Thomas Pynchon - Bleeding Edge

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Thomas Pynchon brings us to New York in the early days of the internet
It is 2001 in New York City, in the lull between the collapse of the dot-com boom and the terrible events of September 11th. Silicon Alley is a ghost town, Web 1.0 is having adolescent angst, Google has yet to IPO, Microsoft is still considered the Evil Empire. There may not be quite as much money around as there was at the height of the tech bubble, but there’s no shortage of swindlers looking to grab a piece of what’s left.
Maxine Tarnow is running a nice little fraud investigation business on the Upper West Side, chasing down different kinds of small-scale con artists. She used to be legally certified but her license got pulled a while back, which has actually turned out to be a blessing because now she can follow her own code of ethics—carry a Beretta, do business with sleazebags, hack into people’s bank accounts—without having too much guilt about any of it. Otherwise, just your average working mom—two boys in elementary school, an off-and-on situation with her sort of semi-ex-husband Horst, life as normal as it ever gets in the neighborhood—till Maxine starts looking into the finances of a computer-security firm and its billionaire geek CEO, whereupon things begin rapidly to jam onto the subway and head downtown. She soon finds herself mixed up with a drug runner in an art deco motorboat, a professional nose obsessed with Hitler’s aftershave, a neoliberal enforcer with footwear issues, plus elements of the Russian mob and various bloggers, hackers, code monkeys, and entrepreneurs, some of whom begin to show up mysteriously dead. Foul play, of course.
With occasional excursions into the DeepWeb and out to Long Island, Thomas Pynchon, channeling his inner Jewish mother, brings us a historical romance of New York in the early days of the internet, not that distant in calendar time but galactically remote from where we’ve journeyed to since.
Will perpetrators be revealed, forget about brought to justice? Will Maxine have to take the handgun out of her purse? Will she and Horst get back together? Will Jerry Seinfeld make an unscheduled guest appearance? Will accounts secular and karmic be brought into balance?
Hey. Who wants to know?

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Poor Gabe, he has to stand here at gunpoint and be lectured by his ex-mother-in-law-to-be, a forever-unreconstructed lefty yet.

“You guys gonna be all right?” calls Gunther. “I had tickets to Mamma Mia , it’s nearly curtain time, I can’t even scalp em now.”

“Try calling it a travel and entertainment deduction anyway, Gunther. And you be nice to him too,” Maxine warns Ice as he carefully backs away and gets in his limo. She waits till the elongated vehicle has made it to the corner and turned, slides behind the wheel of the Impala, cranks up the radio, which is in the middle of a Tammy Wynette set from someplace across the river, and proceeds cautiously crosstown.

“We better assume he saw your plates,” sez March.

“Means an all-points bulletin.”

“Killer drones, more likely.”

“Precisely why,” Maxine wrestling the power-steering-challenged monster up and down a number of underlit streets, “we’re going to keep off bridges, out of tunnels, stay right here in town, and go hide in plain sight.”

Which after a scenic spin against a deep panorama of lights down and up the West Side Highway, turns out to be Warpspeed Parking again. Glancing up in the mirror, still empty of anything but the night street, “OK if I take it down myself, Hector? You didn’t see us, right?”

“D and D, mami.

Winding forever down into regions of older and more dilapidated brickwork, corroded from generations of car emissions. The Impala’s exhaust comes into its own, like a teen vocalist in a high-school boys’ room.

March lights a joint and after a while, paraphrasing Cheech & Chong, drawls, “I woulda shot him, man.”

“You heard what he said. I think this is in his contract with the Death Lords he works for. He’s protected. He walked away from a loaded handgun, that’s all. He’ll be back. Nothing’s over.”

“You think he meant all that about getting Kennedy away from me?” Tallis quavers.

“Might not be that easy. He’ll keep running cost-benefit workups and find that there’s too many people coming at him from too many different directions, the SEC, the IRS, the Justice Department, he can’t buy them all off. Plus competitors friendly and otherwise, hacker guerrillas, sooner or later those billions will start to dwindle, and if he has any sense, he’ll pack up and split for someplace like Antarctica.”

