Чарльз Диккенс - The Letters of Charles Dickens. Vol. 1, 1833-1856

Believe me, my dear Macready, Ever faithfully yours.

P.S. – For Heaven's sake don't fancy that I hold "The Strange Gentleman" in any estimation, or have a wish upon the subject.

48, Doughty Street, December 13th, 1838.

My dear Macready,

I can have but one opinion on the subject – withdraw the farce at once, by all means.

I perfectly concur in all you say, and thank you most heartily and cordially for your kind and manly conduct, which is only what I should have expected from you; though, under such circumstances, I sincerely believe there are few but you – if any – who would have adopted it.

Believe me that I have no other feeling of disappointment connected with this matter but that arising from the not having been able to be of some use to you. And trust me that, if the opportunity should ever arrive, my ardour will only be increased – not damped – by the result of this experiment.

Believe me always, my dear Macready, Faithfully yours.

Charles Dickens was still living in Doughty Street, but he removed at the end of this year to 1, Devonshire Terrace, Regent's Park. He hired a cottage at Petersham for the summer months, and in the autumn took lodgings at Broadstairs.

The cottage at Alphington, near Exeter, mentioned in the letter to Mr. Mitton, was hired by Charles Dickens for his parents.

He was at work all through this year on "Nicholas Nickleby."

We have now the commencement of his correspondence with Mr. George Cattermole. His first letter was written immediately after Mr. Cattermole's marriage with Miss Elderton, a distant connection of Charles Dickens; hence the allusions to "cousin," which will be found in many of his letters to Mr. Cattermole. The bride and bridegroom were passing their honeymoon in the neighbourhood of Petersham, and the letter refers to a request from them for the loan of some books, and also to his having lent them his pony carriage and groom, during their stay in this neighbourhood.

The first letter in this year to Mr. Macready is in answer to one from him, announcing his retirement from the management of Covent Garden Theatre.

The portrait by Mr. Maclise, mentioned to Mr. Harley, was the, now, well-known one, which appeared as a frontispiece to "Nicholas Nickleby."

Doughty Street, Sunday.

My dear Macready,

I will have, if you please, three dozen of the extraordinary champagne; and I am much obliged to you for recollecting me.

I ought not to be sorry to hear of your abdication, but I am, notwithstanding, most heartily and sincerely sorry, for my own sake and the sake of thousands, who may now go and whistle for a theatre – at least, such a theatre as you gave them; and I do now in my heart believe that for a long and dreary time that exquisite delight has passed away. If I may jest with my misfortunes, and quote the Portsmouth critic of Mr. Crummles's company, I say that: "As an exquisite embodiment of the poet's visions and a realisation of human intellectuality, gilding with refulgent light our dreamy moments, and laying open a new and magic world before the mental eye, the drama is gone – perfectly gone."

With the same perverse and unaccountable feeling which causes a heart-broken man at a dear friend's funeral to see something irresistibly comical in a red-nosed or one-eyed undertaker, I receive your communication with ghostly facetiousness; though on a moment's reflection I find better cause for consolation in the hope that, relieved from your most trying and painful duties, you will now have leisure to return to pursuits more congenial to your mind, and to move more easily and pleasantly among your friends. In the long catalogue of the latter, I believe that there is not one prouder of the name, or more grateful for the store of delightful recollections you have enabled him to heap up from boyhood, than,

My dear Macready, Yours always faithfully. New London Inn, Exeter, Wednesday Morning, March 6th, 1839.

Dear Tom,

Perhaps you have heard from Kate that I succeeded yesterday in the very first walk, and took a cottage at a place called Alphington, one mile from Exeter, which contains, on the ground-floor, a good parlour and kitchen, and above, a full-sized country drawing-room and three bedrooms; in the yard behind, coal-holes, fowl-houses, and meat-safes out of number; in the kitchen, a neat little range; in the other rooms, good stoves and cupboards; and all for twenty pounds a year, taxes included. There is a good garden at the side well stocked with cabbages, beans, onions, celery, and some flowers. The stock belonging to the landlady (who lives in the adjoining cottage), there was some question whether she was not entitled to half the produce, but I settled the point by paying five shillings, and becoming absolute master of the whole!

I do assure you that I am charmed with the place and the beauty of the country round about, though I have not seen it under very favourable circumstances, for it snowed when I was there this morning, and blew bitterly from the east yesterday. It is really delightful, and when the house is to rights and the furniture all in, I shall be quite sorry to leave it. I have had some few things second-hand, but I take it seventy pounds will be the mark, even taking this into consideration. I include in that estimate glass and crockery, garden tools, and such like little things. There is a spare bedroom of course. That I have furnished too.

I am on terms of the closest intimacy with Mrs. Samuell, the landlady, and her brother and sister-in-law, who have a little farm hard by. They are capital specimens of country folks, and I really think the old woman herself will be a great comfort to my mother. Coals are dear just now – twenty-six shillings a ton. They found me a boy to go two miles out and back again to order some this morning. I was debating in my mind whether I should give him eighteenpence or two shillings, when his fee was announced – twopence!

The house is on the high road to Plymouth, and, though in the very heart of Devonshire, there is as much long-stage and posting life as you would find in Piccadilly. The situation is charming. Meadows in front, an orchard running parallel to the garden hedge, richly-wooded hills closing in the prospect behind, and, away to the left, before a splendid view of the hill on which Exeter is situated, the cathedral towers rising up into the sky in the most picturesque manner possible. I don't think I ever saw so cheerful or pleasant a spot. The drawing-room is nearly, if not quite, as large as the outer room of my old chambers in Furnival's Inn. The paint and paper are new, and the place clean as the utmost excess of snowy cleanliness can be.

You would laugh if you could see me powdering away with the upholsterer, and endeavouring to bring about all sorts of impracticable reductions and wonderful arrangements. He has by him two second-hand carpets; the important ceremony of trying the same comes off at three this afternoon. I am perpetually going backwards and forwards. It is two miles from here, so I have plenty of exercise, which so occupies me and prevents my being lonely that I stopped at home to read last night, and shall to-night, although the theatre is open. Charles Kean has been the star for the last two evenings. He was stopping in this house, and went away this morning. I have got his sitting-room now, which is smaller and more comfortable than the one I had before.

You will have heard perhaps that I wrote to my mother to come down to-morrow. There are so many things she can make comfortable at a much less expense than I could, that I thought it best. If I had not, I could not have returned on Monday, which I now hope to do, and to be in town at half-past eight.

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