Gillian Flynn - Gone Girl:

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Gone Girl:: краткое содержание, описание и аннотация

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Marriage can be a real killer. One of the most critically acclaimed suspense writers of our time, *New York Times* bestseller Gillian Flynn takes that statement to its darkest place in this unputdownable masterpiece about a marriage gone terribly, terribly wrong. The *Chicago Tribune* proclaimed that her work “draws you in and keeps you reading with the force of a pure but nasty addiction.” *Gone Girl* ’s toxic mix of sharp-edged wit and deliciously chilling prose creates a nerve-fraying thriller that confounds you at every turn. On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears from their rented McMansion on the Mississippi River. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge **.** Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer? As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn’t do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet? With her razor-sharp writing and trademark psychological insight, Gillian Flynn delivers a fast-paced, devilishly dark, and ingeniously plotted thriller that confirms her status as one of the hottest writers around. ### Amazon.com Review Amazon Best Books of the Month, June 2012: On their fifth wedding anniversary, Nick’s wife Amy disappears. There are signs of struggle in the house, and Nick quickly becomes the prime suspect. It doesn’t help that Nick hasn’t been completely honest with the police, and, as Amy’s case drags out for weeks, more and more vilifying evidence appears against him--but Nick maintains his innocence. Alternating points of view between Nick and Amy, Gillian Flynn creates an untrustworthy world that changes from chapter to chapter. Calling *Gone Girl* a psychological thriller is an understatement. As revelation after revelation unfolds, it becomes clear that the truth does not exist in the middle of Nick and Amy’s points of view; it is far darker, more twisted, and creepier than you can imagine. *Gone Girl* is masterfully plotted, and the suspense doesn’t waver for a single page. It’s one of those books you will feel the need to discuss as soon as you finish it, because the ending doesn’t just come--it punches you in the gut. -- *Caley Anderson* #### From Author Gillian Flynn You might say I specialize in difficult characters. Damaged, disturbed, or downright nasty. Personally, I love each and every one of the misfits, losers, and outcasts in my three novels. My supporting characters are meth tweakers, truck-stop strippers, backwoods grifters ... But it's my narrators who are the real challenge. In *Sharp Objects,* Camille Preaker is a mediocre journalist fresh from a stay at a psychiatric hospital. She's an alcoholic. She's got impulse issues. She's also incredibly lonely. Her best friend is her boss. When she returns to her hometown to investigate a child murder, she parks down the street from her mother's house "so as to seem less obtrusive." She has no sense of whom to trust, and this leads to disaster. Camille is cut off from the world but would rather not be. In *Dark Places,* narrator Libby Day is aggressively lonely. She cultivates her isolation. She lives off a trust fund established for her as a child when her family was massacred; she isn't particularly grateful for it. She's a liar, a manipulator, a kleptomaniac. "I have a meanness inside me, real as an organ," she warns. "Draw a picture of my soul and it'd be a scribble with fangs." If Camille is overly grateful when people want to befriend her, Libby's first instinct is to kick them in their shins. In those first two novels, I explored the geography of loneliness--and the devastation it can lead to. With *Gone Girl,* I wanted to go the opposite direction: what happens when two people intertwine their lives completely.I wanted to explore the geography of intimacy--and the devastation it can lead to. Marriage gone toxic. *Gone Girl* opens on the occasion of Amy and Nick Dunne's fifth wedding anniversary. (How romantic.) Amy disappears under very disturbing circumstances. (Less romantic.) Nick and Amy Dunne were the golden couple when they first began their courtship. Soul mates. They could complete each other's sentences, guess each other's reactions. They could push each other's buttons. They are smart, charming, gorgeous, and also narcissistic, selfish, and cruel. They complete each other--in a very dangerous way. ### Review "Ice-pick-sharp... Spectacularly sneaky... Impressively cagey... "Gone Girl" is Ms. Flynn's dazzling breakthrough. It is wily, mercurial, subtly layered and populated by characters so well imagined that they're hard to part with -- even if, as in Amy's case, they are already departed. And if you have any doubts about whether Ms. Flynn measures up to Patricia Highsmith's level of discreet malice, go back and look at the small details. Whatever you raced past on a first reading will look completely different the second time around." --Janet Maslin, "New York Times ""An ingenious and viperish thriller... It's going to make Gillian Flynn a star... The first half of "Gone Girl" is a nimble, caustic riff on our Nancy Grace culture and the way in which ''The butler did it'' has morphed into ''The husband did it.'' The second half is the real stunner, though. Now I really am going to shut up before I spoil what instantly shifts into a great, breathless read. Even as "Gone Girl" grows truly twisted and wild, it says smart things about how tenuous power relations are between men and women, and how often couples are at the mercy of forces beyond their control. As if that weren't enough, Flynn has created a genuinely creepy villain you don't see coming. People love to talk about the banality of evil. You're about to meet a maniac you could fall in love with. A" "--"Jeff Giles, "Entertainment Weekly " "An irresistible summer thriller with a twisting plot worthy of Alfred Hitchcock. Burrowing deep into the murkiest corners of the human psyche, this delectable summer read will give you the creeps and keep you on edge until the last page." "--People" (four stars) "[A] thoroughbred thriller about the nature of identity and the terrible secrets that can survive and thrive in even the most intimate relationships. "Gone Girl" begins as a whodunit, but by the end it will have you wondering whether there's any such thing as a who at all." "--"Lev Grossman, "Time"

