William Blatty - The Exorcist

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The Exorcist: краткое содержание, описание и аннотация

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Originally published in 1971, The Exorcist, one of the most controversial novels ever written, went on to become a literary phenomenon: It spent fifty-seven weeks on the New York Times bestseller list, seventeen consecutively at number one. Inspired by a true story of a child’s demonic possession in the 1940s, William Peter Blatty created an iconic novel that focuses on Regan, the eleven-year-old daughter of a movie actress residing in Washington, D.C. A small group of overwhelmed yet determined individuals must rescue Regan from her unspeakable fate, and the drama that ensues is gripping and unfailingly terrifying. Two years after its publication, The Exorcist was, of course, turned into a wildly popular motion picture, garnering ten Academy Award nominations. On opening day of the film, lines of the novel’s fans stretched around city blocks. In Chicago, frustrated moviegoers used a battering ram to gain entry through the double side doors of a theater. In Kansas City, police used tear gas to disperse an impatient crowd who tried to force their way into a cinema. The three major television networks carried footage of these events; CBS’s Walter Cronkite devoted almost ten minutes to the story. The Exorcist was, and is, more than just a novel and a film: it is a true landmark. Purposefully raw and profane, The Exorcist still has the extraordinary ability to disturb readers and cause them to forget that it is “just a story.” Published here in this beautiful fortieth anniversary edition, it remains an unforgettable reading experience and will continue to shock and frighten a new generation of readers.

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The young attendant at the desk wan munching at a ham and cheese sandwich on rye, and brushed the crumbs from a crossword puzzle as Kinderman approached him.

"Dennings," the detective whispered hoarsely.

The attendant nodded, filling in a five-letter horizontal, then rose with his sandwich and moved down the hall.

Kinderman followed him, hat in hand, followed faint scent of caraway seed and mustard to rows of refrigerated lockers, to the dreamless cabinet used for the filing of sightless eyes.

They halted at locker 32, The expressionless attendant slid it out. He bit at his sandwich, and a fragment of mayonnaise-speckled crust fell lightly to the shroud.

For a moment Kinderman stared down; then, slowly and gently, he pulled back the sheet to expose what he'd seen and yet could not accept.

Burke Dennings' head was turned completely around, facing backward.

CHAPTER FIVE

Cupped in the warm, green hollow of the campus, Damien Karras, jogged alone around an oval, loamy track in khaki shorts and a cotton T-shit drenched with the cling of healing sweat. Up ahead, on a hillock, the lime-white dome of the astronomical observatory pulsed with the beat of his stride; behind him, the medical school fell away with churned-up shards of earth and care.

Since release from his duties, he came here daily, lapping the miles and chasing sleep. He had almost caught it; almost eased the clutch of grief that gripped at his heart like a deep tattoo. It held him gentler now.

Twenty laps...

Much gentler.

More! Two more!

Much gentler...

Powerful leg muscles blooded and stinging, rippling with a long and leonine grace, Karras thumped around a turn when he noticed someone sitting on a bench to- the side where he'd laid out his towel, sweater and pants: a middle-aged man in a floppy overcoat and pulpy, crushed felt hat. He seemed to be watching him. Was he? Yes... head turning as Karras passed.

The priest accelerated, digging at the final lap with pounding strides that jarred the earth, then he slowed to a panting, gulping walk as he passed the bench without a glance, both hands pressed light to his throbbing sides. The heave of his rock-muscled chest and shoulders stretched his T-shirt, distorting the stenciled word PHILOSOPHERS inscribed across the front in once-blade letters now faded to a hint by repeated washings.

The man in the overcoat stood up and began to approach him.

"Father Karras?" Lieutenant Kinderman called hoarsely.

The priest turned around and nodded briefly, squinting into sunlight, waiting for Kinderman to reach him, then beckoned him along as once again he began to move. "Do you mind? I'll cramp," he panted. "Yes, of course." the detective answered, nodding with a wincing lack of enthusiasm as be tucked his hands into his pockets. The walk from the parking lot had tired him.

"Have---have we met?" asked the Jesuit.

"No, Father. No, but they said that you looked like a boxer; some priest at the residence hall; I forget." He was tugging out his wallet. "So bad with names."

"And yours?"

"William Kinderman, Father." He flashed his identification. "Homicide."

