Gillian Flynn - Gone Girl:

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Gone Girl:: краткое содержание, описание и аннотация

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Marriage can be a real killer. One of the most critically acclaimed suspense writers of our time, *New York Times* bestseller Gillian Flynn takes that statement to its darkest place in this unputdownable masterpiece about a marriage gone terribly, terribly wrong. The *Chicago Tribune* proclaimed that her work “draws you in and keeps you reading with the force of a pure but nasty addiction.” *Gone Girl* ’s toxic mix of sharp-edged wit and deliciously chilling prose creates a nerve-fraying thriller that confounds you at every turn. On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears from their rented McMansion on the Mississippi River. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge **.** Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer? As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn’t do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet? With her razor-sharp writing and trademark psychological insight, Gillian Flynn delivers a fast-paced, devilishly dark, and ingeniously plotted thriller that confirms her status as one of the hottest writers around. ### Amazon.com Review Amazon Best Books of the Month, June 2012: On their fifth wedding anniversary, Nick’s wife Amy disappears. There are signs of struggle in the house, and Nick quickly becomes the prime suspect. It doesn’t help that Nick hasn’t been completely honest with the police, and, as Amy’s case drags out for weeks, more and more vilifying evidence appears against him--but Nick maintains his innocence. Alternating points of view between Nick and Amy, Gillian Flynn creates an untrustworthy world that changes from chapter to chapter. Calling *Gone Girl* a psychological thriller is an understatement. As revelation after revelation unfolds, it becomes clear that the truth does not exist in the middle of Nick and Amy’s points of view; it is far darker, more twisted, and creepier than you can imagine. *Gone Girl* is masterfully plotted, and the suspense doesn’t waver for a single page. It’s one of those books you will feel the need to discuss as soon as you finish it, because the ending doesn’t just come--it punches you in the gut. -- *Caley Anderson* #### From Author Gillian Flynn You might say I specialize in difficult characters. Damaged, disturbed, or downright nasty. Personally, I love each and every one of the misfits, losers, and outcasts in my three novels. My supporting characters are meth tweakers, truck-stop strippers, backwoods grifters ... But it's my narrators who are the real challenge. In *Sharp Objects,* Camille Preaker is a mediocre journalist fresh from a stay at a psychiatric hospital. She's an alcoholic. She's got impulse issues. She's also incredibly lonely. Her best friend is her boss. When she returns to her hometown to investigate a child murder, she parks down the street from her mother's house "so as to seem less obtrusive." She has no sense of whom to trust, and this leads to disaster. Camille is cut off from the world but would rather not be. In *Dark Places,* narrator Libby Day is aggressively lonely. She cultivates her isolation. She lives off a trust fund established for her as a child when her family was massacred; she isn't particularly grateful for it. She's a liar, a manipulator, a kleptomaniac. "I have a meanness inside me, real as an organ," she warns. "Draw a picture of my soul and it'd be a scribble with fangs." If Camille is overly grateful when people want to befriend her, Libby's first instinct is to kick them in their shins. In those first two novels, I explored the geography of loneliness--and the devastation it can lead to. With *Gone Girl,* I wanted to go the opposite direction: what happens when two people intertwine their lives completely.I wanted to explore the geography of intimacy--and the devastation it can lead to. Marriage gone toxic. *Gone Girl* opens on the occasion of Amy and Nick Dunne's fifth wedding anniversary. (How romantic.) Amy disappears under very disturbing circumstances. (Less romantic.) Nick and Amy Dunne were the golden couple when they first began their courtship. Soul mates. They could complete each other's sentences, guess each other's reactions. They could push each other's buttons. They are smart, charming, gorgeous, and also narcissistic, selfish, and cruel. They complete each other--in a very dangerous way. ### Review "Ice-pick-sharp... Spectacularly sneaky... Impressively cagey... "Gone Girl" is Ms. Flynn's dazzling breakthrough. It is wily, mercurial, subtly layered and populated by characters so well imagined that they're hard to part with -- even if, as in Amy's case, they are already departed. And if you have any doubts about whether Ms. Flynn measures up to Patricia Highsmith's level of discreet malice, go back and look at the small details. Whatever you raced past on a first reading will look completely different the second time around." --Janet Maslin, "New York Times ""An ingenious and viperish thriller... It's going to make Gillian Flynn a star... The first half of "Gone Girl" is a nimble, caustic riff on our Nancy Grace culture and the way in which ''The butler did it'' has morphed into ''The husband did it.'' The second half is the real stunner, though. Now I really am going to shut up before I spoil what instantly shifts into a great, breathless read. Even as "Gone Girl" grows truly twisted and wild, it says smart things about how tenuous power relations are between men and women, and how often couples are at the mercy of forces beyond their control. As if that weren't enough, Flynn has created a genuinely creepy villain you don't see coming. People love to talk about the banality of evil. You're about to meet a maniac you could fall in love with. A" "--"Jeff Giles, "Entertainment Weekly " "An irresistible summer thriller with a twisting plot worthy of Alfred Hitchcock. Burrowing deep into the murkiest corners of the human psyche, this delectable summer read will give you the creeps and keep you on edge until the last page." "--People" (four stars) "[A] thoroughbred thriller about the nature of identity and the terrible secrets that can survive and thrive in even the most intimate relationships. "Gone Girl" begins as a whodunit, but by the end it will have you wondering whether there's any such thing as a who at all." "--"Lev Grossman, "Time"

