Unknown - The_Growing_589064

She knows her data set is incomplete, but the basic pattern has held true for the MacGregors, for the Hurleys and for all the survivors who have managed to make it to a CB.

Item. The uprising seems to be spread at least across North America. She does not know what has happened in Europe or Africa, Asia or South America. It is fairly obvious that less technologically oriented cultures are likely to have more survivors. At least temporarily.

Item. In all cases the men and boys have been slaughtered, together with the older women. Girls and younger women have disappeared.

Item. Two thousand years ago, the pattern would have been familiar. Kill the men, rape the women, sell the virgin girls as slaves.

Which makes no sense.

Try again.

Foreign attack? South Dakota has been riddled for decades with nuclear weapons and the missiles to deliver them. So has North Dakota. The prospect of mutual assured destruction has kept them in their silos. Could the Defense Department codes have fallen into enemy hands? And if so, which enemy?

And if so, why now?

Abruptly she brakes the truck. There, cut deep in the snow ahead of her, are the tracks of another vehicle. She studies the marks carefully. Wide body. Wide, heavy tires, heavily chained. The asphalt shows through in places where the links have bitten through the ice. A truck of some kind, possibly heavily loaded.

She gets out of the pickup, Uzi slung again over her shoulder. Slowly, she walks up the road between the ruts but sees nothing that can tell her more. No conveniently dropped candy wrappers, no cigarette butts, no beer cans, nothing to tell her whether the occupants of the other truck are human or not. When she has gone a couple hundred yards she gives it up and turns back.

Now what?

She scans the flat landscape in all directions. White drifts, bare trees, the dark lines of fences. In the field to her left, there are humps in the snow that may be hay bales or frozen cattle. Most of her route into Rapid City will be through open country like this. She is a little more than five miles north of Elm Creek. There is a bridge.

The snow lies too deep for her to cut across country. The next intersection with another road is on the other side of that bridge.

She can turn around, or she can go on.

No choice. Back behind the wheel of the pickup, Koda pulls the fleece-lined leather glove off her right hand. Underneath it is another of knitted wool; below that a silk mitt. She turns the key in the ignition, then drives with her left hand. The right rests on the freezing metal grip of the Uzi in her lap.

A mile along she sees the first living thing that has crossed her path since she set out. Far out in a rolling meadow to her left, just this side of a line of trees, there is a spill of black across the snow. It moves, separates, shifts again. Ravens. Her gaze follows the line of the rise. There, high above, another bird soars with its wings held in a shallow V. Its form is black against the sky; in the poor light all she can see is a silhouette. Raptor. Not an owl. Not a falcon by the shape of the wings. Hawk or eagle, then.

The sight warms her slightly from within. She is not quite sure why, except that she is pleased to see other living things in this barren landscape. Going about their lives, unaffected by the disaster that has overtaken their two-legged relations. As she watches, the bird banks and turns south, moving toward the creek, and disappears from sight.

A half mile from the bridge, she is still following the tracks of the unknown vehicle. The road curves here, a long, slow, shallow arc that passes through a stand of lodgepole pine and will put her onto a straight stretch no more than a couple hundred yards from the creek. If there is danger, it will be here.

It is waiting for her at the bridge.

A cold stillness spreads around her heart as Koda takes in the blockade. Two troop-carrier trucks are drawn up across the road, blocking the bridge. Four figures in military green winter fatigues stand in front of them, three of them with M-1’s held ready, the fourth with a mobile launcher on its shoulder and a bandolier of grenades strung across its chest. Even beneath the bulky clothing, she can make out the bulge of pistols at their belts. In her rear view mirror, she sees two more muffled and heavily armed figures step out of the trees and take up position behind her.

There is no hope of driving around them and through the creek. It is too deep at this point, the banks too steep. Koda brakes the pickup halfway between the woods and the barricade. She waits

One of the figures has a bullhorn. The voice that comes through has no human tone, only the flat, tinny quality of the amplifier. “You in the truck. Get out slowly with your hands on top of your head.!”

There are three possibilities. These soldiers may be not be human. They may be marauders set loose by the spreading chaos. Or they may be what they seem.

Deliberately, keeping her right hand in full view through the windshield, Koda slides out, placing both hands firmly on the crown of her Stetson and keeping the door between herself and the soldiers.

“Stand clear of the vehicle!”

Koda hesitates for a heartbeat. Once she is in the open, the Uzi will be in full view. She calculates the odds that she can reach it and take a few of these bastards, if bastards they are, with her before they shoot her down.

Another of the figures steps forward, arm raised. There is a grenade in its hand. “Stand clear NOW!”

The voice is female, deep and furry in the way of the Louisiana bayous. Almost certainly it belongs to a human. Between the soldier’s cap and the high collar that conceals most of her face, Koda can just make out the glint of dark eyes. Warily, stepping sideways, she comes out from behind the door.

She shouts, “You guys wanna introduce yourselves?” just as one exclaims, “Shit! He has a gun!”

The figure with the grenade takes a step forward. “Keep your hands away from your weapon!”

“They are away! Who the fuck are you?”

“We’re the free people of the United States! Take your left hand off your head and unbutton your coat and shirt! Let us see your throat!”

“After you!”

“Do it! Or I’ll frag your truck and incinerate you along with it!”

Non-negotiable. No more time to decide.

The woman brings her hands forward to pull the pin. Before she can reach it, a hawk plunges toward her out of the sky, screaming. It hurtles downward to within inches of her face, pulling up nanoseconds short of collision, talons outstretched to strike. Then it shoots upward again at an almost vertical angle. The woman yells, recoils , waivers and topples backward into the snow, the grenade disappearing somewhere in the drift.

Laughter catches in Koda’s throat as one of the other soldiers raises a gun to shoot at the bird. “No!” she shouts, pulling furiously at the collar of her coat with her right hand, raising her left in a fist. She whistles loud, piercingly. “Wiyo! Wiyo Cetan!”

She whistles three times. At the third, the hawk hovers briefly at her zenith, then stoops again, making straight for Koda. Koda whistles a fourth time, at a lower pitch, and the hawk’s body swings forward. Great wings backing air, it comes to light gently, almost delicately, on her fist. Then, mantling and hissing at the dumbstruck soldiers, it sidesteps its way up her arm to her shoulder. One of its wings strikes Koda’s hat, knocking it off her head, and her hair comes tumbling down. The hawk settles, glaring.

The leader has regained her feet. A wide grin splits her dark face as she opens her own collar, showing unmarked human flesh. “Colonel Margaret Allen, United States Air Force. Pleased to meet you.”

“Dakota Rivers. Lakota Nation.”