Various - The Mirror of Literature, Amusement, and Instruction. Volume 13, No. 373, Supplementary Number

The author of this delightful novel, by the fertility of his genius, has almost exhausted the rhetoric of admiration, and even the vocabulary of criticism. But we still hail his appearance with heartfelt interest, if not with the enthusiasm and rapture with which we were wont to speak of his earlier productions. The incognito of their authorship is removed, but with it none of their genuine fame; and, like few works of the same class, their popularity bids fair to outlive hundreds of matter-of-fact works, whose realities might have been expected to ensure them a more durable character. It would be idle, at this time of day, to go over the ground upon which the Waverley Novels will take their stand among our national literature: they are not merely pictures of fact and fancy blended by a masterly hand, but beyond this merit, they abound with so much knowledge of the human heart and the mastery of its passions, as to render them interesting to every reader beyond Robinson Crusoe; and above all, the free, conversational style in which this knowledge is imparted, is one of their greatest attractions. The author does not account for effects by any tedious appeal to our judgment, but he strikes at once at our feelings and common sense, and we become, as it were, identified with the dictates and impulses of his heroes. This merit belongs to book-effect , as situations belong to stage-effect; the endings of his chapters are like good exits —we are sure to be curious as to the following page or scene.

But we are trifling, like a subordinate who stays behind to say a silly thing in a farce. Having overrun Scotland, England, France, Palestine, and Germany, Sir Walter, in the work before us, introduces us to some of the most stirring times of Swiss story. Upon this simple intimation, the reader will anticipate all the fascinations of picturesque scenery and eloquent description—so characteristic of every volume of the Waverley Novels , and in this expectation, he will not be disappointed. The latter charms are constant in nothing but perpetual change; and the sublimities of Switzerland will excite admiration and awe, when the labours of man have crumbled to ruin, and all his proud glories passed away in the dream of time.

The novel opens in the year 1474, when Helvetia, after her heroic struggles for independence, began to be recognised by the neighbouring countries as a free state. At this date, its inhabitants "retained, in a great measure, the wisdom, moderation, and simplicity of their ancient manners; so much so, that those who were entrusted with the command of the troops of the Republic in battle, were wont to resume the shepherd's staff, when they laid down the truncheon, and, like the Roman Dictators, to retire to complete equality with their fellow citizens, from the eminence to which their talents, and the call of their country had raised them."

The first chapter introduces us to two travellers and their guide, who lose their way in the mountainous passes of the Alps, from Lucerne to Bâle. The travellers are Englishmen, give themselves out as merchants, and assume the name of Philipson, the Christian name of the younger, who is the hero of the novel, being Arthur. They are overtaken by a storm, and fall into perils, a scene of which we have already given at page 313, of the MIRROR. They are at length rescued, by a party of Swiss from the neighbourhood of the old castle of Geierstein, or Rock of the Vulture. This party turns out to consist of Arnold Biederman, the Landamman, or Chief Magistrate of the Canton of Unterwalden, and his sons, who reside upon a farm among the mountains. Along with them comes another, who is mainly instrumental in saving the life of Arthur, and this is Anne of Geierstein , the Landamman's niece, a mountain maiden, but of noble birth, the daughter of one of the best families in Switzerland, and combining all the delicacy of a woman with all the heroic spirit of a man. Her portrait will be found at page 344, of the MIRROR.

The travellers spend some days at the Landamman's house. Arthur becomes intimately acquainted with the sons of Arnold Biederman, joins with them in their athletic sports, and gains no small reputation for his activity and skill. A cousin of these young men is also introduced, by name, Rudolph, of Donnerhugel, a youth of ambitious temperament, and withal a passionate admirer of Anne of Geierstein. Arthur and he, of course, are not disposed to regard each other with much complacency, and at the commencement of their acquaintance a challenge is exchanged between them; the combat is extremely well described:

The sun was just about to kiss the top of the most gigantic of that race of Titans, though the long shadows still lay on the rough grass, which crisped under the young man's feet with a strong intimation of frost. But Arthur looked not round on the landscape however lovely, which lay waiting one flash from the orb of day to start into brilliant existence. He drew the belt of his trusty sword which he was in the act of fastening when he left the house, and ere he had secured the buckle, he was many paces on his way towards the place where he was to use it.

Having hastily traversed the fields and groves which separated the Landamman's residence from the old castle of Geierstein, he entered the court-yard from the side where the castle overlooked the land; and nearly in the same instant his almost gigantic antagonist, who looked yet more tall and burly by the pale morning light than he had seemed the preceding evening, appeared ascending from the precarious bridge beside the torrent, having reached Geierstein by a different route from that pursued by the Englishman.

The young champion of Berne had hanging along his back one of those huge two-handed swords, the blade of which measured five feet, and which were wielded with both hands. These were almost universally used by the Swiss; for, besides the impression which such weapons were calculated to make upon the array of the German men-at-arms, whose armour was impenetrable to lighter swords, they were also well calculated to defend mountain passes, where the great bodily strength and agility of those who bore them, enabled the combatants, in spite of their weight and length, to use them with much address and effect. One of these gigantic swords hung around Rudolf Donnerhugel's neck, the point rattling against his heel, and the handle extending itself over his left shoulder considerably above his head. He carried another in his hand.

"Thou art punctual," he called out to Arthur Philipson, in a voice which was distinctly heard above the roar of the waterfall, which it seemed to rival in sullen force. "But I judged thou wouldst come without a two-handed sword. There is my kinsman Ernest's," he said, throwing on the ground the weapon which he carried, with the hilt towards the young Englishman. "Look, stranger, that thou disgrace it not, for my kinsman will never forgive me if thou dost. Or thou mayst have mine if thou likest it better."

The Englishman looked at the weapon, with some surprise, to the use of which he was totally unaccustomed.

"The challenger," he said, "in all countries where honour is known, accepts the arms of the challenged."

"He who fights on a Swiss mountain, fights with a Swiss brand," answered Rudolf. "Think you our hands are made to handle penknives?"

"Nor are ours made to wield scythes," said Arthur; and muttered betwixt his teeth, as he looked at the sword, which the Swiss continued to offer him—" Usum non habeo , I have not proved the weapon."