Trevor, William - Mark-2 Wife

‘I wouldn’t touch any of that stuff,’ Kilroy advised, jocular again. ‘I was up all night after it last year.’

‘Oh, nonsense!’ Ruth Cusper placed a slice of orange-cake on Valerie’s plate, making a noise that indicated she found Kilroy’s attempt at wit a failure. She passed on, and Kilroy without reason began to laugh.

Valerie looked at them, her eyes pausing on each face in the room. She was different from these people of her own age because of her autumn melancholy and the bitterness of Christmas. A solitude had been made for her, while they belonged to each other, separate yet part of a whole.

She thought about them, envying them their ordinary normality, the good fortune they accepted as their due. They trailed no horror, no ghosts or images that wouldn’t go away: you could tell that by looking at them. Had she herself already been made peculiar by all of it, eccentric and strange and edgy? And would it never slip away, into the past where it belonged? Each year it was the same, no different from the year before, intent on hanging on to her. Each year she smiled and made an effort. She was brisk with it, she did her best. She told herself she had to live with it, agreeing with herself that of course she had to, as if wishing to be overheard. And yet to die so young, so pointlessly and so casually, seemed to be something you had to feel unhappy about. It dragged out tears from you; it made you hesitate again, standing in the icy water. Your idea it had been.

‘Tea, you people?’ Mrs Skully offered.

‘Awfully kind of you, Mrs Skully,’ Kilroy said. ‘Splendid tea this is.’

‘I should have thought you’d be keener on the Professor’s cup, Mr Kilroy.’

‘No, I’m not a cup man, Mrs Skully.’

Valerie wondered what it would be like to be Kilroy. She wondered about his private thoughts, even what he was thinking now as he said he wasn’t a cup man. She imagined him in his bedroom, removing his royal-blue suit and meticulously placing it on a hanger, talking to himself about the party, wondering if he had done himself any damage in the Professor’s eyes. She imagined him as a child, plump in bathing-trunks, building a sandcastle. She saw him in a kitchen, standing on a chair by an open cupboard, nibbling the corner of a crystallized orange.

She saw Ruth Cusper too, bossy at a children’s party, friendlily bossy, towering over other children. She made them play a game and wasn’t disappointed when they didn’t like it. You couldn’t hurt Ruth Cusper; she’d grown an extra skin beneath her motor-cycling gear. At night, she often said, she fell asleep as soon as her head touched the pillow.

You couldn’t hurt Bewley Joal, either: a grasping child Valerie saw him as, watchful and charmless. Once he’d been hurt, she speculated: another child had told him that no one enjoyed playing with him, and he’d resolved from that moment not to care about stuff like that, to push his way through other people’s opinion of him, not wishing to know it.

As children, the O’Neill sisters teased; their faithful tormentors pulled their hair. Woodward, Whipp and Woolmer-Mills read the Children’s Encyclopaedia . Honor Hitchcock and the Reverend played mummies and daddies. ‘Oh, listen to that chatterbox!’ Yvonne Smith’s father dotingly cried, affection that Yvonne Smith had missed ever since.

In the room the clanking of Bewley Joal punctuated the giggling in the corner where the O’Neill sisters were. More tea was poured and more of the Professor’s cup, more cake was handed round. ‘Ah, yes,’ the Professor began. ‘ Panni streit sine grano. ’ Woodward, Whipp and Woolmer-Mills bent their heads to listen.

The Professor, while waiting on his upstairs landing for Woolmer-Mills to use the lavatory, spoke of the tomatoes he grew. Similarly delayed downstairs, Mrs Skully suggested to the O’Neill sisters that they might like, one Saturday night next term, to listen to Saturday Night Theatre with her. It was something she enjoyed, she said, especially the discussion afterwards. ‘Or you, Miss Upcott,’ she said. ‘You’ve never been to one of my evenings either.’

Valerie smiled politely, moving with Mrs Skully towards the sitting-room, where Tchaikovsky once more resounded powerfully. Again she examined the arrayed faces. Some eyes were closed in sleep, others were weary beneath a weight of tedium. Woodward’s newt-like countenance had not altered, nor had Kilroy’s fear dissipated. Frustration still tugged at Yvonne Smith. Nothing much was happening in the face of Mrs Skully.

Valerie continued to regard Mrs Skully’s face and suddenly she found herself shivering. How could that mouth open and close, issuing invitations without knowing they were the subject of derision? How could this woman, in her late middle age, officiate at student parties in magenta and jade, or bake inedible cakes without knowing it? How could she daily permit herself to be taken for granted by a man who cared only for students with academic success behind them? How could she have married his pomposity in the first place? There was something wrong with Mrs Skully, there was something missing, as if some part of her had never come to life. The more Valerie examined her the more extraordinary Mrs Skully seemed, and then it seemed extraordinary that the Professor should be unaware that no one liked his parties. It was as if some part of him hadn’t come to life either, as if they lived together in the dead wood of a relationship, together in this house because it was convenient.

She wondered if the other students had ever thought that, or if they’d be bothered to survey in any way whatsoever the Professor and his wife. She wondered if they saw a reflection of the Skullys’ marriage in the brownness of the room they all sat in, or in the crunchy fillings of Mrs Skully’s cakes, or in the upholstered dining-chairs that were not comfortable. You couldn’t blame them for not wanting to think about the Skullys’ marriage: what good could come of it? The other students were busy and more organized than she. They had aims in life. They had futures she could sense, as she had sensed their pasts. Honor Hitchcock and the Reverend would settle down as right as rain in a provincial rectory, the followers of the O’Neill sisters would enter various business worlds. Woodward, Whipp and Woolmer-Mills would be the same as the Professor, dandruff on the shoulders of three grey suits. Bewley Joal would rise to heights, Kilroy would not. Ruth Cusper would run a hall of residence, the O’Neill sisters would give two husbands hell in Lurgan. Yvonne Smith would live in hopes.

The music of Tchaikovsky gushed over these reflections, as if to soften some harshness in them. But to Valerie there was no harshness in her contemplation of these people’s lives, only fact and a lacing of speculation. The Skullys would go on ageing and he might never turn to his wife and say he was sorry. The O’Neill sisters would lose their beauty and Bewley Joal his vigour. One day Woolmer-Mills would find that he could no longer launch himself on to the balls of his feet. Kilroy would enter a home for the senile. Death would shatter the cotton-wool cosiness of Honor Hitchcock and the Reverend.

She wondered what would happen if she revealed what she had thought, if she told them that in order to keep her melancholy in control she had played about with their lives, seeing them in childhood, visiting them with old age and death. Which of them would seek to stop her while she cited the arrogance of the Professor and the pusillanimity of his wife? She heard her own voice echoing in a silence, telling them finally, in explanation, of the tragedy in her own life.

‘Please all have a jolly Christmas,’ Mrs Skully urged in the hall as scarves and coats were lifted from the hall-stand. ‘Please now.’