Gillian Flynn - Gone Girl:

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Gone Girl:: краткое содержание, описание и аннотация

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Marriage can be a real killer. One of the most critically acclaimed suspense writers of our time, *New York Times* bestseller Gillian Flynn takes that statement to its darkest place in this unputdownable masterpiece about a marriage gone terribly, terribly wrong. The *Chicago Tribune* proclaimed that her work “draws you in and keeps you reading with the force of a pure but nasty addiction.” *Gone Girl* ’s toxic mix of sharp-edged wit and deliciously chilling prose creates a nerve-fraying thriller that confounds you at every turn. On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears from their rented McMansion on the Mississippi River. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge **.** Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer? As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn’t do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet? With her razor-sharp writing and trademark psychological insight, Gillian Flynn delivers a fast-paced, devilishly dark, and ingeniously plotted thriller that confirms her status as one of the hottest writers around. ### Amazon.com Review Amazon Best Books of the Month, June 2012: On their fifth wedding anniversary, Nick’s wife Amy disappears. There are signs of struggle in the house, and Nick quickly becomes the prime suspect. It doesn’t help that Nick hasn’t been completely honest with the police, and, as Amy’s case drags out for weeks, more and more vilifying evidence appears against him--but Nick maintains his innocence. Alternating points of view between Nick and Amy, Gillian Flynn creates an untrustworthy world that changes from chapter to chapter. Calling *Gone Girl* a psychological thriller is an understatement. As revelation after revelation unfolds, it becomes clear that the truth does not exist in the middle of Nick and Amy’s points of view; it is far darker, more twisted, and creepier than you can imagine. *Gone Girl* is masterfully plotted, and the suspense doesn’t waver for a single page. It’s one of those books you will feel the need to discuss as soon as you finish it, because the ending doesn’t just come--it punches you in the gut. -- *Caley Anderson* #### From Author Gillian Flynn You might say I specialize in difficult characters. Damaged, disturbed, or downright nasty. Personally, I love each and every one of the misfits, losers, and outcasts in my three novels. My supporting characters are meth tweakers, truck-stop strippers, backwoods grifters ... But it's my narrators who are the real challenge. In *Sharp Objects,* Camille Preaker is a mediocre journalist fresh from a stay at a psychiatric hospital. She's an alcoholic. She's got impulse issues. She's also incredibly lonely. Her best friend is her boss. When she returns to her hometown to investigate a child murder, she parks down the street from her mother's house "so as to seem less obtrusive." She has no sense of whom to trust, and this leads to disaster. Camille is cut off from the world but would rather not be. In *Dark Places,* narrator Libby Day is aggressively lonely. She cultivates her isolation. She lives off a trust fund established for her as a child when her family was massacred; she isn't particularly grateful for it. She's a liar, a manipulator, a kleptomaniac. "I have a meanness inside me, real as an organ," she warns. "Draw a picture of my soul and it'd be a scribble with fangs." If Camille is overly grateful when people want to befriend her, Libby's first instinct is to kick them in their shins. In those first two novels, I explored the geography of loneliness--and the devastation it can lead to. With *Gone Girl,* I wanted to go the opposite direction: what happens when two people intertwine their lives completely.I wanted to explore the geography of intimacy--and the devastation it can lead to. Marriage gone toxic. *Gone Girl* opens on the occasion of Amy and Nick Dunne's fifth wedding anniversary. (How romantic.) Amy disappears under very disturbing circumstances. (Less romantic.) Nick and Amy Dunne were the golden couple when they first began their courtship. Soul mates. They could complete each other's sentences, guess each other's reactions. They could push each other's buttons. They are smart, charming, gorgeous, and also narcissistic, selfish, and cruel. They complete each other--in a very dangerous way. ### Review "Ice-pick-sharp... Spectacularly sneaky... Impressively cagey... "Gone Girl" is Ms. Flynn's dazzling breakthrough. It is wily, mercurial, subtly layered and populated by characters so well imagined that they're hard to part with -- even if, as in Amy's case, they are already departed. And if you have any doubts about whether Ms. Flynn measures up to Patricia Highsmith's level of discreet malice, go back and look at the small details. Whatever you raced past on a first reading will look completely different the second time around." --Janet Maslin, "New York Times ""An ingenious and viperish thriller... It's going to make Gillian Flynn a star... The first half of "Gone Girl" is a nimble, caustic riff on our Nancy Grace culture and the way in which ''The butler did it'' has morphed into ''The husband did it.'' The second half is the real stunner, though. Now I really am going to shut up before I spoil what instantly shifts into a great, breathless read. Even as "Gone Girl" grows truly twisted and wild, it says smart things about how tenuous power relations are between men and women, and how often couples are at the mercy of forces beyond their control. As if that weren't enough, Flynn has created a genuinely creepy villain you don't see coming. People love to talk about the banality of evil. You're about to meet a maniac you could fall in love with. A" "--"Jeff Giles, "Entertainment Weekly " "An irresistible summer thriller with a twisting plot worthy of Alfred Hitchcock. Burrowing deep into the murkiest corners of the human psyche, this delectable summer read will give you the creeps and keep you on edge until the last page." "--People" (four stars) "[A] thoroughbred thriller about the nature of identity and the terrible secrets that can survive and thrive in even the most intimate relationships. "Gone Girl" begins as a whodunit, but by the end it will have you wondering whether there's any such thing as a who at all." "--"Lev Grossman, "Time"

