Gillian Flynn - Gone Girl:

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Gone Girl:: краткое содержание, описание и аннотация

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Marriage can be a real killer. One of the most critically acclaimed suspense writers of our time, *New York Times* bestseller Gillian Flynn takes that statement to its darkest place in this unputdownable masterpiece about a marriage gone terribly, terribly wrong. The *Chicago Tribune* proclaimed that her work “draws you in and keeps you reading with the force of a pure but nasty addiction.” *Gone Girl* ’s toxic mix of sharp-edged wit and deliciously chilling prose creates a nerve-fraying thriller that confounds you at every turn. On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears from their rented McMansion on the Mississippi River. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge **.** Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer? As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn’t do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet? With her razor-sharp writing and trademark psychological insight, Gillian Flynn delivers a fast-paced, devilishly dark, and ingeniously plotted thriller that confirms her status as one of the hottest writers around. ### Amazon.com Review Amazon Best Books of the Month, June 2012: On their fifth wedding anniversary, Nick’s wife Amy disappears. There are signs of struggle in the house, and Nick quickly becomes the prime suspect. It doesn’t help that Nick hasn’t been completely honest with the police, and, as Amy’s case drags out for weeks, more and more vilifying evidence appears against him--but Nick maintains his innocence. Alternating points of view between Nick and Amy, Gillian Flynn creates an untrustworthy world that changes from chapter to chapter. Calling *Gone Girl* a psychological thriller is an understatement. As revelation after revelation unfolds, it becomes clear that the truth does not exist in the middle of Nick and Amy’s points of view; it is far darker, more twisted, and creepier than you can imagine. *Gone Girl* is masterfully plotted, and the suspense doesn’t waver for a single page. It’s one of those books you will feel the need to discuss as soon as you finish it, because the ending doesn’t just come--it punches you in the gut. -- *Caley Anderson* #### From Author Gillian Flynn You might say I specialize in difficult characters. Damaged, disturbed, or downright nasty. Personally, I love each and every one of the misfits, losers, and outcasts in my three novels. My supporting characters are meth tweakers, truck-stop strippers, backwoods grifters ... But it's my narrators who are the real challenge. In *Sharp Objects,* Camille Preaker is a mediocre journalist fresh from a stay at a psychiatric hospital. She's an alcoholic. She's got impulse issues. She's also incredibly lonely. Her best friend is her boss. When she returns to her hometown to investigate a child murder, she parks down the street from her mother's house "so as to seem less obtrusive." She has no sense of whom to trust, and this leads to disaster. Camille is cut off from the world but would rather not be. In *Dark Places,* narrator Libby Day is aggressively lonely. She cultivates her isolation. She lives off a trust fund established for her as a child when her family was massacred; she isn't particularly grateful for it. She's a liar, a manipulator, a kleptomaniac. "I have a meanness inside me, real as an organ," she warns. "Draw a picture of my soul and it'd be a scribble with fangs." If Camille is overly grateful when people want to befriend her, Libby's first instinct is to kick them in their shins. In those first two novels, I explored the geography of loneliness--and the devastation it can lead to. With *Gone Girl,* I wanted to go the opposite direction: what happens when two people intertwine their lives completely.I wanted to explore the geography of intimacy--and the devastation it can lead to. Marriage gone toxic. *Gone Girl* opens on the occasion of Amy and Nick Dunne's fifth wedding anniversary. (How romantic.) Amy disappears under very disturbing circumstances. (Less romantic.) Nick and Amy Dunne were the golden couple when they first began their courtship. Soul mates. They could complete each other's sentences, guess each other's reactions. They could push each other's buttons. They are smart, charming, gorgeous, and also narcissistic, selfish, and cruel. They complete each other--in a very dangerous way. ### Review "Ice-pick-sharp... Spectacularly sneaky... Impressively cagey... "Gone Girl" is Ms. Flynn's dazzling breakthrough. It is wily, mercurial, subtly layered and populated by characters so well imagined that they're hard to part with -- even if, as in Amy's case, they are already departed. And if you have any doubts about whether Ms. Flynn measures up to Patricia Highsmith's level of discreet malice, go back and look at the small details. Whatever you raced past on a first reading will look completely different the second time around." --Janet Maslin, "New York Times ""An ingenious and viperish thriller... It's going to make Gillian Flynn a star... The first half of "Gone Girl" is a nimble, caustic riff on our Nancy Grace culture and the way in which ''The butler did it'' has morphed into ''The husband did it.'' The second half is the real stunner, though. Now I really am going to shut up before I spoil what instantly shifts into a great, breathless read. Even as "Gone Girl" grows truly twisted and wild, it says smart things about how tenuous power relations are between men and women, and how often couples are at the mercy of forces beyond their control. As if that weren't enough, Flynn has created a genuinely creepy villain you don't see coming. People love to talk about the banality of evil. You're about to meet a maniac you could fall in love with. A" "--"Jeff Giles, "Entertainment Weekly " "An irresistible summer thriller with a twisting plot worthy of Alfred Hitchcock. Burrowing deep into the murkiest corners of the human psyche, this delectable summer read will give you the creeps and keep you on edge until the last page." "--People" (four stars) "[A] thoroughbred thriller about the nature of identity and the terrible secrets that can survive and thrive in even the most intimate relationships. "Gone Girl" begins as a whodunit, but by the end it will have you wondering whether there's any such thing as a who at all." "--"Lev Grossman, "Time"

