Gillian Flynn - Gone Girl:

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Gone Girl:: краткое содержание, описание и аннотация

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Marriage can be a real killer. One of the most critically acclaimed suspense writers of our time, *New York Times* bestseller Gillian Flynn takes that statement to its darkest place in this unputdownable masterpiece about a marriage gone terribly, terribly wrong. The *Chicago Tribune* proclaimed that her work “draws you in and keeps you reading with the force of a pure but nasty addiction.” *Gone Girl* ’s toxic mix of sharp-edged wit and deliciously chilling prose creates a nerve-fraying thriller that confounds you at every turn. On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears from their rented McMansion on the Mississippi River. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge **.** Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer? As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn’t do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet? With her razor-sharp writing and trademark psychological insight, Gillian Flynn delivers a fast-paced, devilishly dark, and ingeniously plotted thriller that confirms her status as one of the hottest writers around. ### Amazon.com Review Amazon Best Books of the Month, June 2012: On their fifth wedding anniversary, Nick’s wife Amy disappears. There are signs of struggle in the house, and Nick quickly becomes the prime suspect. It doesn’t help that Nick hasn’t been completely honest with the police, and, as Amy’s case drags out for weeks, more and more vilifying evidence appears against him--but Nick maintains his innocence. Alternating points of view between Nick and Amy, Gillian Flynn creates an untrustworthy world that changes from chapter to chapter. Calling *Gone Girl* a psychological thriller is an understatement. As revelation after revelation unfolds, it becomes clear that the truth does not exist in the middle of Nick and Amy’s points of view; it is far darker, more twisted, and creepier than you can imagine. *Gone Girl* is masterfully plotted, and the suspense doesn’t waver for a single page. It’s one of those books you will feel the need to discuss as soon as you finish it, because the ending doesn’t just come--it punches you in the gut. -- *Caley Anderson* #### From Author Gillian Flynn You might say I specialize in difficult characters. Damaged, disturbed, or downright nasty. Personally, I love each and every one of the misfits, losers, and outcasts in my three novels. My supporting characters are meth tweakers, truck-stop strippers, backwoods grifters ... But it's my narrators who are the real challenge. In *Sharp Objects,* Camille Preaker is a mediocre journalist fresh from a stay at a psychiatric hospital. She's an alcoholic. She's got impulse issues. She's also incredibly lonely. Her best friend is her boss. When she returns to her hometown to investigate a child murder, she parks down the street from her mother's house "so as to seem less obtrusive." She has no sense of whom to trust, and this leads to disaster. Camille is cut off from the world but would rather not be. In *Dark Places,* narrator Libby Day is aggressively lonely. She cultivates her isolation. She lives off a trust fund established for her as a child when her family was massacred; she isn't particularly grateful for it. She's a liar, a manipulator, a kleptomaniac. "I have a meanness inside me, real as an organ," she warns. "Draw a picture of my soul and it'd be a scribble with fangs." If Camille is overly grateful when people want to befriend her, Libby's first instinct is to kick them in their shins. In those first two novels, I explored the geography of loneliness--and the devastation it can lead to. With *Gone Girl,* I wanted to go the opposite direction: what happens when two people intertwine their lives completely.I wanted to explore the geography of intimacy--and the devastation it can lead to. Marriage gone toxic. *Gone Girl* opens on the occasion of Amy and Nick Dunne's fifth wedding anniversary. (How romantic.) Amy disappears under very disturbing circumstances. (Less romantic.) Nick and Amy Dunne were the golden couple when they first began their courtship. Soul mates. They could complete each other's sentences, guess each other's reactions. They could push each other's buttons. They are smart, charming, gorgeous, and also narcissistic, selfish, and cruel. They complete each other--in a very dangerous way. ### Review "Ice-pick-sharp... Spectacularly sneaky... Impressively cagey... "Gone Girl" is Ms. Flynn's dazzling breakthrough. It is wily, mercurial, subtly layered and populated by characters so well imagined that they're hard to part with -- even if, as in Amy's case, they are already departed. And if you have any doubts about whether Ms. Flynn measures up to Patricia Highsmith's level of discreet malice, go back and look at the small details. Whatever you raced past on a first reading will look completely different the second time around." --Janet Maslin, "New York Times ""An ingenious and viperish thriller... It's going to make Gillian Flynn a star... The first half of "Gone Girl" is a nimble, caustic riff on our Nancy Grace culture and the way in which ''The butler did it'' has morphed into ''The husband did it.'' The second half is the real stunner, though. Now I really am going to shut up before I spoil what instantly shifts into a great, breathless read. Even as "Gone Girl" grows truly twisted and wild, it says smart things about how tenuous power relations are between men and women, and how often couples are at the mercy of forces beyond their control. As if that weren't enough, Flynn has created a genuinely creepy villain you don't see coming. People love to talk about the banality of evil. You're about to meet a maniac you could fall in love with. A" "--"Jeff Giles, "Entertainment Weekly " "An irresistible summer thriller with a twisting plot worthy of Alfred Hitchcock. Burrowing deep into the murkiest corners of the human psyche, this delectable summer read will give you the creeps and keep you on edge until the last page." "--People" (four stars) "[A] thoroughbred thriller about the nature of identity and the terrible secrets that can survive and thrive in even the most intimate relationships. "Gone Girl" begins as a whodunit, but by the end it will have you wondering whether there's any such thing as a who at all." "--"Lev Grossman, "Time"

