William Blatty - The Exorcist

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The Exorcist: краткое содержание, описание и аннотация

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Originally published in 1971, The Exorcist, one of the most controversial novels ever written, went on to become a literary phenomenon: It spent fifty-seven weeks on the New York Times bestseller list, seventeen consecutively at number one. Inspired by a true story of a child’s demonic possession in the 1940s, William Peter Blatty created an iconic novel that focuses on Regan, the eleven-year-old daughter of a movie actress residing in Washington, D.C. A small group of overwhelmed yet determined individuals must rescue Regan from her unspeakable fate, and the drama that ensues is gripping and unfailingly terrifying. Two years after its publication, The Exorcist was, of course, turned into a wildly popular motion picture, garnering ten Academy Award nominations. On opening day of the film, lines of the novel’s fans stretched around city blocks. In Chicago, frustrated moviegoers used a battering ram to gain entry through the double side doors of a theater. In Kansas City, police used tear gas to disperse an impatient crowd who tried to force their way into a cinema. The three major television networks carried footage of these events; CBS’s Walter Cronkite devoted almost ten minutes to the story. The Exorcist was, and is, more than just a novel and a film: it is a true landmark. Purposefully raw and profane, The Exorcist still has the extraordinary ability to disturb readers and cause them to forget that it is “just a story.” Published here in this beautiful fortieth anniversary edition, it remains an unforgettable reading experience and will continue to shock and frighten a new generation of readers.

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After he finished, he sat for a while and talked to Regan, observing her demeanor, and then returned to Chris and started writing a prescription.

"She appears to have a hyperkinetic behavior disorder."

"A what?"

"A disorder of the nerves. At least We think it is. We don't know yet exactly how it works, but its often seen in early adolescence. She shows all the symptoms: the hyperactivity; the temper; her performance in math."

"Yeah, the math. Why the math?"

"It affects concentration." He ripped the prescription from the small blue pad and handed it over, "Now this is for Ritalin."

"What?"

"Methylphenidate."

"Oh."

"Ten milligrams, twice a day, I'd recommend one at eight A. M., and the other at two in the afternoon."

She was eyeing the prescription.

"What is it? A tranquilizer?"

"A stimulant."

"Stimulant? She's higher'n a kite right now."

"Her condition isn't quite what it seems," explained Klein. "It's a form of overcompensation. An overreaction to depression."

"Depression?"

Klein nodded.

"Depression..." Chris murmured. She was thoughtful.

"Well, you mentioned her father," said Klein.

Chris looked up. "Do you think I should take her to see a psychiatrist?"

"Oh, no. I'd wait and see what happens with the Ritalin. I think that's the answer. Wait two or three weeks."

"So you think it's all nerves."

"I suspect so."

"And those lies she's been telling? This'll stop it?"

His answer puzzled her. He asked her if she'd ever known Regan to swear or use obscenities.

"Never," Chris answered.

"Well, you see, that's quite similar to things like her lying---uncharacteristic, from what you tell me, but in certain disorders of the nerves it can---"

"Wait a minute," Chris interrupted, perplexed. "Where'd you ever get the notion she uses obscenities? I mean, is that what you were saying or did I misunderstood?"

For a moment, he eyed her rather curiously; considered; then cautiously ventured, "Yes, I'd say that she uses obscenities. Weren't you aware of it?"

"I'm still not aware of it. What are you talking about?"

"Well, she let loose quite a string while I was examining her, Mrs. MacNeil."

"You're kidding! Like what?"

He looked evasive. "Well, I'd say her vocabulary's rather extensive."

"Well, what, for instance? I mean, give me an example!"

He shrugged.

"You mean 'shit?' Or 'fuck'?"

He relaxed. "Yes, she used those words," he said.

"And what else did she say? Specifically."

"Well, specifically, Mrs. MacNeil, she advised and to keep my goddamn finger away from her cunt."

Chris gasped with shock. "She used those words?"

"Well, it isn't unusual, Mrs. MacNeil, and I really wouldn't worry about it at all. It's a part of the syndrome."

She was shaking her head, looking down at her shoes. "It's just hard to believe."

"Look, I doubt that she even understood what she was saying," he soothed.

"Yeah, I guess," murmured Chris. "Maybe not"

'Try the Ritalin," he advised her, "and we'll see what develops. And I'd like to take a look at her again in two weeks."