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B: And did you yell then?

A: Yes, I fucking yelled. And if I’d known that, every night for the next month, Desi was going to rape me, then snuggle in next to me with a martini and a sleeping pill so he wouldn’t be awakened by my sobbing , and that the police were going to actually interview him and still not have a clue, still sit around with their thumbs up their asses, I might have yelled harder. Yes, I might have.

B: Again, my apologies. Can we get Ms. Dunne some tissues, please? And where’s her coff—Thank you. Okay, where did you go from there, Amy?

A: We drove toward St. Louis, and I remember on the way there he stopped at Hannibal—I heard the steamboat whistle. I guess that’s when he threw my purse out. It was the one other thing he did so it would look like foul play.

B: This is so interesting. There seem to be so many strange coincidences in this case. Like, that Desi would happen to toss out the purse right at Hannibal, where your clue would make Nick go—and we in turn would believe that Nick tossed the purse there. Or how you decided to hide a present in the very place where Nick was hiding goods he’d bought on secret credit cards.

A: Really? I have to tell you, none of this sounds like coincidence to me. It sounds like a bunch of cops who got hung up on my husband being guilty, and now that I am alive and he’s clearly not guilty, they look like giant idiots, and they’re scrambling to cover their asses. Instead of accepting responsibility for the fact that, if this case had been left in your extremely fucking incompetent hands, Nick would be on death row and I’d be chained to a bed, being raped every day from now until I died.

B: I’m sorry, it’s—

A: I saved myself, which saved Nick, which saved your sorry fucking asses.

B: That is an incredibly good point, Amy. I’m sorry, we’re so … We’ve spent so long on this case, we want to figure out every detail that we missed so we don’t repeat our mistakes. But you’re absolutely right, we’re missing the big picture, which is: You are a hero. You are an absolute hero.

A: Thank you. I appreciate you saying that.

NICK DUNNE

THE NIGHT OF THE RETURN

I went to the station to fetch my wife and was greeted by the press like a rock star–landslide president–first moonwalker all in one. I had to resist raising clasped hands above my head in the universal victory shake. I see , I thought, we’re all pretending to be friends now .

I entered a scene that felt like a holiday party gone awry—a few bottles of champagne rested on one desk, surrounded by tiny paper cups. Backslapping and cheers for all the cops, and then more cheers for me, as if these people hadn’t been my persecutors a day before. But I had to play along. Present the back for slapping. Oh yes, we’re all buddies now .