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She wanted to make sure I wasn’t wearing a wire. I undressed in front of her, removed every stitch, and then she surveyed me, ran a hand across my chin and my chest, down my back. She palmed my ass and slipped her hand between my legs, cupped my testicles and gripped my limp cock, held it in her hand for a moment to see if anything happened. Nothing happened.

“You’re clean,” she said. It was meant as a joke, a wisecrack, a movie reference we’d both laugh at. When I said nothing, she stepped back and said, “I always did like looking at you naked. That made me happy.”

“Nothing made you happy. Can I put my clothes back on?”

“No. I don’t want to worry about hidden wires in the cuffs or the hems. Also, we need to go in the bathroom and run the water. In case you bugged the house.”

“You’ve seen too many movies,” I said.

“Ha! Never thought I’d hear you say that.”

We stood in the bathtub and turned on the shower. The water sprayed my naked back and misted the front of Amy’s shirt until she peeled it off. She pulled off all her clothes, a gleeful striptease, and tossed them over the shower stall in the same grinning, game manner she had when we first met— I’m up for anything! —and she turned to me, and I waited for her to swing her hair around her shoulders like she did when she flirted with me, but her hair was too short.

“Now we’re even,” she said. “Seemed rude to be the only one clothed.”

“I think we’re past etiquette, Amy.”

Look only at her eyes, do not touch her, do not let her touch you .

She moved toward me, put a hand on my chest, let the water trickle between her breasts. She licked a shower teardrop off her upper lip and smiled. Amy hated shower spray. She didn’t like getting her face wet, didn’t like the feel of water pelleting her flesh. I knew this because I was married to her, and I’d pawed her and harassed her many times in the shower, always to be turned down. (I know it seems sexy, Nick, but it’s actually not, it’s something people only do in movies.) Now she was pretending just the opposite, as if she forgot that I knew her. I backed away.

“Tell me everything, Amy. But first: Was there ever a baby?”

The baby was a lie. It was the most desolate part for me. My wife as a murderer was frightening, repulsive, but the baby as a lie was almost impossible to bear. The baby was a lie, the fear of blood was a lie—during the past year, my wife had been mostly a lie.

“How did you set Desi up?” I asked.

“I found some twine in one corner of his basement. I used a steak knife to saw it into four pieces—”

“He let you keep a knife?”

“We were friends. You forget.”

She was right. I was thinking of the story she’d told the police: that Desi had held her captive. I did forget. She was that good a storyteller.

“Whenever Desi wasn’t around, I’d tie the pieces as tight as I could around my wrists and ankles so they’d leave these grooves.”

