Robert Burns - The Complete Works
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- Название:The Complete Works
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January 1, 1789.
XCVIII. ADDRESS TO THE TOOTHACHE
[“I had intended,” says Burns to Creech, 30th May, 1789, “to have troubled you with a long letter, but at present the delightful sensation of an omnipotent toothache so engrosses all my inner man, as to put it out of my power even to write nonsense.” The poetic Address to the Toothache seems to belong to this period.]
My curse upon thy venom’d stang,
That shoots my tortur’d gums alang;
And thro’ my lugs gies mony a twang,
Wi’ gnawing vengeance;
Tearing my nerves wi’ bitter pang,
Like racking engines!
When fevers burn, or ague freezes,
Rheumatics gnaw, or cholic squeezes;
Our neighbours’ sympathy may ease us,
Wi’ pitying moan;
But thee—thou hell o’ a’ diseases,
Ay mocks our groan!
Adown my beard the slavers trickle!
I kick the wee stools o’er the mickle,
As round the fire the giglets keckle,
To see me loup;
While, raving mad, I wish a heckle
Were in their doup.
O’ a’ the num’rous human dools,
Ill har’sts, daft bargains, cutty-stools,
Or worthy friends rak’d i’ the mools,
Sad sight to see!
The tricks o’ knaves, or fash o’ fools,
Thou bears’t the gree.
Where’er that place be priests ca’ hell,
Whence a’ the tones o’ mis’ry yell,
And ranked plagues their numbers tell,
In dreadfu’ raw,
Thou, Toothache, surely bear’st the bell
Amang them a’!
O thou grim mischief-making chiel,
That gars the notes of discord squeel,
’Till daft mankind aft dance a reel
In gore a shoe-thick!—
Gie’ a’ the faes o’ Scotland’s weal
A towmond’s Toothache.
XCIX. ODE SACRED TO THE MEMORY OF MRS. OSWALD, OF AUCHENCRUIVE
[The origin of this harsh effusion shows under what feelings Burns sometimes wrote. He was, he says, on his way to Ayrshire, one stormy day in January, and had made himself comfortable, in spite of the snow-drift, over a smoking bowl, at an inn at the Sanquhar, when in wheeled the whole funeral pageantry of Mrs. Oswald. He was obliged to mount his horse and ride for quarters to New Cumnock, where, over a good fire, he penned, in his very ungallant indignation, the Ode to the lady’s memory. He lived to think better of the name.]
Dweller in yon dungeon dark,
Hangman of creation, mark!
Who in widow-weeds appears,
Laden with unhonoured years,
Noosing with care a bursting purse,
Baited with many a deadly curse?
Strophe.
View the wither’d beldam’s face—
Can thy keen inspection trace
Aught of Humanity’s sweet melting grace?
Note that eye, ’tis rheum o’erflows,
Pity’s flood there never rose.
See these hands, ne’er stretch’d to save,
Hands that took—but never gave.
Keeper of Mammon’s iron chest,
Lo, there she goes, unpitied and unblest
She goes, but not to realms of everlasting rest!
Antistrophe.
Plunderer of armies, lift thine eyes,
(Awhile forbear, ye tort’ring fiends;)
Seest thou whose step, unwilling hither bends?
No fallen angel, hurl’d from upper skies;
’Tis thy trusty quondam mate,
Doom’d to share thy fiery fate,
She, tardy, hell-ward plies.
Epode.
And are they of no more avail,
Ten thousand glitt’ring pounds a-year?
In other worlds can Mammon fail,
Omnipotent as he is here?
O, bitter mock’ry of the pompous bier,
While down the wretched vital part is driv’n!
The cave-lodg’d beggar, with a conscience clear,
Expires in rags, unknown, and goes to Heav’n.
C. FRAGMENT INSCRIBED TO THE RIGHT HON. C.J. FOX
[It was late in life before Burns began to think very highly of Fox: he had hitherto spoken of him rather as a rattler of dice, and a frequenter of soft company, than as a statesman. As his hopes from the Tories vanished, he began to think of the Whigs: the first did nothing, and the latter held out hopes; and as hope, he said was the cordial of the human heart, he continued to hope on.]