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“I guess a little cash would just make me feel more comfortable. Should something happen. Should I need to get out of here quickly.”

He opens his wallet and pulls out two twenty-dollar bills. Presses them gently in my hand. “There you are,” he says indulgently.

I wonder then if I have made a very big mistake.

NICK DUNNE

TEN DAYS GONE

I made a mistake, feeling so cocky. Whatever the hell this diary was, it was going to ruin me. I could already see the cover of the true-crime novel: the black-and-white photo of us on our wedding day, the blood-red background, the jacket copy: including sixteen pages of never-seen photos and Amy Elliott Dunne’s actual diary entries—a voice from beyond the grave … I’d found it strange and kind of cute, Amy’s guilty pleasures, those cheesy true-crime books I’d discovered here and there around our house. I thought maybe she was loosening up, allowing herself some beach reading.

Nope. She was just studying.

Gilpin pulled over a chair, sat on it backward, and leaned toward me on crossed arms—his movie-cop look. It was almost midnight; it felt later.

“Tell us about your wife’s illness these past few months,” he said.

“Illness? Amy never got sick. Once a year she’d get a cold, maybe.”

Boney picked up the book, turned to a marked page. “Last month you made Amy and yourself some drinks, sat on your back porch. She writes here that the drinks were impossibly sweet and describes what she thinks is an allergic reaction: My heart was racing, my tongue was slabbed, stuck to the bottom of my mouth. My legs turned to meat as Nick walked me up the stairs .” She put a finger down to hold her place in the diary, looked up as if I might not be paying attention. “When she woke the next morning: My head ached and my stomach was oily, but weirder, my fingernails were light blue, and when I looked in the mirror, so were my lips. I didn’t pee for two days after. I felt so weak .”

I shook my head in disgust. I’d become attached to Boney; I expected better of her.

“Is this your wife’s handwriting?” Boney tilted the book toward me, and I saw deep black ink and Amy’s cursive, jagged as a fever chart.

“Yes, I think so.”

“So does our handwriting expert.”

Boney said the words with a certain pride, and I realized: This was the first case these two had ever had that required outside experts, that demanded they get in touch with professionals who did exotic things like analyze handwriting.

“You know what else we learned, Nick, when we showed this entry to our medical expert?”

“Poisoning,” I blurted. Tanner frowned at me: steady .

Boney stuttered for a second; this was not information I was supposed to provide.

“Yeah, Nick, thank you: antifreeze poisoning,” she said. “Textbook. She’s lucky she survived.”

“She didn’t survive , because that never happened,” I said. “Like you said, it’s textbook—it’s made up from an Internet search.”

