 9 Ocean View Rise, which would have made more sense if the Irish Sea had been an ocean or even if it had been visible, but I guess you make the most of whatever you’ve got. The GPS was getting out of its depth: it took us down Ocean View Drive, dead-ended us down Ocean View Grove-which hit the trifecta by having no trees anywhere in sight-and informed us, “You have reached your destination. Good-bye.”

I did a U-turn and went looking. As we got deeper into the estate, the houses got sketchier, like watching a film in reverse. Pretty soon they were random collections of walls and scaffolding, with the odd gaping hole for a window; where the housefronts were missing the rooms were littered with broken ladders, lengths of pipe, rotting cement bags. Every time we turned a corner I expected to see a swarm of builders at work, but the nearest we got was a battered yellow digger in a vacant lot, listing sideways among churned-up mud and scattered mounds of dirt.

No one lived here. I tried to aim us back in the general direction of the entrance, but the estate was built like one of those old hedge mazes, all cul-de-sacs and hairpin turns, and almost straightaway we were lost. A tiny dart of panic shot through me. I’ve never liked losing my bearings.

I pulled up at an intersection-reflex: it wasn’t like anyone was going to dash out in front of me-and in the quiet where the noise of the motor had been, we heard the deep boom of the sea. Then Richie’s head went up. He said, “What’s that?”

It was a short, raw, ripped-open shriek, repeating over and over, so regular it sounded mechanical. It spread out across mud and concrete and bounced off unfinished walls till it could have come from anywhere, or everywhere. As far as I could tell, that and the sea were the only sounds on the estate.

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