“You’re sure this happened at the time of her death? It couldn’t have happened earlier?”
“The marks would be much darker if the contusions had happened a day or two earlier and the blood had had a chance to settle in the surrounding tissue.”
An image came back—those fresh red marks on the girl’s arm in the interview room. Stella had let herself imagine that they were self-inflicted, but Molloy had just been with her. Was he threatening the girl? Had he forced her to point the finger at Niall Dawson for the murder of Vincent Claffey?
Of course Molloy knew Anca. Because she was mixed up with Vincent Claffey, and so was he. How could she have been so thick? Molloy and Claffey and the Swiss book thieves, and perhaps Anca as well—they were all in on it. That secondment to the Antiquities Task Force, and all those cracks Molloy kept making about treasure hunters trying to corrupt Guards—she’d heard only what was on the surface and not the truth that lurked below. They know we’re always skint. He needed money, and for that he’d let himself be pulled into a hole so deep… Stella looked down at Anca Popescu’s fragile, battered face. Was it money that had driven Molloy to treat another human being like this? She felt the floor shift beneath her, and held on to the table for support.
“Detective?” Catherine Friel’s voice was louder now. “Stella, are you all right?”
Cormac emerged from his room at Killowen at about half-seven in the morning to find Eliana in the hallway, still in her dressing gown. She raced to his side, eyes wide and slightly frantic. “You’re awake, thanks God!” she cried. “He is gone again. I looked in his room, and the bath. Your father is not here.”
Cormac put his two hands on her shoulders. “Calm yourself. He can’t have been gone long. Have you any idea where he might have headed? Had you made plans for today?”
“Anthony was going to bring us eel fishing again, but not until later.”
“He may be mixed up about the time. Let’s see if we can find him at Anthony’s. You get dressed, and I’ll wake Nora and tell her where we’re going.”
He was trying to maintain a calm demeanor for Eliana’s sake, but Cormac could feel fear rising in his throat. It was tempting to believe that two murders had been solved with the discovery of stolen books in the storehouse, but what if Lucien and Sylvie were only book thieves and not killers?
It took nearly ten minutes to cover the fields between Killowen and Beglan’s place. They went up over the field and along the perimeter of the orchard, then down the narrow lane that separated the two farms.
Cormac turned to Eliana. “Don’t worry, I’m sure he’s fine. Probably having a very interesting conversation with Anthony Beglan right now.” Eliana allowed the ghost of a smile to pull at the corners of her mouth.
They turned down the lane that led to Beglan’s drive. Anthony had been here. The gate was open, the cattle grid littered with fresh dung from the morning’s milking.
“Hullo!” Cormac shouted as they approached the sheds. “Anyone here?”
No answer from the ruined cottage or the house. The shed gave off an acrid, rotten smell, as before, and Cormac held his nose as he approached the door. Something was not right here—he could feel it. With Eliana behind him, he pushed open the first door. In the center of the room was a strangely shaped chopping block alongside a crude table holding several rounded blades, plus a dozen or more stretching frames, some with half-dried skins upon them. The light from the grimy window glowed through the rough but translucent skins, casting the room in an eerie yellowish light. Jesus.
“Stay here,” he whispered to Eliana. “Don’t come any farther.”
Cormac crossed to the next doorway and pulled it open to reveal two large bubbling vats of opaque liquid the color of heavy cream. A sopping, pale skin lay draped across an old oar that had been adapted for use as a stirring paddle. Cormac felt his blood freeze. He ran forward and seized the paddle, and began feeling around in the cauldron, unaware of the agitator stirring up the bottom. It clamped on to his oar and practically lifted him from the ground, the oar bending and nearly snapping with the weight of him, until he was able to let go. The machinery stopped, and he dislodged the oar and finished stirring each of the vats. Nothing.
Anthony had to be here, Cormac thought. He wouldn’t leave this machinery running if he weren’t, surely. Cormac heaved himself away from the vat and surveyed the room. There was no place to hide. At the center of the third room hung a chain studded with large hooks, where Beglan evidently hung the bodies of recently slaughtered animals. One calf hung suspended by its hind legs, blood staining the metal trough below. Still dripping. So where was Beglan? Cormac inched around the corner, expecting the worst, but found only a skinned calf’s head, pink and white musculature exposed like an anatomical drawing. His eyes scoured the walls, the floors, looking for clues. All he could see were a couple of stalls in the far corner. A closer look revealed a handprint in blood on the dirt floor and a few stray bits of straw that must have been carried in by the calves. Above the print dangled a long pair of tongs on a coil of electric cable. The line ran to a control panel on the far wall. A stunning device of some kind, no doubt used on the animals. A spark leapt from the tongs and landed harmlessly on the dirt floor, prompting Cormac to cross and shut off the power.
A low moan came from the corner stall. Cormac dug through the straw, uncovering a semiconscious Anthony Beglan.
He lifted Beglan’s head and began checking for broken bones, obvious wounds. All he found was an angry circular burn at one temple but no blood anywhere. An accident, or a foiled attack? He gripped Beglan’s face. “Anthony, can you hear me? Is my father here? Joseph Maguire, is he here?”
Beglan opened his lips and emitted another low moan. He couldn’t speak but seemed to be trying to cast his eyes in the direction of the house. “It’s all right now,” Cormac said. “You’re going to be all right.”
He shouted for Eliana, and when she came around the corner, he thrust his mobile into her hand. “Stay here with Anthony and make sure he’s warm. He may be in shock. Ring emergency services, nine-nine-nine, and do exactly what they tell you. Do you understand? I’ve got to find my father.”
Cormac burst out the door of the shed, heading toward the house. He entered by the back door, trying to remember what his father had said on the morning after the fire. Some nonsense about Free Staters. It wasn’t exactly what he was trying to say, but he just kept banging on about it, so it must have been important. Trying to wring the meaning from his mixed-up words was like trying to crack an ever-changing code. Sometimes the words came in spurts, sounds or meanings like the one he intended but not quite the thing he meant. Letters transposed, or dropped altogether. Free Staters. Perhaps someone else had understood.
The kitchen was in disarray, although whether from a struggle or just general neglect, it was difficult to discern. Crockery in the sink, peeling wallpaper, the table and chairs pushed from the center of the room. Cormac bent down on one knee to examine the kitchen floor. There was a small amount of blood, about an arm’s length from the table.
But for the dripping faucet, the house was eerily still until a strangled cry came from the far corner. Cormac flung himself forward and found his father bound to a toppled chair, eyes wild, his mouth stuffed with gallnuts. He was choking. Cormac scrabbled for the blackened marbles that blocked the old man’s airway, spilling a shower of galls onto the floor. But there were more—he had to keep going until he reached the very deepest one, lodged in the windpipe. He couldn’t reach it. Too far down. He ran to the sink and seized a carving knife, slicing through the tape and watching the old man go into a spasm. He was dying. Cormac lifted him from behind, and cinching his arms around his father’s middle, gave a mighty squeeze. It worked—the last gall shot out of Joseph’s mouth and pinged off a windowpane four feet away.
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