Boney frowned but refused to bite. “The diary isn’t a pretty picture of you, Nick,” she continued, one finger tracing her braid. “ Abuse —you pushed her around. Stress —you were quick to anger. Sexual relations that bordered on rape . She was very frightened of you at the end there. It’s painful to read. That gun we were wondering about, she says she wanted it because she was afraid of you. Here’s her last entry: This man might kill me. This man might kill me , in her own words.”

My throat clenched. I felt like I might throw up. Fear, mostly, and then a surge of rage. Fucking bitch, fucking bitch, cunt, cunt, cunt .

“What a smart, convenient note for her to end on,” I said. Tanner put a hand on mine to hush me.

“You look like you want to kill her again, right now,” Boney said.

“You’ve done nothing but lie to us, Nick,” Gilpin said. “You say you were at the beach that morning. Everyone we talk to says you hate the beach. You say you have no idea what all these purchases are on your maxed-out credit cards. Now we have a shed full of exactly those items, and they have your fingerprints all over them . We have a wife suffering from what sounds like antifreeze poisoning weeks before she disappears . I mean, come on.” He paused for effect.

“Anything else of note?” Tanner asked.

“We can place you in Hannibal, where your wife’s purse shows up a few days later,” Boney said. “We have a neighbor who overheard you two arguing the night before. A pregnancy you didn’t want. A bar borrowed on your wife’s money that would revert to her in case of a divorce. And of course, of course : a secret girlfriend of more than a year.”

“We can help you right now, Nick,” Gilpin said. “Once we arrest you, we can’t.”

“Where did you find the diary? At Nick’s father’s house?” Tanner asked.

“Yes,” Boney said.

Tanner nodded to me: That’s what we didn’t find . “Let me guess: anonymous tip.”

Neither cop said a thing.

“Can I ask where in the house you found it?” I asked.

“In the furnace. I know you thought you burned it. It caught fire, but the pilot light was too weak; it got smothered. So only the outer edges burned,” Gilpin said. “Extremely good luck for us.”

The furnace—another inside joke from Amy! She’d always proclaimed amazement at how little I understood the things men are supposed to understand. During our search, I’d even glanced at my dad’s old furnace, with its pipes and wires and spigots, and backed away, intimidated.

“It wasn’t luck. You were meant to find it,” I said.

Boney let the left side of her mouth slide into a smile. She leaned back and waited, relaxed as the star of an iced-tea commercial. I gave Tanner an angry nod: Go ahead .

“Amy Elliott Dunne is alive, and she is framing Nick Dunne for her murder,” he said. I clasped my hands and sat up straight, tried to do anything that would lend me an air of reason. Boney stared at me. I needed a pipe, eyeglasses I could swiftly remove for effect, a set of encyclopedias at my elbow. I felt giddy. Do not laugh.

Boney frowned. “What’s that again?”

“Amy is alive and very well, and she is framing Nick,” my proxy repeated.

They exchanged a look, hunched over the table: Can you believe this guy?

“Why would she do that?” Gilpin asked, rubbing his eyes.

“Because she hates him. Obviously. He was a shitty husband.”

Boney looked down at the floor, let out a breath. “I’d certainly agree with you there.”

At the same time, Gilpin said: “Oh, for Christ’s sake.”

“Is she crazy , Nick?” Boney said, leaning in. “What you’re talking about, it’s crazy. You hear me? It would have taken, what, six months, a year , to set all this up. She would have had to hate you, to wish you harm—ultimate, serious, horrific harm—for a year . Do you know how hard it is to sustain that kind of hatred for that long?”

She could do it. Amy could do it .

“Why not just divorce your ass?” Boney snapped.

“That wouldn’t appeal to her … sense of justice,” I replied. Tanner gave me another look.

“Jesus Christ, Nick, aren’t you tired of all this?” Gilpin said. “We have it in your wife’s own words: I think he may kill me .”

Someone had told them at some point: Use the suspect’s name a lot, it will make him feel comfortable, known. Same idea as in sales.

“You been in your dad’s house lately, Nick?” Boney asked. “Like on July ninth?”

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