Berthold Auerbach - On the Heights - A Novel

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As a singer, Madame Gunther had been a great favorite, both in social circles and at important vocal performances. Her voice was a full, resonant soprano and, although she had given up singing solos, she and her daughters would still take part when great musical works were performed. When fresher voices had taken the solo parts, she had, without a murmur of regret, retired to her place in the chorus.

And thus, too, was her life. Self-reliant and diligent at home, she took an active interest in all public institutions in which women were permitted to take part. She had preserved one priceless heirloom-she was free from nervousness and, with her, public spirit was a duty. She educated her children, managed her household, was a kind and attentive hostess, and performed all this as if obeying the simple instincts of her nature.

She honored her husband. Whatever he said was always of special weight, but still she held fast to her own judgment. Although she had been living in the capital for nearly twenty years, she had remained a stranger to the whole of the hodge-podge system of caste and the granting of favors by the grace of this or that one. She was not opposed to the system, but she left such matters to those in whose eyes they possessed value and importance; as for herself, she regarded them with absolute indifference.

She was pleased at the honors shown her husband, but that seemed, to her, a matter of course. He was a great man, and if the world had withheld its praise, he would, in her eyes, still have been the greatest and best of men. Her whole bearing expressed this feeling. She had never had the slightest desire to appear at court, and when her husband was obliged to be away from home by day or at night, and often for weeks at a time, she accepted his absence as unavoidably incident to his calling, and refrained from adding to his discomfort by complaining thereat.

When the doctor returned, it was always to a well-ordered home. Refreshed and invigorated by its influence, he would go back to the smooth and slippery precincts of the court.

Irma was now introduced to this home. In appearance, she was all beauty and dignity, and no one would have guessed how forlorn and homeless she felt within her heart. In her hand, she held the bouquet which had, as usual, been sent to her that day, by the king's orders. Gunther had told her that this was his daughter Paula's birthday, and she had brought the flowers for her. They were as lovely as she who brought them. And yet what was it that clung to them? It was almost sinful to use the bouquet as a birthday favor, for Irma felt mortified when she received it. But the flowers were as coin that might be passed on to another.

When Irma entered the house, she felt as if escaping from the noise and bustle of the market-place, or the restless life and cries of the highway, into a temple of domestic peace.

The house was on a little, narrow street, and was surrounded by a garden full of tall, fine trees. A portion of the yard had been fenced off and converted into an aviary. The hallway and rooms were adorned with statuettes and pictures; the furniture was simple and massive. The doctor's library, reception-room and study were in the upper story.

There had been no preparations of any kind for Irma's reception. The mother had carefully enjoined her daughters not to make any change in their dress on account of the countess's visit. They did not go out to meet her. She was conducted through the summer house, where the flowers and presents for Paula had been arranged, and there, on the steps, sat Madame Gunther and her daughters, busily engaged in needlework. The elder daughter, the wife of Professor Korn of the university, had her child with her. Paula, the younger of the two, who, like Irma, had just entered her twenty-first year, could not be termed beautiful, but had a bright and cheerful countenance and a fine figure.

Irma was warmly welcomed. As it was Gunther's hour for consultation, he soon retired and left her with the ladies. She was surprised, at first, to find herself repeatedly accosted as the daughter of an old friend. She was not here on her own merit, or as the most admired of all the ladies at court, but simply as Count Eberhard's daughter, who had been received into the house from an affectionate sense of duty. When asked about her father's health, she thanked them, although she felt sad at heart to think that she knew so little of him. How utterly different from hers was the life these children led.

Music soon afforded a convenient and agreeable change. On the piano, there lay a composition in manuscript. It was by a nephew of Madame Gunther's, who lived in northern Germany. Madame Gunther told her that he was a philologist by profession, but that, as he would, in all likelihood, lose his eyesight, he had determined to cultivate his decided musical gifts and to perfect himself as a musician.

Irma begged Madame Gunther to sing the song, but she replied that, while her voice was no longer equal to it, that of the countess was exactly suited to it. She gave the manuscript to Irma, who read it over and afterward sang it with rich, full voice, to Madame Gunther's accompaniment. The composition was pleasing, but full of suggestions of well-known masters.

Madame Gunther now showed what she meant by practical singing. Irma did not make the best use of the means at her command, and where there were faults showed them too plainly. The doctor's wife instructed her in a simple, unpretentious manner, and Irma remarked that the daughters ought to feel happy to think that they could hear such singing every day.

"And this is my son, the most grateful of all listeners," said Madame Gunther, introducing a handsome young man with a full, brown beard. He was technical director in a manufactory of chemicals, and had brought a student with him. Female friends who lived in the neighborhood joined them soon afterward, and there were merry times on the terrace and in the garden.

Irma remarked the attentive glances directed upon her. It seemed to her as if all knew the troubles that filled her soul; she had completely forgotten how beautiful she was.

"Pardon me, Madame Gunther, for looking at you so," said Irma, suddenly, "but I am somewhat of a dabbler in plastic art, and when I notice the contour and color of your head, it seems as if the Holbein Madonna, of the Dresden Gallery, had come to life and was standing before me."

"Can you really see the resemblance, at this late day?" asked Madame Gunther, blushing slightly; "in former days, it was often remarked and was almost the very first thing my husband said to me in Zurich, now well-nigh twenty-six years ago. On my mother's side I can trace my descent from the family of Burgomaster Maier, by whose orders the picture was originally painted."

Irma was delighted with all that she heard and saw, and especially with Madame Gunther's reminiscences. While speaking of her own efforts in the way of art, she looked at the doctor's wife earnestly, and only wished she were able to model a portrait, in which case Madame Gunther would have to sit to her. She could not help thinking, at the same time, that there was a culture which had been handed down from earliest times: a culture whose history, running through all ages, is entirely different from that of the nobility, and that the best results of human effort had been brought about, not by the nobles, but by civic liberty.

Madame Gunther asked Irma whether she had a picture of her mother.

Irma replied that her father had had a portrait taken of her mother when in the fullness of her beauty. The picture had been a failure, and almost seemed as if intended for some one else, and so her father had ordered it to be destroyed. He would rather have no picture than a false one.

"That, of itself, is enough to make one honor him for his love of truth," said Madame Gunther. "Most people are satisfied with what is false, and keep on saying: 'you can recognize this or that feature,' until they, at last, persuade themselves that it must once have been a true likeness."

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