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She paced the room, chewing a thumbnail. “The police find out about this, and I just don’t even know,” she said. “I’m fucking scared , Nick. This is the first time I’m really scared for you. I can’t believe they haven’t found out yet. They must have pulled your phone records.”

“I used a disposable.”

She paused at that. “That’s even worse. That’s … like premeditation.”

“Premeditated cheating, Go. Yes, I am guilty of that.”

She succumbed for a second, collapsed on the sofa, the new reality settling on her. In truth, I was relieved that Go knew.

“How long?” she asked.

“A little over a year.” I made myself pull my eyes from the floor and look at her directly.

“Over a year ? And you never told me.”

“I was afraid you’d tell me to stop. That you’d think badly of me and then I’d have to stop. And I didn’t want to. Things with Amy—”

“Over a year,” Go said. “And I never even guessed. Eight thousand drunk conversations, and you never trusted me enough to tell me. I didn’t know you could do that, keep something from me that totally.”

“That’s the only thing.”

Go shrugged: How can I believe you now? “You love her?” She gave it a jokey spin to show how unlikely it was.

“Yeah. I really think I do. I did. I do.”

“You do realize, that if you actually dated her, saw her on a regular basis, lived with her, that she would find some fault with you, right? That she would find some things about you that drove her crazy. That she’d make demands of you that you wouldn’t like. That she’d get angry at you?”

“I’m not ten, Go, I know how relationships work.”

She shrugged again: Do you? “We need a lawyer,” she said. “A good lawyer with some PR skills, because the networks, some cable shows, they’re sniffing around. We need to make sure the media doesn’t turn you into the evil philandering husband, because if that happens, I just think it’s all over.”

“Go, you’re sounding a little drastic.” I actually agreed with her, but I couldn’t bear to hear the words aloud, from Go. I had to discredit them.

“Nick, this is a little drastic. I’m going to make some calls.”

“Whatever you want, if it makes you feel better.”

Go jabbed me in the sternum with two hard fingers. “Don’t you fucking pull that with me, Lance . ‘Oh, girls get so overexcited.’ That’s bullshit. You are in a really bad place, my friend. Get your head out of your ass and start helping me fix this.”

Beneath my shirt, I could feel the spot embering on my skin as Go turned away from me and, thank God, went back to her room. I sat on her couch, numb. Then I lay down as I promised myself I’d get up.

I dreamed of Amy: She was crawling across our kitchen floor, hands and knees, trying to make it to the back door, but she was blind from the blood, and she was moving so slowly, too slowly. Her pretty head was strangely misshapen, dented in on the right side. Blood was dripping from one long hank of hair, and she was moaning my name.

I woke and knew it was time to go home. I needed to see the place—the scene of the crime—I needed to face it.