He consulted a calendar pad on his desk. "Let's see; let's make it Wednesday the twenty-seventh. Would that be convenient?" he asked, glancing up.

"Yeah, sure," she murmured, getting up from the chair. She crumpled the prescription in a pocket of her coat. "The twenty-seventh would be fine."

"I'm quite a big fan of yours," Klein said, smiling as he opened the door leading into the hall.

She paused in the doorway, preoccupied, a fingertip pressed to her lip. She glanced to the doctor.

"You don't think a psychiatrist, huh?"

"I don't know. But the best explanation is always the simplest one. Let's wait. Let's wait and see." He smiled encouragingly. "In the meantime, try not to worry."

"How?"

She left him.

As they drove back home, Regan asked her what the doctor had said.

"That you're nervous."

Chris had decided not to talk about her language. Burke. She picked it up from Burke.

But she did speak to Sharon about it later, asking if she'd ever heard Regan use that kind of obscenity.

"Why, no," replied Sharon. "I mean, not even lately. But you know, I think her art teacher made a remark." A special tutor who came to the house.

"You mean recently?" Chris asked.

"Yes, it was just last week. But you know her. I just figured maybe Regan said 'damn' or 'crap.' You know, something like that."

"By the way, have you been talking to her much about religion, Shar?"

Sharon flushed.

"Well, a little; that's all. I mean, it's hard to avoid. You see, she asks so many questions, and---well... " She gave a helpless little shrug. "It's just hard. I mean, how do I answer without telling what I think is a great big lie?"

"Give her multiple choice."

In the days that preceded her scheduled party, Chris was extremely diligent in seeing that Regan took her dosage of Ritalin. By the night of the party, however, she had failed to observe any noticeable improvement.

There were subtle signs, in fact, of a gradual deterioration: increased forgetfulness; untidiness; and one complaint of nausea. As for attention-getting tactics, although the familiar ones failed to recur, there appeared to be a new one: reports of a foul, unpleasant "smell" in Regan's bedroom. At Regan's insistence, Chris took a whiff one day and smelled nothing.

"You don't?"

"you mean, you smell it right now?" Chris had asked her.

"Well, sure!"

"What's it smell like?"

She'd wrinkled her nose. "Well, like something burny."

"Yeah?" Chris had sniffed.

"Don't you smell it?"

"Well, yes, hon," she'd lied. "Just a little. Let's open up the window for a while, get some air in."

In fact, she'd smelled nothing, but had made up her mind that she would temporize, at least until the appointment with the doctor. She was also preoccupied with a number of other concerns. One was arrangements for the dinner party. Another had to do with the script. Although she was very enthusiastic about the prospect of directing, a natural caution had prevented her from making a prompt decision. In the meantime, her agent was calling her daily. She told him she'd given the script to Dennings for an opinion, and hoped he was reading and not consuming it.

The third, and the most important, of Chris's concerns was the failure of two financial ventures: a purchase of convertible debentures through the use of prepaid interest; and an investment in an oil-drilling project in southern Libya. Both had been entered upon for the sheltering of income that would have been subject to enormous taxation. But something even worse had developed: the wells had come up dry and rocketing interest rates had prompted a sell-off in bonds.

These were the problems that her gloomy business manager flew into town to discuss. He arrived on Thursday. Chris had him charting and explaining through Friday. At last, she decided on a course of action that the manager thought wise. He nodded approval. But he frowned when she brought up the subject of buying a Ferrari.

"You mean, a new one?"

"Why not? You know. I drove one in a picture once. If we write to the factory, maybe, and remind them, it could be they'd give us a deal. Don't you think?"

He didn't. And cautioned that he thought a new car was improvident.

"Ben, I made eight hundred thou last year and you're saying I can't get a freaking car! Don't you think that's ridiculous? Where did it go?"

He reminder her that most of her money was in shelters. Then he listed the various drains on her gross; federal income tax; projected federal income tax; her state tax, tax on her real estate holdings; ten percent commission to her agent; five to him; five to her publicist; one and a quarter taken out as donation to the Motion Picture Welfare Fund; an outlay for wardrobe in tune with the fashion; salaries to Willie and Karl and Sharon and the caretaker of the Los Angeles home; various travel costs; and, finally, her monthly expenses.

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