Gillian Flynn - Gone Girl:

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Gone Girl:: краткое содержание, описание и аннотация

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Marriage can be a real killer. One of the most critically acclaimed suspense writers of our time, *New York Times* bestseller Gillian Flynn takes that statement to its darkest place in this unputdownable masterpiece about a marriage gone terribly, terribly wrong. The *Chicago Tribune* proclaimed that her work “draws you in and keeps you reading with the force of a pure but nasty addiction.” *Gone Girl* ’s toxic mix of sharp-edged wit and deliciously chilling prose creates a nerve-fraying thriller that confounds you at every turn. On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears from their rented McMansion on the Mississippi River. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge **.** Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer? As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn’t do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet? With her razor-sharp writing and trademark psychological insight, Gillian Flynn delivers a fast-paced, devilishly dark, and ingeniously plotted thriller that confirms her status as one of the hottest writers around. ### Amazon.com Review Amazon Best Books of the Month, June 2012: On their fifth wedding anniversary, Nick’s wife Amy disappears. There are signs of struggle in the house, and Nick quickly becomes the prime suspect. It doesn’t help that Nick hasn’t been completely honest with the police, and, as Amy’s case drags out for weeks, more and more vilifying evidence appears against him--but Nick maintains his innocence. Alternating points of view between Nick and Amy, Gillian Flynn creates an untrustworthy world that changes from chapter to chapter. Calling *Gone Girl* a psychological thriller is an understatement. As revelation after revelation unfolds, it becomes clear that the truth does not exist in the middle of Nick and Amy’s points of view; it is far darker, more twisted, and creepier than you can imagine. *Gone Girl* is masterfully plotted, and the suspense doesn’t waver for a single page. It’s one of those books you will feel the need to discuss as soon as you finish it, because the ending doesn’t just come--it punches you in the gut. -- *Caley Anderson* #### From Author Gillian Flynn You might say I specialize in difficult characters. Damaged, disturbed, or downright nasty. Personally, I love each and every one of the misfits, losers, and outcasts in my three novels. My supporting characters are meth tweakers, truck-stop strippers, backwoods grifters ... But it's my narrators who are the real challenge. In *Sharp Objects,* Camille Preaker is a mediocre journalist fresh from a stay at a psychiatric hospital. She's an alcoholic. She's got impulse issues. She's also incredibly lonely. Her best friend is her boss. When she returns to her hometown to investigate a child murder, she parks down the street from her mother's house "so as to seem less obtrusive." She has no sense of whom to trust, and this leads to disaster. Camille is cut off from the world but would rather not be. In *Dark Places,* narrator Libby Day is aggressively lonely. She cultivates her isolation. She lives off a trust fund established for her as a child when her family was massacred; she isn't particularly grateful for it. She's a liar, a manipulator, a kleptomaniac. "I have a meanness inside me, real as an organ," she warns. "Draw a picture of my soul and it'd be a scribble with fangs." If Camille is overly grateful when people want to befriend her, Libby's first instinct is to kick them in their shins. In those first two novels, I explored the geography of loneliness--and the devastation it can lead to. With *Gone Girl,* I wanted to go the opposite direction: what happens when two people intertwine their lives completely.I wanted to explore the geography of intimacy--and the devastation it can lead to. Marriage gone toxic. *Gone Girl* opens on the occasion of Amy and Nick Dunne's fifth wedding anniversary. (How romantic.) Amy disappears under very disturbing circumstances. (Less romantic.) Nick and Amy Dunne were the golden couple when they first began their courtship. Soul mates. They could complete each other's sentences, guess each other's reactions. They could push each other's buttons. They are smart, charming, gorgeous, and also narcissistic, selfish, and cruel. They complete each other--in a very dangerous way. ### Review "Ice-pick-sharp... Spectacularly sneaky... Impressively cagey... "Gone Girl" is Ms. Flynn's dazzling breakthrough. It is wily, mercurial, subtly layered and populated by characters so well imagined that they're hard to part with -- even if, as in Amy's case, they are already departed. And if you have any doubts about whether Ms. Flynn measures up to Patricia Highsmith's level of discreet malice, go back and look at the small details. Whatever you raced past on a first reading will look completely different the second time around." --Janet Maslin, "New York Times ""An ingenious and viperish thriller... It's going to make Gillian Flynn a star... The first half of "Gone Girl" is a nimble, caustic riff on our Nancy Grace culture and the way in which ''The butler did it'' has morphed into ''The husband did it.'' The second half is the real stunner, though. Now I really am going to shut up before I spoil what instantly shifts into a great, breathless read. Even as "Gone Girl" grows truly twisted and wild, it says smart things about how tenuous power relations are between men and women, and how often couples are at the mercy of forces beyond their control. As if that weren't enough, Flynn has created a genuinely creepy villain you don't see coming. People love to talk about the banality of evil. You're about to meet a maniac you could fall in love with. A" "--"Jeff Giles, "Entertainment Weekly " "An irresistible summer thriller with a twisting plot worthy of Alfred Hitchcock. Burrowing deep into the murkiest corners of the human psyche, this delectable summer read will give you the creeps and keep you on edge until the last page." "--People" (four stars) "[A] thoroughbred thriller about the nature of identity and the terrible secrets that can survive and thrive in even the most intimate relationships. "Gone Girl" begins as a whodunit, but by the end it will have you wondering whether there's any such thing as a who at all." "--"Lev Grossman, "Time"