She showed me the lurid lines on her wrists, like bracelets.

“I took a wine bottle, and I abused myself with it every day, so the inside of my vagina looked … right. Right for a rape victim. Then today I let him have sex with me so I had his semen, and I slipped some sleeping pills into his martini.”

“He let you keep sleeping pills?”

She sighed: I wasn’t keeping up.

“Right, you were friends.”

“Then I—” She pantomimed slicing his jugular.

“That easy, huh?”

“You just have to decide to do it and then do it,” she said. “Discipline. Follow through. Like anything. You never understood that.”

I could feel her mood turning stony. I wasn’t appreciating her enough.

“Tell me more,” I said. “Tell me how you did it.”

An hour in, the water went cold, and Amy called an end to our discussion.

“You have to admit, it’s pretty brilliant,” she said.

I stared at her.

“I mean, you have to admire it just a little,” she prompted.

“How long did it take for Desi to bleed to death?”

“It’s time for bed,” she said. “But we can talk more tomorrow if you want. Right now we should sleep. Together. I think it’s important. For closure. Actually, the opposite of closure.”

“Amy, I’m going to stay tonight because I don’t want to deal with all the questions if I don’t stay. But I’ll sleep downstairs.”

She cocked her head to one side, studied me.

“Nick, I can still do very bad things to you, remember that.”

“Ha! Worse than what you’ve already done?”

She looked surprised. “Oh, definitely.”

“I doubt that, Amy.”

I began walking out the door.

“Attempted murder,” she said.

I paused.

“That was my original plan early on: I’d be a poor, sick wife with repeated episodes, sudden intense bouts of illness, and then it turns out that all those cocktails her husband prepared her …”

“Like in the diary.”

“But I decided attempted murder wasn’t good enough for you. It had to be bigger than that. Still, I couldn’t get the poisoning idea out of my head. I liked the idea of you working up to the murder. Trying the cowardly way first. So I went through with it.”

“You expect me to believe that?”

“All that vomit, so shocking. An innocent, frightened wife might have saved some of that vomit, just in case. You can’t blame her, being a little paranoid.” She gave a satisfied smile. “Always have a backup plan to the backup plan.”

“You actually poisoned yourself.”

“Nick, please, you’re shocked? I killed myself.”

“I need a drink,” I said. I left before she could speak.

I poured myself a Scotch and sat on the living-room couch. Beyond the curtains, the strobes of the cameras were lighting up the yard. Soon it would no longer be night. I’d come to find the morning depressing, to know it would come again and again.

Tanner picked up on the first ring.

“She killed him,” I said. “She killed Desi because he was basically … he was annoying her, he was power-playing her, and she realized she could kill him, and it was her way back to her old life, and she could blame everything on him. She murdered him, Tanner, she just told me this. She confessed .”

“I don’t suppose you were able to … record any of it somehow? Cell phone or something?”

“We were naked with the shower running, and she whispered everything.”

“I don’t even want to ask,” he said. “You two are the most fucked-up people I have ever met, and I specialize in fucked-up people.”

“What’s going on with the police?”

He sighed. “She foolproofed everything. It’s ludicrous, her story, but no more ludicrous than our story. Amy’s basically exploiting the sociopath’s most reliable maxim.”

“What’s that?”

“The bigger the lie, the more they believe it.”

“Come on, Tanner, there’s got to be something.”

I paced over to the staircase to make sure Amy was nowhere nearby. We were whispering, but still. I had to be careful now.

“For now we need to toe the line, Nick. She left you looking fairly bad: Everything in the diary was true, she says. All the stuff in the woodshed was you. You bought the stuff with those credit cards, and you’re too embarrassed to admit it. She’s just a sheltered little rich girl, what would she know about acquiring secret credit cards in her husband’s name? And my goodness, that pornography!”

“She told me there was never a baby, she faked it with Noelle Hawthorne’s pee.”

“Why didn’t you say—That’s huge! We’ll lean on Noelle Hawthorne.”

“Noelle didn’t know.”

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