How wisdom and folly meet, mix, and unite;
How virtue and vice blend their black and their white;
How genius, th’ illustrious father of fiction,
Confounds rule and law, reconciles contradiction—
I sing: if these mortals, the critics, should bustle,
I care not, not I—let the critics go whistle!
But now for a patron, whose name and whose glory
At once may illustrate and honour my story.
Thou first of our orators, first of our wits;
Yet whose parts and acquirements seem mere lucky hits;
With knowledge so vast, and with judgment so strong,
No man with the half of ‘em e’er went far wrong;
With passions so potent, and fancies so bright,
No man with the half of ‘em e’er went quite right;—
A sorry, poor misbegot son of the muses,
For using thy name offers fifty excuses.
Good L—d, what is man? for as simple he looks,
Do but try to develope his hooks and his crooks;
With his depths and his shallows, his good and his evil,
All in all he’s a problem must puzzle the devil.
On his one ruling passion Sir Pope hugely labours,
That, like th’ old Hebrew walking-switch, eats up its neighbours;
Mankind are his show-box—a friend, would you know him?
Pull the string, ruling passion the picture will show him.
What pity, in rearing so beauteous a system,
One trifling particular, truth, should have miss’d him;
For spite of his fine theoretic positions,
Mankind is a science defies definitions.
Some sort all our qualities each to its tribe,
And think human nature they truly describe;
Have you found this, or t’other? there’s more in the wind,
As by one drunken fellow his comrades you’ll find.
But such is the flaw, or the depth of the plan,
In the make of that wonderful creature, call’d man,
No two virtues, whatever relation they claim,
Nor even two different shades of the same,
Though like as was ever twin brother to brother,
Possessing the one shall imply you’ve the other.
But truce with abstraction, and truce with a muse,
Whose rhymes you’ll perhaps, Sir, ne’er deign to peruse:
Will you leave your justings, your jars, and your quarrels,
Contending with Billy for proud-nodding laurels.
My much-honour’d Patron, believe your poor poet,
Your courage much more than your prudence you show it;
In vain with Squire Billy, for laurels you struggle,
He’ll have them by fair trade, if not, he will smuggle;
Not cabinets even of kings would conceal ‘em,
He’d up the back-stairs, and by G—he would steal ‘em.
Then feats like Squire Billy’s you ne’er can achieve ‘em;
It is not, outdo him, the task is, out-thieve him.
CI. ON SEEING A WOUNDED HARE LIMP BY ME, WHICH A FELLOW HAD JUST SHOT
[This Poem is founded on fact. A young man of the name of Thomson told me—quite unconscious of the existence of the Poem—that while Burns lived at Ellisland—he shot at and hurt a hare, which in the twilight was feeding on his father’s wheat-bread. The poet, on observing the hare come bleeding past him, “was in great wrath,” said Thomson, “and cursed me, and said little hindered him from throwing me into the Nith; and he was able enough to do it, though I was both young and strong.” The boor of Nithside did not use the hare worse than the critical Dr. Gregory, of Edinburgh, used the Poem: when Burns read his remarks he said, “Gregory is a good man, but he crucifies me!”]
Inhuman man! curse on thy barb’rous art,
And blasted be thy murder-aiming eye;
May never pity soothe thee with a sigh,
Nor ever pleasure glad thy cruel heart.
Go live, poor wanderer of the wood and field!
The bitter little that of life remains:
No more the thickening brakes and verdant plains
To thee shall home, or food, or pastime yield.
Seek, mangled wretch, some place of wonted rest,
No more of rest, but now thy dying bed!
The sheltering rushes whistling o’er thy head,
The cold earth with thy bloody bosom prest.
Oft as by winding Nith, I, musing, wait
The sober eve, or hail the cheerful dawn;
I’ll miss thee sporting o’er the dewy lawn,
And curse the ruffian’s aim, and mourn thy hapless fate.
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