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Nick fastened me to the earth. Nick wasn’t like Desi, who brought me things I wanted (tulips, wine) to make me do the things he wanted (love him). Nick just wanted me to be happy, that’s all, very pure. Maybe I mistook that for laziness. I just want you to be happy, Amy . How many times did he say that and I took it to mean: I just want you to be happy, Amy, because that’s less work for me . But maybe I was unfair. Well, not unfair but confused. No one I’ve loved has ever not had an agenda. So how could I know?

It really is true. It took this awful situation for us to realize it. Nick and I fit together. I am a little too much, and he is a little too little. I am a thornbush, bristling from the overattention of my parents, and he is a man of a million little fatherly stab wounds, and my thorns fit perfectly into them.

I need to get home to him.

NICK DUNNE

FOURTEEN DAYS GONE

I woke up on my sister’s couch with a raging hangover and an urge to kill my wife. This was fairly common in the days after the Diary Interview with the police. I’d imagine finding Amy tucked away in some spa on the West Coast, sipping pineapple juice on a divan, her cares floating way, far away, above a perfect blue sky, and me, dirty, smelly from an urgent cross-country drive, standing in front of her, blocking the sun until she looks up, and then my hands around her perfect throat, with its cords and hollows and the pulse thumping first urgently and then slowly as we look into each other’s eyes and at last have some understanding.

I was going to be arrested. If not today, tomorrow; if not tomorrow, the next day. I had taken the fact that the police let me walk out of the station as a good sign, but Tanner had shut me down: “Without a body, a conviction is incredibly tough. They’re just dotting the I’s, crossing the T’s. Spend these days doing whatever you need to do, because once the arrest happens, we’ll be busy.”

Just outside the window, I could hear the rumbling of camera crews—men greeting one another good morning, as if they were clocking in at the factory. Cameras click-click-clicked like restless locusts, shooting the front of Go’s house. Someone had leaked the discovery of my “man cave” of goods on my sister’s property, my imminent arrest. Neither of us had dared to so much as flick at a curtain.

Go walked into the room in flannel boxers and her high school Butthole Surfers T-shirt, her laptop in the crook of an arm. “Everyone hates you again,” she said.

“Fickle fucks.”

“Last night someone leaked the information about the shed, about Amy’s purse and the diary. Now it’s all: Nick Is a Liar, Nick Is a Killer, Nick Is a Lying Killer . Sharon Schieber just released a statement saying she was very shocked and disappointed with the direction the case was taking. Oh, and everyone knows all about the porn —Kill the Bitches .”

“Hurt the Bitch.”

