Various - The Mirror of Literature, Amusement, and Instruction. Volume 20, No. 580, Supplemental Number

This is certainly one of the most splendid works of the kind ever produced in this or any other country. This is high but not unmerited praise; as the reader will believe when we tell him, that it contains twenty-six large plates, from drawings by Stanfield, engraved by first-rate artists, and superintended by Mr. Charles Heath. They are all, strictly speaking, PICTURESQUE scenes, chosen with great skill, and with right understanding of the Picturesque. The literary portion consists of Travelling Sketches on the Rhine, and in Belgium, and in Holland, by Mr. Leitch Ritchie. The plates are, of course, intended as illustrations to the letter-press; but it is too evident, that the latter has been written to the plates. However, that matters not, for the twenty-six engravings are amply worth twenty-one shillings, the cost of the volume. The author's share is lively and jaunty, and of the most here-and-there description. We only intend to quote the portion accompanying the Engraving on the annexed page. 1 1 Copied by permission of the Proprietor.

"We now arrived at St. Goar, and the ruins of the castle of Rheinfels: but here the pen gives willing place to the pencil. In the view, the town and river are seen through an arch, in such a way as to convey a complete idea of what we call the Lakes of the Rhine. In entering St. Goar by the gate of the Rhine, a stranger of these every-day times thinks of nothing but being bothered about his passport. It was once very different. A traveller of any consideration, who visited the town for the first time, was asked by the functionary, 'Sir, My Lord, or Sir Knight'—as it happened—'with what do you please to be baptized, wine or water?'—'With wine,' of course was the answer, if the respondent happened to be a man of any kind of good sense or virtuous habits; and, after being commanded to prepare himself for the ceremony, by giving alms to the poor, he was straightway led by his sponsors to the Fleur de Lys. In this ancient hostelrie, the neophyte was seated amidst the assembled brethren, a brazen crown placed on his head, and the rules of the Order of the Collar read to him. A huge goblet of silver was then presented to him, filled to the lip with wine, and this he was commanded to drain to the health of the Emperor; a second was emptied to the honour of the Landgrave of Hesse; and a third gurgled salutation to the company. The same ceremony was gone through by the sponsors; and the name of the baptized being duly entered in the register of the Order, a second collection was made for the poor, and he was permitted to continue his way into the town. If, instead of wine, the misguided individual desired baptism with water, he was justly punished for the immorality, by a bucket of the insipid element being tumbled over his head. This Order, it is said, had its origin in the reconciliation at St. Goar of the two sons of Charlemagne; which was doubtless accompanied by much out-pouring of wine, and in memory whereof they hung up at the gates a brazen collar."

This is the second volume of the Picturesque Annual. The Public are stated, in its preface, to have contributed from ten to twelve thousand guineas to the support of last year's volume; and we are inclined to think, that, in his next, the Editor will have the gratification of reporting still more munificent patronage: for, if guineas be somewhat less abundant than twelve months since, the disposition to foster British art, and a liberal appreciation of its merits, has been and is on the increase; and, though the proverb be somewhat musty, "Where there is a will," &c.

[This is a title of no small pretension. It is in certain respects ill chosen, though it may, in some degree, denote the exquisite triumphs which art has here accomplished. The Illustrations consist of eighteen portraits of every order of beauty, of variety enough to realize Sir Philip Sidney's aphorism, that "whatsoever is liked, to the liker is beautiful." But here all must be liked; therefore all are beautiful. The very names would make out a sort of court-roll of Venus, and the book itself the enchanting effect of the goddess' embroidered girdle, which had the gift of inspiring love. This charm will doubtless ensure the volume hundreds of possessors. The names of a few of the galaxy will give the reader a faint idea of their charms, unless the reader accord with Juliet's somewhat peevish "What's in a name." Thus, we find Julia, the queen of sentimentality; Belinda, gay and sparkling; Madeline, the early prey of despair; Lolah, languishing amid Eastern magnificence; the Orphan, pencilled in the very simplicity of nature, and finely contrasted with the coquetry of art; Theresa, the very type of romance; Geraldine, Meditation, the Bride, and Lucy Ashton. But we must not omit the heroine of our extract—with tall, etherial form, raven ringlets, and pearly eyes—such charms as would attune the wise man to another Song of Beauty.

The letter-press of the volume is too in the type of beauty—from the chastely-elegant pen of Miss Landon. It consists of tales and sketches, lights and shadows, such as none but her accomplished pen could tell or harmonize. Here is probably the best illustration—]

You see in me, "the only living descendant of those Eastern Magi to whom the stars revealed their mysteries, and spirits gave their power. Age after age did sages add to that knowledge which, by bequeathing to their posterity, they trusted would in time combat to conquer their mortality. But the glorious race perished from the earth, till only my father was left, and I his orphan child. Marvels and knowledge paid his life of fasting and study. All the spirits of the elements bowed down before him; but the future was still hidden from his eyes, and death was omnipotent. His power of working evil had no bounds, but his power of good was limited; and yet it was good that he desired. How dared he put in motion those mighty changes, which seemed to promise such happiness on earth, while he was ignorant of what their results might be? and of what avail was the joy he might pour out on life, over whose next hour the grave might close, and only make the parting breath more bitter from the blessings which it was leaving behind?"

I was no unworthy daughter of such a sire; I advanced in these divine studies even to his wish, and looked to the future with a hope which many years had deadened in himself, but from which I caught an omen of ultimate success. Alas! he mastered not his destiny: I have said before, his ashes are in yonder urn. A few unwholesome dews on a summer night were mightier than all his science. For a time I struggled not with despair; but youth is buoyant, and habit is strong. Again I pored over the mystic scroll—again I called on the spirits with spell and with sign. Many a mystery was revealed, many a wonder grew familiar; but still death remained at the end of all things, as before. One night I was on the terrace of my tower. Above me was the deep, blue sky, with its stars—worlds filled, perchance, with the intelligence which I sought. On the desert below was the phantasm of a great city. I looked on its small and miserable streets, where hunger and cold reigned paramount, and man was as wretched as if flung but yesterday on the earth, and there had been as yet no time for art to yield its assistance, or labour to bring forth its fruit. I gazed next on scenes of festivity, but they were not glad; for I looked from the wreath into the head it encircled, and from the carcanet of gems to the heart which beat beneath—and I saw envy, and hate, and repining, and remorse. I turned my last glance on the palace within its walls; but there the purple was spread as a pall, and the voice of sorrow and the cry of pain were loud on the air. I bade the shadows roll away upon the winds, and rose depressed and in sorrow. I was not alone: one of those glorious spirits, whose sphere was far beyond the power of our science, whose existence we rather surmised than knew; stood beside me.