Judith Gautier - The Usurper
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- Название:The Usurper
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"Impossible!" said Tika; "has he not told you that he loved you?"
"He has; and I believed him, because I was so eager to believe. But now I believe him no longer."
"Why?"
"Because if he loved me he would have married me long since, and taken me to his estates."
"But the affection which he bears his master keeps him at the Court of Osaka!"
"So he says; but is that the language of love I What would I nob sacrifice for him!.. Alas! I thirst for his presence! His face, so haughty, and yet so gentle, floats before my eyes! I long to fix it, but it escapes me! Ah! if I might but spend a few happy months with him, I would gladly kill myself afterwards, lulling myself to sleep with my love; and my past happiness would be a soft winding-sheet for me."
Fatkoura burst into sobs and hid her face in her hands. Tika strove to console her. She threw her arms around her, and said a thousand affectionate things, but could not succeed in calming her.
Suddenly a noise was heard at the other end of the room, and the little dog began to yelp.
Tika rose quickly and ran out, to prevent any servant from entering and seeing the emotion of her mistress; she soon returned beaming.
"It is he! it is he!" she exclaimed. "He is here; he wishes to see you."
"Do not jest with me, Tika!" said Fatkoura, rising to her feet.
"Here is his card," said the young girl; and she offered a paper to Fatkoura, who read at a glance: —
"Iwakura Teroumoto Mori, Prince of Nagato, entreats the honor of admission to your presence."
"My mirror!" she cried frantically. "I am horrible thus, – my eyes swollen, my hair disordered, dressed in a robe without embroidery! Alas! instead of weeping, I should have foreseen his coming, and busied myself with my toilette from early dawn!"
Tika brought the mirror of burnished metal, round as the full moon, and the box of perfumes and cosmetics.
Fatkoura took a pencil and lengthened her eyes. But her hand trembled, she made too heavy a line; then, wishing to repair the mistake, only succeeded in smearing her whole cheek with black. She clenched her fists with rage, and ground her teeth. Tika came to her aid, and removed the traces of her awkwardness. She placed upon the lower lip a little green paint, which became pink on contact with the skin. To replace the eyebrows, which had been carefully plucked out, she made two large black spots very high upon her forehead; to make the oval of her face longer, she sprinkled a little pink powder on her cheek-bones; then rapidly removed all the apparatus of the toilette, and threw over her mistress's shoulders a superb kirimon. Then she left the hall at full speed.
Fatkoura, trembling violently, stood beside the gotto as it lay on the floor, one hand holding up her mantle heavy with ornament, and eagerly fixed her gaze on the entrance.
At last Nagato appeared. He advanced, placing one hand on the golden hilt of one of his two swords, and, bowing with graceful dignity, said: "Pardon me, fair Fatkoura, if I come like a storm which sweeps across the sky unannounced by any foreboding clouds."
"You are to me like the sun when it rises from the sea," said Fatkoura, "and you are always expected. Stay! but a moment since I wept for your sake. See! my eyes are still red."
"Your eyes are like the evening and the morning stars," said the Prince. "But why did they drown their rays in tears? Can I have given you any cause to grieve?"
"You are here, and I have forgotten the cause of my sorrow," said Fatkoura, smiling; "perhaps I wept because you were far away."
"Why can I not be always here?" cried Nagato, with such an accent of truth that the young woman felt all her fears vanish, and a flash of joy illumined her countenance. Perhaps, however, she mistook the meaning of the Prince's words.
"Come closer," she said, "and rest upon these mats. Tika will serve us with tea and a few delicacies."
"Could I not first send the Kisaki a secret petition of the utmost importance?" asked Nagato. "I seized upon the pretext of this precious missive in order to get away from Osaka," he added, seeing a shadow on Fatkoura's brow.
"The sovereign has been vexed with me since your last appearance; I dare not approach her, or send any of my servants to her."
"And yet this note must be in her hands with the briefest possible delay," said Nagato, with a slight frown.
"What shall we do?" said Fatkoura, whom this trifling mark of distress had not escaped. "Will you come with me to one of my illustrious friends, the noble Iza-Farou No-Kami? She is in favor just now; perhaps she will help us."
"Let us go to her at once," said the Prince.
"Let us go," said Fatkoura with a sigh.
The young woman called Tika, who had remained in the next room, and signed to her to draw a sliding-panel, which opened upon a gallery encircling the pavilion.
"Are you going out, mistress?" said Tika. "Shall I summon your suite?"
"We are going incognito, Tika, to take a walk in the orchard. Really," she added, with her finger on her lips, "we are going to visit the noble Iza-Farou."
The maid bent her head in token of understanding. Fatkoura 'bravely set foot on the balcony, but sprang back hastily with an exclamation.
"It's a furnace," she cried.
Nagato picked up the fail lying upon the floor.
"Courage!" he said; "I will cool the air nearest your face."
Tika took a parasol, which she opened over her mistress's head, and Nagato waved the huge fan. They set out, sheltered at first by the projecting roof. Fatkoura led the way. Now and then she touched her finger-tips to the open-work cedar balustrade, and uttered a baby shriek at its burning contact. The pretty silken-haired dog, who had felt obliged to join the party, followed at a distance, growling, doubtless, remarks upon the madness of a walk at such an hour of the day.
They turned the corner of the house, and found themselves in front of it, at the top of a broad staircase leading to the garden, between two balusters ornamented with copper balls; a third baluster, in the centre of the staircase, divided it into two parts.
In spite of the intolerable heat and the vivid light, whose reflection from the sandy soil fairly blinded them, Fatkoura and the Prince of Nagato pretended to be walking with no other object than to pick a few flowers and admire the charming prospect which lay before them at every step. Although the gardens were deserted, they knew that the eye of the spy was never closed. They made haste to reach a shady alley, and soon arrived at a group of sumptuous pavilions scattered among the trees and connected by covered galleries.
"It is here," said Fatkoura, who, far from looking in the direction of the buildings of which she spoke, was leaning over a little pond filled with water so clear as to be almost invisible.
"Just see that pretty fish!" she said, purposely raising her voice; "I should think he was carved from a block of amber. And that one who looks like a ruby sprinkled with gold! he seems hanging in mid air, the water is so transparent. See, his fins are like black gauze, and his eyes like balls of fire! Decidedly, of all the dwellers in the palace, Iza-Farou has the finest fish."
"What, Fatkoura!" cried a feminine voice from the interior of a pavilion, "are you out at such an hour? Is it because you are a widow that you take so little care of your skin, and let it be destroyed by the sun?"
A blind was half raised, and Iza-Farou thrust out her pretty head, bristling with light tortoise-shell pins.
"Ah!" she said, "the lord of Nagato! You will not pass by my house without honoring me by entering," she added.
"We will come in with pleasure, thanking the fate which led us in this direction," said Fatkoura.
They went up the steps leading to the pavilion, and moved on through the flowers filling the balcony.
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