"Really?" Karras scanned the badge and identification card with a shining, boyish interest. Flushed and perspiring, his face had an eager look of innocence as he turned to the waddling detective. "What's this about?"

"Hey, you know something, Father?" Kinderman answered, inspecting the Jesuit's rugged features. "It's true, you do look like a boxer. Excuse me; that scar, you know, there by your eye?" He was pointing. "Like Brando, it looks like, in Waterfront, just exactly Marlon Brando. They gave him a scar"---he was illustrating, pulling at the corner of his eye---"that made his eye look a little bit closed, just a little, made him look a little dreamy all the time, always sad. Well, that's you," he said, pointing. "You're Brando. People tell you that, Father?"

"No, they don't."

"Ever box?"

"Oh, a little."

"You're from here in the District?"

"New York."

"Golden Gloves. Am I right?"

"You just made captain." Karras smiled. "Now what can I do for you?"

"Walk a little slower, please. Emphysema." The detective was gesturing at his throat.

"Oh, I'm sorry." Karras slowed his pace.

"Never mind. Do you smoke?"

"Yes, I do."

"You shouldn't."

"Well, now tell me the problem."

"Of course; I'm digressing. Incidentally, you're busy?" the detective inquired. "I'm not interrupting?"

"Interrupting what?" asked Karras, bemused.

"Well, mental prayer, perhaps."

"You will make captain." Karras smiled cryptically.

"Pardon me, I missed something?"

Karras shook his head; but the smile lingered. "I doubt that you ever miss a thing," he remarked. His sidelong glance toward Kinderman was sly and warmly twinkling.

Kinderman halted and mounted a massive and hopeless effort at looking befuddled, but glancing at the Jesuit's crinkling eyes, he lowered his head and chuckled ruefully. "Ah, well. Of course... of course... a psychiatrist. Who am I kidding?" He shrugged. "Look, it's habit with me, Father. Forgive me. Schmaltz---that's the Kinderman method: pure schmaltz. Well, I'll stop and tell you straight what it's all about."

"The desecrations," Karras said, nodding.

"So I wasted my schmaltz, the detective said quietly.

"Sorry"

"Never mind, Father; that I deserved. Yes, the things in the church," he confirmed. "Correct. Only maybe something else besides, something serious."

"Murder?"

"Yes. kick me again, I enjoy it."

"Well, Homicide Division." The Jesuit shrugged.

"Never mind, never mind, Marlon Brando; never mind.

People tell you for a priest you're a little bit smart-ass?"

"Mea culpa," Karras murmured. Though he was smiling, he felt a regret that perhaps he'd diminished the man's self esteem. He hadn't meant to. And now he felt glad of a chance to express a sincere perplexity. "I don't get it, though," he added, taking care that he wrinkled his brow. "What's the connection?"

"Look, Father, could we keep this between us? Confidential? Like a matter of confession, so to speak?"

"Of course." He was eyeing the detective earnestly. "What is it?"

"You know that director who was doing the film here, Father? Burke Dennings?"

"Well, I've seen him."

"You've seen him." The detective nodded. "You're also familiar with how he died?"

"Well, the papers..." Karras shrugged again.

"That's just part of it."

"Oh?"

"Only part of it. Part. Just a part. Listen, what do you know on the subject of witchcraft?"

"What?"

"Listen, patience; I'm leading up to something. Now witchcraft, please---you're familiar?"

"A little."

"From the witching end, not the hunting."

"Oh, I once did a paper on it" Karras smiled. "The psychiatric end."

"Oh, really? Wonderful! Great! That's a bonus. A plus. You could help me a lot, a lot more than I thought. Listen, Father. Now witchcraft..."

He reached up and gripped at the Jesuit's arm as they rounded a turn and approached the bench. "Now me, I'm a layman and, plainly speaking, not well educated. Not formally. No. But I read. Look; I know what they say about self-made men, that they're horrible examples of unskilled labor. But me, I'll speak plainly, I'm not ashamed. Not at all, I'm---" Abruptly he arrested the flow, looked down and shook his head. "Schmaltz. It's habit. I can't stop the schmaltz. Look, forgive me; you're busy."

"Yes, I'm praying."

The Jesuit's soft delivery had been dry and expressionless. Kinderman halted for a moment and eyed him. "You're serious? No."

The detective faced forward again and they walked. "Look, I'll come to the point: the desecrations. They remind you of anything to do with witchcraft?"

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