All that matters is that Amy is safe . I’d been practicing that line over and over. I had to look like the relieved, doting husband until I knew which way things were going to go. Until I was sure the police had sawed through all her sticky cobwebby lies. Until she is arrested— I’d get that far, until she is arrested , and then I could feel my brain expand and deflate simultaneously—my own cerebral Hitchcock zoom—and I’d think: My wife murdered a man .

“Stabbed him,” said the young police officer assigned as the family liaison. (I hoped never to be liaisoned again, with anyone, for any reason.) He was the same kid who’d yammered on to Go about his horse and torn labrum and peanut allergy. “Cut him right through the jugular. Cut like that, he bleeds out in, like, sixty seconds.”

Sixty seconds is a long time to know you are dying. I could picture Desi wrapping his hands around his neck, the feel of his own blood spurting between his fingers with each pulse, and Desi getting more frightened and the pulsing only quickening … and then slowing, and Desi knowing the slowing was worse. And all the time Amy standing just out of reach, studying him with the blameful, disgusted look of a high school biology student confronted with a dripping pig fetus. Her little scalpel still in hand.

“Cut him with a big ole butcher knife,” the kid was saying. “Guy used to sit right next to her on the bed, cut up her meat for her, and feed her.” He sounded more disgusted by this than by the stabbing. “One day the knife slips off the plate, he never notices—”

“How’d she use the knife if she was always tied up?” I asked.

The kid looked at me as if I’d just told a joke about his mother. “I don’t know, Mr. Dunne, I’m sure they’re getting the details right now. The point is, your wife is safe.”

Hurray. Kid stole my line.

I spotted Rand and Marybeth through the doorway of the room where we’d given our first press conference six weeks ago. They were leaning in to each other, as always, Rand kissing the top of Marybeth’s head, Marybeth nuzzling him back, and I felt such a keen sense of outrage that I almost threw a stapler at them. You two worshipful, adoring assholes created that thing down the hall and set her loose on the world . Lo, how jolly, what a perfect monster! And do they get punished? No, not a single person had come forth to question their characters; they’d experienced nothing but an outpouring of love and support, and Amy would be restored to them and everyone would love her more.

My wife was an insatiable sociopath before. What would she become now?

Step carefully, Nick, step very carefully .

Rand caught my eye and motioned me to join them. He shook my hand for a few exclusive reporters who’d been granted an audience. Marybeth held her ground: I was still the man who’d cheated on her daughter. She gave a curt nod and turned away.

Rand leaned in close to me so I could smell his spearmint gum. “I tell you, Nick, we are so relieved to have Amy back. We owe you an apology too. Big one. We’ll let Amy decide how she feels about your marriage, but I want to at least apologize for where things went. You’ve got to understand—”

“I do,” I said. “I understand everything.”

Before Rand could apologize or engage further, Tanner and Betsy arrived together, looking like a Vogue spread—crisp slacks and jewel-toned shirts and gleaming gold watches and rings—and Tanner leaned toward my ear and whispered, Let me see where we are , and then Go was rushing in, all alarmed eyes and questions: What does this mean? What happened to Desi? She just showed up on your doorstep? What does this mean? Are you okay? What happens next?

It was a bizarre gathering—the feel of it: not quite reunion, not quite hospital waiting room, celebratory yet anxious, like some parlor game where no one had all the rules. Meanwhile, the two reporters the Elliotts allowed into the inner sanctum kept snapping questions at me: How great does it feel to have Amy back? How wonderful do you feel right now? How relieved are you, Nick, that Amy has returned?

I’m extremely relieved and very happy , I was saying, crafting my own bland PR statement, when the doors parted and Jacqueline Collings entered, her lips a tight red scar, her face powder lined with tears.

“Where is she?” she said to me. “The lying little bitch, where is she? She killed my son. My son .” She began crying as the reporter snapped a few photos.

How do you feel that your son was accused of kidnap and rape? one reporter asked in a stiff voice.

“How do I feel ?” she snapped. “Are you actually serious? Do people really answer questions like that? That nasty, soulless girl manipulated my son his entire life —write this down— she manipulated and lied and finally murdered him, and now, even after he’s dead, she’s still using him—”

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