William Trevor: Two Lives

PENGUIN BOOKS

TWO LIVES

William Trevor was born in 1928 at Mitchelstown, County Cork, spent his childhood in provincial Ireland, and now lives in Devon. He attended a number of Irish schools and later Trinity College, Dublin. He is a member of the Irish Academy of Letters. He has written many novels, including The Old Boys (1964), winner of the Hawthornden Prize; The Children of Dynmouth (1976) and Fools of Fortune (1983), both winners of the Whitbread Fiction Award; The Silence in the Garden (1988), winner of the Yorkshire Post Book of the Year Award; Two Lives (1991), which was shortlisted for the Sunday Express Book of the Year Award and includes the Booker-shortlisted novella Reading Turgenev, Felicia’s Journey (1994), which won both the Whitbread and Sunday Express Book of the Year Awards; Death in Summer (1998); and, most recently, The Story of Lucy Gault (2002), which was shortlisted for both the Man Booker Prize and the Whitbread Fiction Award. A celebrated short-story writer, his most recent collections are After Rain (1996); The Hill Bachelors, which won the Macmillan Silver Pen Award and the Irish Times Literature Prize; and A Bit on the Side (2004). He is also the editor of The Oxford Book of Irish Short Stories (1989). He has written plays for the stage and for radio and television; several of his television plays have been based on his short stories. Most of his books are available in Penguin.

In 1976 William Trevor received the Allied Irish Banks Prize, and in 1977 he was awarded an honorary CBE in recognition of his valuable services to literature. In 1992 he received the Sunday Times Award for Literary Excellence. In 1999 he was awarded the prestigious David Cohen British Literature Prize in recognition of a lifetime’s literary achievement. And in 2002, he was knighted for his services to literature.

Many critics and writers have praised his work: to Hilary Mantel he is ‘one of the contemporary writers I most admire’ and to Carol Shields ‘a worthy chronicler of our times’. In the Spectator Anita Brookner wrote, ‘These novels will endure. And in every beautiful sentence there is not a word out of place’, and John Banville believes William Trevor’s novels to be ‘among the most subtle and sophisticated fiction being written today’.

BY THE SAME AUTHOR

NOVELS

The Old Boys

The Boarding-House

The Love Department

Mrs Eckdorf in O’Neill’s Hote

Miss Gomez and the Brethren

Elizabeth Alone

The Children of Dynmouth

Other People’s Worlds

Fools of Fortune

The Silence in the Garden

Felicia’s Journey

Death in Summer

The Story of Lucy Gault

NOVELLAS

Nights at the Alexandra

Two Lives

SHORT STORIES

The Day We Got Drunk on Cake

The Ballroom of Romance

Angels at the Ritz

Lovers of Their Time

Beyond the Pale

The News from Ireland

Family Sins

The Collected Stories

After Rain

The Hill Bachelors

A Bit on the Side

PLAY

Scenes from an Album

NON-FICTION

A Writer’s Ireland

Excursions in the Real World

FOR CHILDREN

Juliet’s Story

WILLIAM TREVOR

TWO LIVES

READING TURGENEV

AND

MY HOUSE IN UMBRIA

PENGUIN BOOKS

For Jane

PENGUIN BOOKS

Published by the Penguin Group

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First published by Viking 1991

Published in Penguin Books 1992

26

Copyright © William Trevor, 1991

All rights reserved

The moral right of the author has been asserted

Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser

ISBN: 978-0-14-192980-4

Reading Turgenev

1

A woman, not yet fifty-seven, slight and seeming frail, eats carefully at a table in a corner. Her slices of buttered bread have been halved for her, her fried egg mashed, her bacon cut. ‘Well, this is happiness!’ she murmurs aloud, but none of the other women in the dining-room replies because none of them is near enough to hear. She’s privileged, the others say, being permitted to occupy on her own the bare-topped table in the corner. She has her own salt and pepper.

‘Hurry now.’ Appearing from nowhere, Miss Foye curtly interrupts the woman’s private thought. ‘You have a visitor waiting.’

‘Would be Peter Martyr.’ Another woman, overhearing the news about a visitor, makes this suggestion, but at once there’s a general objection. Why should the visitor be identified so since the lone woman wouldn’t lift a hand to take the knife from his head, Peter Martyr not being of her religion?

‘Heretic!’ a voice calls out.

‘Heathen,’ another mutters.

The woman who eats alone pays no attention. They mean no harm; they are not against her; in their confusion they become carried away. But since she has been interrupted, she must make the best of things, she must consume the food: she will not be permitted into the visitor’s presence until her plate is clean. She swallows a forkful of egg and bacon pieces without chewing. Grease, congealed, adheres to her tongue and the roof of her mouth. If she vomits she will not be permitted into the visitor’s presence. She rinses her mouth with tea. With her fingers she presses more buttered bread between her teeth. The others will tell on her if she does not eat all the bread. They will shout out and she’ll have to march back to the table. She softens the bread with more tea and washes it away. She passes among the women.

‘Tell me about the graveyard.’ A tiny woman, wizen-faced, rises and walks with her, whispering. ‘Tell me, darling, about the graveyard.’

‘Sit down, Sadie,’ Miss Foye commands. ‘Leave her be.’

‘She took off every stitch,’ another voice accuses and is immediately contradicted: Bríd Beamish it was who took off every stitch, who walked the streets for profit.

‘It’s not our business.’ Stately in grey, Miss Foye is brisk. This is her manner. She stands no nonsense. ‘Hurry now,’ she urges.

In the hall there is a disappointment. The visitor is not a stranger. He stands by the window, and speaks when Miss Foye has gone away. He states the purpose of his visit, all he says a repetition. ‘Nowadays it’s what’s being done,’ he explains, the opposite of anything in the old days: for months Miss Foye and the medicals have been saying it too. Those who have somewhere to go are better off in the community, that has been established. In other countries the change came years ago, Italy, America, places like that. We’re always a bit behindhand here.