No one was out in the heat. Our neighborhood was as vacant and lonely as the day Amy disappeared. I stepped inside my front door and made myself breathe. Weird that a house so new could feel haunted, and not in the romantic Victorian-novel way, just really gruesomely, shittily ruined. A house with a history, and it was only three years old. The lab technicians had been all over the place; surfaces were smeared and sticky and smudged. I sat down on the sofa, and it smelled like someone, like an actual person, with a stranger’s scent, a spicy aftershave. I opened the windows despite the heat, get in some air. Bleecker trotted down the stairs, and I picked him up and petted him while he purred. Someone, some cop, had overfilled his bowl for me. A nice gesture, after dismantling my home. I set him down carefully on the bottom step, then climbed up to the bedroom, unbuttoning my shirt. I lay down across the bed and put my face in the pillow, the same navy blue pillowcase I’d stared into the morning of our anniversary, The Morning Of.

My phone rang. Go. I picked up.

Ellen Abbott is doing a special noon-day show. It’s about Amy. You. I, uh, it doesn’t look good. You want me to come over?”

“No, I can watch it alone, thanks.”

We both hovered on the line. Waiting for the other to apologize.

“Okay, let’s talk after,” Go said.

Ellen Abbott Live was a cable show specializing in missing, murdered women, starring the permanently furious Ellen Abbott, a former prosecutor and victims’ rights advocate. The show opened with Ellen, blow-dried and lip-glossed, glaring at the camera. “A shocking story to report today: a beautiful, young woman who was the inspiration for the Amazing Amy book series. Missing . House torn apart . Hubby is Lance Nicholas Dunne, an unemployed writer who now owns a bar he bought with his wife’s money . Want to know how worried he is? These are photos taken since his wife, Amy Elliott Dunne, went missing July fifth—their five-year anniversary .”

Cut to the photo of me at the press conference, the jackass grin. Another of me waving and smiling like a pageant queen as I got out of my car (I was waving back to Marybeth; I was smiling because I smile when I wave).

Then up came the cell-phone photo of me and Shawna Kelly, Frito-pie baker. The two of us cheek to cheek, beaming pearly whites. Then the real Shawna appeared on-screen, tanned and sculpted and somber as Ellen introduced her to America. Pinpricks of sweat erupted all over me.

ELLEN: So, Lance Nicholas Dunne—can you describe his demeanor for us, Shawna? You meet him as everyone is out searching for his missing wife, and Lance Nicholas Dunne is … what?

SHAWNA: He was very calm, very friendly.

ELLEN: Excuse me, excuse me. He was friendly and calm ? His wife is missing , Shawna. What kind of man is friendly and calm ?

The grotesque photo appeared on-screen again. We somehow looked even more cheerful.

SHAWNA: He was actually a little flirty …

You should have been nicer to her, Nick. You should have eaten the fucking pie .

ELLEN: Flirty? While his wife is God knows where and Lance Dunne is … well, I’m sorry, Shawna, but this photo is just … I don’t know a better word than disgusting . This is not how an innocent man looks …

The rest of the segment was basically Ellen Abbott, professional hatemonger, obsessing over my lack of alibi: “Why doesn’t Lance Nicholas Dunne have an alibi until noon ? Where was he that morning ?” she drawled in her Texas sheriff’s accent. Her panel of guests agreed that it didn’t look good.

I phoned Go and she said, “Well, you made it almost a week without them turning on you,” and we cursed for a while. Fucking Shawna crazy bitch whore .

“Do something really, really useful today, active,” Go advised. “People will be watching now.”

“I couldn’t sit still if I wanted to.”

I drove to St. Louis in a near rage, replaying the TV segment in my head, answering all of Ellen’s questions, shutting her up. Today, Ellen Abbott, you fucking cunt, I tracked down one of Amy’s stalkers. Desi Collings. I tracked him down to get the truth . Me, the hero husband. If I had soaring theme music, I would have played it. Me, the nice working-class guy, taking on the spoiled rich kid. The media would have to bite at that: Obsessive stalkers are more intriguing than run-of-the-mill wife killers. The Elliotts, at least, would appreciate it. I dialed Marybeth, but just got voice mail. Onward.

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