Various - The Mirror of Literature, Amusement, and Instruction. Volume 13, No. 361, Supplementary Issue (1829)

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Another nest of this bird has also been described as composed of several leaves, like those of some kind of hazel sewed together; the inner nest formed of dry bents, fibres, and hairs, suspended from a tree. It is, therefore, probable that this bird, as well as some others, varies the structure of its nest as occasion and the materials may require. These singular works are performed by the bird's using his bill instead of a needle, and vegetable fibres for thread.

The Rufous Bee-eater , or Merops Rufus , constructs also a very singular nest. This bird is a native of Buenos Ayres; the nest is built generally on the naked great branch of a tree, sometimes on the windows of houses, a fence, or a projecting beam of a high house or other building; it is composed of earth, in the form of a baker's oven, and is often built in the short space of two days, both birds being engaged in its construction; it is six inches in diameter, and one thick; a division is within, beginning at the entrance, and carried circularly, so that the eggs are deposited in the inner chamber, on a bed of grass. The swallow and other birds often attempt to obtain possession of this nest, but are generally repulsed by the owners.

Many of the Orioles' nests are also deserving notice. The black and yellow Oriole , inhabiting South America, has a pendent nest, shaped like an alembic; it is affixed to the extreme branches of trees; sometimes, it is said, so many as four hundred nests are found hanging on the same tree.

The Philippine and Pensile Grosbeak make also very curious nests.

In concluding this account of the nests of birds, I may notice here the nest of the Hirundo esculenta , or Esculent Swallow , an inhabitant of China and the Islands of the Indian Ocean. The nest consists of a gelatinous substance, in shape resembling an apple cut down the middle. The nests are found in great numbers together, and are by the luxurious Asiatics made into broths, and otherwise cooked, and are esteemed one of the greatest dainties of the table; they are also occasionally used for glue.— Jennings's Ornithologia .

FINE ARTS

METROPOLITAN IMPROVEMENTS

Abridged from the "Introduction" to Britton's Picture of London, 26th edition, just published

The year 1825 will ever be memorable in the annals of the metropolis; for more novel improvements, changes, and events occurred in that one year than during any other corresponding period. Schemes for the formation of new Companies —the vast speculations arising out of them, tending to the aggrandizement of a few persons, and to the ruin of others, with the utilities of some, and the futilities and impositions of many,—may also be said to belong to this year.

Let us, however, take a brief review of the real improvements and useful novelties that have been progressing, or have commenced in London since that singular and eventful era. Commencing at the court, or west end, we will take an imaginary tour to the east, adverting to such new buildings as are calculated to arrest the attention of the stranger in our progress. Without remarking on the general improvements of the age, we shall find enough to engross our attention in the particular objects before us. The most noted, or conspicuous of these are:—1. The New Palace, with the adjoining Park and Gardens. 2. A Terrace, Street, and Public Buildings on the site of Carlton House. 3. Belgrave Square, and the adjoining Squares and Streets. 4. The Entrance Lodges and Bridge in Hyde Park, with the improvements in the Roads and Walks of the same. 5. The Regent's Park, with its Terraces, Villas, Public Buildings, Zoological Gardens, and Colosseum. 6. The London University. 7. The British Museum. 8. The Post Office. 9. London Bridge, and its Vicinity. 10. St. Katherine's Docks. 11. The New Buildings and Alterations connected with the Houses of Parliament, the Ministerial Offices, and others, at Charing Cross. All these rank among the novelties and embellished features of London; and whilst the design and execution of so many public works manifest the increasing taste, or luxury of the age, they employ and give encouragement to numerous artists, artisans, and tradesmen.

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1

We are pleased therefore to commence our Supplementary Sheet with such a volume as the present, which we have reserved for this purpose. The feelings which it must engender in the reader will be doubly grateful in these troublous times of strong political excitement: they enjoin "peace on earth, and goodwill towards men." the Divine antidote to the storms of conflicting interests and passions, and the balm which heals the thorny wounds of the world, that cross every path and tear the finest sympathies of our nature. It adds, moreover, a pleasant variety to the contents of our sheet, and alternates with the vicissitudes of enterprise, in the progress of infant liberty in the New World, as in the Memoirs of the patriot Miller ;—the daring and recklessness of crime, as in the vivid sketch of First and Last ;—the picturesque country and ceremonies of Arabia and its religious people, as drawn by Burckhardt ;—and the architectural embellishment of the Metropolis, as shown in Britton's Picture of London .

2

In the MIRROR, dated March 1, 1828, we noticed "Gilbert White's Natural History of Selborne, is one of the most delightful household books in our language, and we are surprised at the rarity of such works." The publication of the Journal of a Naturalist , early in March, 1829, is "a coincidence."

3

Philosophers and wits have written on this subject. Sir Thomas Brown, who wrote a book of Vulgar Errors , remarks with great seriousness that the man "who could eradicate this error from the minds of the people, might prevent the fearful passions of the heart, and many cold sweats taking place in grandmothers and nurses"—Swift lets fly the shafts of satire in these lines.—

A woodworm
That lies in old wood, like a hare in her form;
With teeth, or with claws, it will bite, or will scratch;
And chambermaids christen this worm a death-watch;
Because, like a watch, it always cries click;
Then woe be to those in the house who are sick;
For sure as a gun they will give up the ghost
If the maggat cries click when it scratches the post.

Gay, too, in a pastoral dirge , says,

The wether's bell,
Before the drooping flock, toll'd forth her knell;
The solemn deathwatch click'd the hour she died.

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