Willard Glazier - Ocean to Ocean on Horseback

Boston University, the Massachusetts Institute of Technology, one of the best scientific colleges on the continent, Tufts College and the celebrated Chauncy Hall School, are among the finest of Boston's many admirable educational institutions.

Mention has been made of the Harvard Monument, but not of the others among the scores of fine examples of the sculptor's art which are scattered throughout the city in generous profusion for the delight and the education of the public eye. The famous Bunker Hill Monument was naturally one of the first objects sought out by the writer on the occasion of his first visit to Boston. This splendid shaft of granite was dedicated to the fallen patriots of Bunker Hill in 1841, the corner-stone having been laid in 1825 by General Lafayette – Daniel Webster delivering the orations on both occasions. Its site, on Monument Square, Breed's Hill, is the spot where the Americans threw up the redoubt on the night before the memorable battle, and a tablet at its foot marks the place where the illustrious Warren fell.

The monument is 221-1/6 feet high – a fact fully realized only by climbing the 259 steps of the spiral staircase of stone in the interior of the shaft which leads to a small chamber near the apex, from which four windows look out upon the surrounding country – a superb vista. The cost of this monument was $150,000.

In the Public Gardens, in the Back Bay district, across from Commonwealth avenue, may be seen one of the largest pieces of statuary in America, and, according to some connoisseurs, the handsomest in Boston. This is Ball's huge statue of Washington, which measures twenty-two feet in height. The statue was unveiled in 1869, and it is said that not a stroke of work was laid upon it by any hand of artisan or artist outside of Massachusetts. The Beacon street side of the Public Gardens contains another famous statue – that of Edward Everett, by W. W. Story. Other great citizens whose memory has been perpetuated in life-like marble are Samuel Adams, William Lloyd Garrison and Colonel William Prescott. The Emancipation Group is a duplicate of the "Freedman's Memorial" statue in Washington. The soldiers' monuments in Dorchester, Charlestown, Roxbury, West Roxbury and Brighton commemorate the unnamed, uncounted, but not unhonored dead who laid down their lives on the battlefields of the Civil War.

An interesting object is the Ether Monument on the Arlington street side of the Public Gardens erected in recognition of the fact that it was in the Massachusetts General Hospital – in the face of terrible opposition and coldness and discouragement, as history tells us, though the marble does not – that Dr. Sims first gave the world his wonderful discovery of the power of ether to cause insensibility to pain.

That there should be so many of these fine pieces in Boston's parks and public places is matter for congratulation but scarcely for surprise. As a patron of music, literature, art and all the external graces of civilization she has so long and so easily held her supremacy that one is half inclined to believe that at least a delegation of the Muses, if not the whole sisterhood, had exchanged the lonely and unappreciated grandeur of Parnassus for a seat on one of Boston's three hills. The Handel and Haydn Society, the oldest musical society in the United States; the Harvard Musical Association; the famous Boston Symphony Orchestra and the Orpheus Club, speak – and right musically – of Boston's love for the art of which Cecilia was patron saint. Music Hall, an immense edifice near Tremont street, is the home of music in Boston. Here the symphony concerts are held weekly, and here all the musical "stars" whose orbit includes Boston make their first appearance before a critical "Hub" audience. Its great organ, with over 5,000 pipes, is one of the largest ever made.

The idea of a national university of music – sneered at and scouted when a few enthusiasts first talked and dreamed of it – took shape in 1867 in the now famous New England Conservatory of Music, founded by Eben Tourjée. It is a magnificent school in a magnificent home – the old St. James' Hotel on Franklin Square – with a hundred teachers from the very foremost rank of their profession. The conservatory has possibly done more for New England culture than any other influence save Harvard University.

The literary life of Boston needs neither chronicler nor comment. Such men as Thomas Bailey Aldrich, Oliver Wendell Holmes, Francis Parkman, Prescott, the historian, Longfellow, Lowell and countless others who, living, have made the city their home, or, dead, sleep in its chambers of Peace, have cast a glamour of books and bookmen and book-life around her until her title of "The Athens of America" has passed from jest to earnest. The earliest newspaper in America was the Boston News Letter ; and to-day its many newspapers maintain the highest standard of "up-to-date" journalism in the dignified, not the degrading sense of the word. Boston is indeed a "bookworm's paradise," with its splendid free lending library and low-priced book-stores, making access to the best authors possible to the poorest. The Atlantic Monthly , which for so many years has occupied a place unique and unapproachable among American magazines, is published here.

Art is represented by the magnificent Museum of Fine Arts, with its beautiful exterior and interior decorations and fine collection of antiques and art objects; the Art Club, the Sketch and the Paint and Clay clubs, as well as by the innumerable paintings and statues appearing in public places; by the Athenæum, the American Academy of Arts and Sciences, the Boston Society of Natural History, the Warren Museum and the Lowell Institute free lectures.

To draw this brief study of Boston to a close without mentioning her countless charities would be a grave omission, since these form so large a part of the city's life and activities. As is always the case in great towns, two hands are ever outstretched – that of Lazarus, pleading, demanding, and that of Dives – more unselfish now than in the days of the parable – giving again and yet again. Boston's philanthropists flatter themselves that there the giving is rather more judicious, as well as generous, than is frequently the case; and that "the pauperizing of the poor," that consummation devoutly to be avoided, is a minimized danger. The "Central Charity Bureau" and the "Associated Charities" systematize the work of relief, prevent imposture and duplication of charity, and do an invaluable service to the different organizations. Private subscriptions of citizens maintain the work, which is carried on in three fine buildings of brick and stone on Chardon street, one of which is used as a temporary home for destitute women and children. The Massachusetts General Hospital – which, save for the Pennsylvania Hospital, is the oldest in the country – the Boston City Hospital, the New England Hospital for Women and Children, and a number of other finely-organized institutions care efficiently for the city's sick and suffering. Orphan asylums, reform schools, missions of various sorts, and retreats for the aged and indigent, are numerous.

One of the most unique and interesting among these charities is "The Children's Mission to the Children of the Destitute," which aims to bring the little ones of these two sadly separated classes, the poor and the well-to-do, in contact for their mutual benefit. By its agency the forlorn little waifs of the streets are provided with home and friends, religious and secular instruction, and employment whenever necessary or advisable. Still more unique is the Massachusetts Charitable Mechanics' Association, whose vast building and hall on Huntingdon avenue occupies an area of over 110,000 square feet. As early as 1795 this association was founded to extend a helping hand to mechanics in difficulties, to establish libraries and classes for apprentices, offer premiums for inventions and improvements in trades, and give every encouragement to the tradesman. The building is a beautiful as well as a vast structure, and eight thousand people can be seated in the grand hall. The mechanics' festivals, fairs, and exhibitions of industry are held here from time to time, when there is much awarding of medals, prizes and honors.