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My stomach clenched. “I’m here because I wanted to see for myself your face when you talked about Amy,” I said. “I gotta tell you, it worries me. You get a little … moony.”

“One of us has to,” Desi said, again reasonably.

“Sweetheart?” A voice came from the back of the house, and another set of expensive shoes clattered toward the living room. “What was the name of that book—

The woman was a blurry vision of Amy, Amy in a steam-fogged mirror—exact coloring, extremely similar features, but a quarter century older, the flesh, the features, all let out a bit like a fine fabric. She was still gorgeous, a woman who chose to age gracefully. She was shaped like some sort of origami creation: elbows in extreme points, a clothes-hanger collarbone. She wore a china-blue sheath dress and had the same pull Amy did: When she was in a room, you kept turning your head back her way. She gave me a rather predatory smile.

“Hello, I’m Jacqueline Collings.”

“Mother, this is Amy’s husband, Nick,” Desi said.

“Amy.” The woman smiled again. She had a bottom-of-a-well voice, deep and strangely resonant. “We’ve been quite interested in that story around here. Yes, very interested.” She turned coldly to her son. “We can never stop thinking about the superb Amy Elliott, can we?”

“Amy Dunne now,” I said.

“Of course,” Jacqueline agreed. “I’m so sorry, Nick, for what you’re going through.” She stared at me a moment. “I’m sorry, I must … I didn’t picture Amy with such an … American boy.” She seemed to be speaking neither to me nor to Desi. “Good God, he even has a cleft chin.”

“I came over to see if your son had any information,” I said. “I know he’s written my wife a lot of letters over the years.”

“Oh, the letters !” Jacqueline smiled angrily. “Such an interesting way to spend one’s time, don’t you think?”

“Amy shared them with you?” Desi asked. “I’m surprised.”

“No,” I said, turning to him. “She threw them away unopened, always.”

“All of them? Always? You know that?” Desi said, still smiling.

“Once I went through the trash to read one.” I turned back to Jacqueline. “Just to see what exactly was going on.”

“Good for you,” Jacqueline said, purring at me. “I’d expect nothing less of my husband.”

“Amy and I always wrote each other letters,” Desi said. He had his mother’s cadence, the delivery that indicated everything he said was something you’d want to hear. “It was our thing. I find e-mail so … cheap. And no one saves them. No one saves an e-mail, because it’s so inherently impersonal. I worry about posterity in general. All the great love letters—from Simone de Beauvoir to Sartre, from Samuel Clemens to his wife, Olivia—I don’t know, I always think about what will be lost—”

“Have you kept all my letters?” Jacqueline asked. She was standing at the fireplace, looking down on us, one long sinewy arm trailing along the mantelpiece.

“Of course.”

She turned to me with an elegant shrug. “Just curious.”