“I hope not,” sez March, “global warming’s not bad enough? The penguins—”

Maybe it’s this Luxury Lounge interior—forty years down the road with the not-yet-damped vibrations of Midwest teen fantasies that’ve worked their way into the grain of the metallic turquoise vinyl, the loop-carpet floor mats, the ashtrays overflowing with ancient cigarette butts, some with lipstick shades not sold for years, each with a history of some romantic vigil, some high-speed pursuit, whatever Horst saw in this rolling museum of desire when he answered the ad in the Pennysaver back whenever it was, set and setting, as Dr. Tim always liked to say, now, presently, has wrapped them, brought them in from the unprofitable drill-fields of worry about the future, here inside, to repose, to unfurrowing, each eventually to her own dreams.

Next thing anybody knows, it’s morning. Maxine is slouched across the front seat, and March and Tallis are waking up in back, and everybody feels creaky.

They ascend to the street, where once again, overnight, all together, pear trees have exploded into bloom. Even this time of year, there could still be snow, it’s New York, but for now the brightness in the street is from flowers on trees whose shadows are texturing the sidewalks. It’s their moment, the year’s great pivot, it’ll last for a few days, then all collect in the gutters.

The Piraeus Diner is coming off another overnight of dope-scourged hipsters, funseekers who have failed to hook up, night owls who’ve missed the last trains back to the suburbs. Refugees from the sunless half of the cycle. Whatever it was they thought they needed, coffee, a cheeseburger, a kind word, the light of dawn, they’ve kept watch, stayed awake and caught sight of it at least, or nodded off and missed it once again.

Maxine has a quick cup of coffee and leaves March and Tallis with a tableful of breakfast to revisit their food issues. Heading back to the apartment to pick up the boys and see them to school, she notices a reflection in a top-floor window of the gray dawn sky, clouds moving across a blear of light, unnaturally bright, maybe the sun, maybe something else. She looks east to see what it might be, but whatever it is shining there is still, from this angle, behind the buildings, causing them to inhabit their own shadows. She turns the corner onto her block and leaves the question behind. It isn’t till she’s in the elevator of her building that she begins to wonder, actually, whose turn it is to take the kids to school. She’s lost track.

Horst is semiconscious in front of Leonardo DiCaprio in “The Fatty Arbuckle Story,” and does not look street-ready. The boys have been waiting for her, and of course that’s when she flashes back to not so long ago down in DeepArcher, down in their virtual hometown of Zigotisopolis, both of them standing just like this, folded in just this precarious light, ready to step out into their peaceable city, still safe from the spiders and bots that one day too soon will be coming for it, to claim-jump it in the name of the indexed world.

“Guess I’m running a little late, guys.”

“Go to your room,” Otis shrugging into his backpack and out the door, “you are, like, so grounded.”

Ziggy surprising her with an unsolicited air kiss, “See you later at pickup, OK?”

“Give me a second, I’ll be right with you.”

“It’s all right, Mom. We’re good.”

“I know you are, Zig, that’s the trouble.” But she waits in the doorway as they go on down the hall. Neither looks back. She can watch them into the elevator at least.

ABOUT THE AUTHOR

THOMAS PYNCHON is the author of V. , The Crying of Lot 49, Gravity’s Rainbow, Slow Learner , a collection of short stories, Vineland, Mason & Dixon, Against the Day , and, most recently, Inherent Vice . He received the National Book Award for Gravity’s Rainbow in 1974.

ALSO BY THOMAS PYNCHON

Slow Learner

V.

The Crying of Lot 49

Gravity’s Rainbow

Vineland

Mason & Dixon

Against the Day

Inherent Vice

Copyright

THE PENGUIN PRESS

Published by the Penguin Group

Penguin Group (USA) LLC, 375 Hudson Street,

New York, New York 10014, USA

Bleeding Edge - изображение 2

USA • Canada • UK • Ireland • Australia • New Zealand • India • South Africa • China

A Penguin Random House Company

First published by The Penguin Press, a member of Penguin Group (USA) LLC, 2013

Copyright © 2013 by Thomas Pynchon

Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.

Library of Congress Cataloging-in-Publication Data

Pynchon, Thomas.

Bleeding edge / Thomas Pynchon.

pages cm

ISBN 978-0-698-14268-8

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