“Oh, excuse me,” she said. “Hurt the Bitch . So Nick Is a Lying Killer-slash-Sexual Sadist . Ellen Abbott is going to go fucking rabid. She’s a crazy anti-porn lady.”

“Of course she is,” I said. “I’m sure Amy is very aware of that.”

“Nick?” she said in her wake up voice. “This is bad.”

“Go, it doesn’t matter what anyone else thinks, we need to remember that,” I said. “What matters right now is what Amy is thinking. If she’s softening toward me.”

“Nick. You really think she can go that fast from hating you so much to falling in love with you again?”

It was the fifth anniversary of our conversation on this topic.

“Go, yeah, I do. Amy was never a person with any sort of bullshit detector. If you said she looked beautiful, she knew that was a fact. If you said she was brilliant, it wasn’t flattery, it was her due. So yeah, I think a good chunk of her truly believes that if I can only see the error of my ways, of course I’ll be in love with her again. Because why in God’s name wouldn’t I be?”

“And if it turns out she’s developed a bullshit detector?”

“You know Amy; she needs to win. She’s less pissed off that I cheated than that I picked someone else over her. She’ll want me back just to prove that she’s the winner. Don’t you agree? Just seeing me begging her to come back so I can worship her properly, it will be hard for her to resist. Don’t you think?”

“I think it’s a decent idea,” she said in the way you might wish someone good luck on the lottery.

“Hey, if you’ve got something better, by all fucking means.”

We snapped like that at each other now. We’d never done that before. After the police found the woodshed, they grilled Go, hard, just as Tanner had predicted: Did she know? Did she help?

I’d expected her to come home that night, brimming with curse words and fury, but all I got was an embarrassed smile as she slipped past me to her room in the house she had double-mortgaged to cover Tanner’s retainer.

I had put my sister in financial and legal jeopardy because of my shitty decisions. The whole situation made Go feel resentful and me ashamed, a lethal combination for two people trapped in small confines.

I tried a different subject: “I’ve been thinking about phoning Andie now that—”

“Yeah, that would be genius-smart, Nick. Then she can go back on Ellen Abbott—

“She didn’t go on Ellen Abbott . She had a press conference that Ellen Abbott carried. She’s not evil, Go.”

“She gave the press conference because she was pissed at you. I sorta wish you’d just kept fucking her.”

“Nice.”

“What would you even say to her?”

“I’m sorry.”

“You are definitely fucking sorry,” she muttered.

“I just— I hate how it ended.”

“The last time you saw Andie, she bit you,” Go said in an overly patient voice. “I don’t think the two of you have anything else to say. You are the prime suspect in a murder investigation. You have forfeited the right to a smooth breakup. For fuck’s sake, Nick.”

We were growing sick of each other, something I never thought could happen. It was more than basic stress, more than the danger I’d deposited on Go’s doorstep. Those ten seconds just a week ago, when I’d opened the door of the woodshed, expecting Go to read my mind as always, and what Go had read was that I’d killed my wife: I couldn’t get over that, and neither could she. I caught her looking at me now and then with the same steeled chill with which she looked at our father: just another shitty male taking up space. I’m sure I looked at her through our father’s miserable eyes sometimes: just another petty woman resenting me.

I let out a gust of air, stood up, and squeezed her hand, and she squeezed back.

“I think I should head home,” I said. I felt a wave of nausea. “I can’t stand this anymore. Waiting to be arrested, I can’t stand it.”

Before she could stop me, I grabbed my keys, swung open the door, and the cameras began blasting, the shouts exploded from a crowd that was even larger than I’d feared: Hey, Nick, did you kill your wife? Hey, Margo, did you help your brother hide evidence?

“Fucking shitbags,” Go spat. She stood next to me in solidarity, in her Butthole Surfers T-shirt and boxers. A few protesters carried signs. A woman with stringy blond hair and sunglasses shook a poster board: Nick, where is AMY?

The shouts got louder, frantic, baiting my sister: Margo, is your brother a wife killer? Did Nick kill his wife and baby? Margo, are you a suspect? Did Nick kill his wife? Did Nick kill his baby?

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