I shivered, was about to reach out toward the fireplace for warmth, but remembered that it was July. “It seems to me a rather strange devotion to keep up all these years,” I said. “I mean, she didn’t write you back.”

That lit up Desi’s eyes. “Oh” was all he said, the sound of someone who spied a surprise firework.

“It strikes me as odd, Nick, that you’d come here and ask Desi about his relationship—or lack thereof—with your wife,” Jacqueline Collings said. “Are you and Amy not close? I can guarantee you: Desi has had no genuine contact with Amy in decades. Decades.”

“I’m just checking in, Jacqueline. Sometimes you have to see something for yourself.”

Jacqueline started walking toward the door; she turned and gave me a single twist of her head to assure me that it was time to go.

“How very intrepid of you, Nick. Very do-it-yourself. Do you build your own decks too?” She laughed at the word and opened the door for me. I stared at the hollow of her neck and wondered why she wasn’t wearing a noose of pearls. Women like this always have thick strands of pearls to click and clack. I could smell her, though, a female scent, vaginal and strangely lewd.

“It was interesting to meet you, Nick,” she said. “Let’s all hope Amy gets home safely. Until then, the next time you want to get in touch with Desi?”

She pressed a thick, creamy card into my hands. “Call our lawyer, please.”

AMY ELLIOTT DUNNE

AUGUST 17, 2011

DIARY ENTRY

I know this sounds the stuff of moony teenage girls, but I’ve been tracking Nick’s moods. Toward me. Just to make sure I’m not crazy. I’ve got a calendar, and I put hearts on any day Nick seems to love me again, and black squares when he doesn’t. The past year was all black squares, pretty much.

But now? Nine days of hearts. In a row. Maybe all he needed to know was how much I loved him and how unhappy I’d become. Maybe he had a change of heart . I’ve never loved a phrase more.

Quiz: After over a year of coldness, your husband suddenly seems to love you again. You:

a) Go on and on about how much he’s hurt you so he can apologize some more.

b) Give him the cold shoulder for a while longer—so he learns his lesson!

c) Don’t press him about his new attitude—know that he will confide in you when the time comes, and in the meantime, shower him with affection so he feels secure and loved, because that’s how this marriage thing works.

d) Demand to know what went wrong; make him talk and talk about it in order to calm your own neuroses.

Answer: C

It’s August, so sumptuous that I couldn’t bear any more black squares, but no, it’s been nothing but hearts, Nick acting like my husband, sweet and loving and goofy. He orders me chocolates from my favorite shop in New York for a treat, and he writes me a silly poem to go with them. A limerick, actually:

There once was a girl from Manhattan

Who slept only on sheets made of satin

Her husband slipped and he slided

And their bodies collided

So they did something dirty in Latin .

It would be funnier if our sex life were as carefree as the rhyme would suggest. But last week we did … fuck ? Do it ? Something more romantic than have sex but less cheesy than make love . He came home from work and kissed me full on the lips, and he touched me as if I were really there. I almost cried, I’d been so lonely. To be kissed on the lips by your husband is the most decadent thing.

What else? He takes me swimming in the same pond he’s gone to since he was a child. I can picture little Nick flapping around manically, face and shoulders sunburned red because (just like now) he refuses to wear sunscreen, forcing Mama Mo to chase after him with lotion that she swipes on whenever she can reach him.

He’s been taking me on a full tour of his boyhood haunts, like I asked him to for ages. He walks me to the edge of the river, and he kisses me as the wind whips my hair (“My two favorite things to look at in the world,” he whispers in my ear). He kisses me in a funny little playground fort that he once considered his own clubhouse (“I always wanted to bring a girl here, a perfect girl, and look at me now,” he whispers in my ear). Two days before the mall closes for good, we ride carousel bunnies side by side, our laughter echoing through the empty miles.

He takes me for a sundae at his favorite ice cream parlor, and we have the place to ourselves in the morning, the air all sticky with sweets. He kisses me and says this place is where he stuttered and suffered through so many dates, and he wishes he could have told his high school self that he would be back here with the girl of his dreams someday. We eat ice cream until we have to roll home and get under the covers. His hand on my belly, an accidental nap.

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