Belinda Bauer - Rubbernecker

Every other day they turn me from my back on to one of my sides. On my left side I get a much better view of the ward. I watch the nurses eating chocolates at the station outside the door, and Tracy Evans making eyes at that tall, well-dressed man who comes in at night to ignore his wife. I follow the cleaner halfway round the room with my eyes. He’s slow as treacle and misses loads, but the floor is still smooth and shiny enough to make me want to skid about it in my socks. I can see the fancy little white stereo I’m attached to by white wires. There are maybe fifty tracks that I used to love, and it takes about three hours to run through them. And start again. Three hours into twenty-four is eight. I listen to each track eight times every twenty-four hours, fifty-six times every week, two hundred and twenty-four times a month, until I feel I’m going mad.

When they turn me the other way – towards the window – I can’t see anything but sky and wall, and it makes me so frightened I shake.

He’s still incredibly vulnerable .

The doctor’s words run through my head on a loop. Incredibly vulnerable. That’s how I feel every second I spend on my right side. With my back to the room, the world sneaks around behind me. Anything could happen. A mad axeman could be slaughtering the other patients; a wolf might slink into the room and pad silently towards me; a nurse could inject something into my saline drip: insulin, or rat poison, and I would never know. Not until the agony started.

Incredibly vulnerable .

I stare at the wall and long for Jeremy Clarkson’s repulsive head.

The only good thing about the right side is seeing the sky. Summer must be coming, and I count the days when the sky is blue instead of grey or white, or spitting rain. Once I get to three. Three whole days of blue! People at work would be making crap jokes about it by now. Hot enough for you? They’ll be banning hosepipes next. Did you enjoy the summer?

Yeah, this is one hell of a summer – lying in my own shit, aching with stillness, fed through a cold tube in my side.

Sometimes Tracy Evans brings me a little alphabet screen called a Possum, so that I can write a novel. Ha ha – it takes me a week of blinking in time to her random pointing to ask her to turn off the fucking music . Then I feel bad because I should have been using that energy to tell her to call 999 and report a suspicious death, but now I’m exhausted, and she’s gone all tight-lipped.

At least she turned the music off. And now that the babbling, crying man has been murdered, there’s often a soft and wonderful silence like big powder puffs over my ears, so I can think of anything that floats into my head. Like the time Alice bought that slinky little green dress for the works Christmas party, and how I got a payrise a month later that she always claimed was hers . Or Lexi’s fourth birthday party, when Cerys Jones from next door wet herself so badly during pass-the-parcel that three other kids had to go home in borrowed knickers. I remember bringing Patch home – so tiny that Lexi thought he was a hamster, and the time she ran inside shouting that there was a toucan in the garden, which turned out to be a magpie holding a cream cracker. The stuffy ward recedes for hours as I think of the Gower wind in my hair; laughing until we cried, and the pink kite’s farewell tug.

I don’t like Tracy Evans, but I get used to her and the other nurses, and to the therapist, Leslie, who tortures me grimly. The doctors don’t have name tags and I hardly see the same one twice, so it’s hard to keep track, but the nurses all have tags – as if they’re domestic pets. Jean, Tracy and Angie. Fido, Rover and Tiddles. There are others, but not every day.

Jean is the best of them. Older, and thin and wrinkled with work. Angie is the shy, pretty one, who has two of her fingers taped from some old injury, but who never uses it as an excuse. Tracy is the worst. She cares – but only when the doctors are around. When they’re not, she’s lazy and slack. She never wipes the inside of my sticky mouth with water – even when I stare constantly at the jug. She does her nails at the nurses’ station while call buttons buzz. She hides the chocolates they keep there. I see her. I know her. At school we had half a dozen Tracys every year – loud, orange, stupid. Flirts and bullies.

You got a girlfriend, sir? Is she pretty, sir? My friend fancies you, sir .

Then they were just a mild irritation.

Now a Tracy holds my life in her hands.

MEG STILL HADN’T named their body, although several other groups had. Number 4 was Rufus, due to his red chest hair; Number 7 – the cadaver whose leg Patrick had touched on the first day – was called Dolly, because of her residual pink nail polish; and Number 2 had been christened Woody for his post-mortem tumescence.

‘There’s always a Woody,’ Spicer told them with a rolling eye. He seemed to have forgotten Patrick’s transgression and had reverted to his usual good humour.

The students had slowly become more casual about their work. The dissecting room was no longer nervously silent, but more like a factory where they all worked on a strange disassembly line.

There was also an air of competition now – to see who could make the finest incision, the most efficient dissection of the foot, the fastest removal of a hand. Every time they came into the lab, there was still a low buzz of anticipation about cause of death. Now and then, Mick – the cadaverous lab technician – emerged from his glass box of an office to taunt them about it. At least, that’s what it felt like, as he walked among them like the Grim Reaper, raising a bushy eyebrow here, tutting quietly there. He carried with him a sheet on a clipboard, and every time someone established a cause of death, he was openly disappointed – as if a secret that had once been his alone was diminished by being shared.

Table 22 had opened the floodgates. It seemed that suddenly everyone was finding tumours and clots and fluid-filled lungs. Cancers and blocked arteries were the order of the day.

‘Had a suicide once,’ Mick said suddenly one day as he stared down at Number 19. His eyes took on the misty look of a man remembering a romantic beach holiday.

‘Hanging. Neck wasn’t broken though, so we accepted the donation. Just some bruising and blood in the eyes.’

He sighed as if to say, Those were the days .

‘Was it a woman?’ said Patrick.

‘Yes.’

‘Is that why the neck wasn’t broken?’

Mick nodded and looked at Patrick as if seeing him for the first time. ‘She only weighed eighty-two pounds. So she strangled really.’

Meg grimaced. ‘Poor girl.’

Mick shrugged. ‘There are worse things than dying.’

‘Really?’ said Meg.

‘Of course,’ said the tech. ‘Living badly.’

Patrick didn’t actually care what their cadaver had died of, but he hated to give up on any puzzle. He’d always been that way – always insisted on working things through to their logical conclusion. He hated having help in these endeavours, and was as bent on solving the mystery of Number 19 as he had been about debunking the amateur magician at a school fête.

I can see the rabbit’s ears sticking out!

Shut up, boyo .

Every time another organ was given the all-clear, Patrick’s frustration grew. He dropped the perfect liver into a plastic bag, pulled the zip-tie tight with a loud buzz, and slung it under the table to join the rest of Number 19’s innards.

Spicer winked at him. ‘It’s only a bit of fun,’ he said.

Patrick frowned. He didn’t answer pointless statements.

Turning Number 19 over was a messy business, with bits of him falling out of the chest cavity and on to the floor. At one point Patrick got his left hand caught in the sharp remains of the ribs, and almost panicked at the thought that the bone might tear his rubber glove and pierce his own skin the way they ’d been invading the corpse’s flesh for the past three months.