Diane Davidson - Prime Cut

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Prime Cut: краткое содержание, описание и аннотация

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A caterer's nightmare...
Caterer Goldy Schulz is convinced things couldn't get worse. An unscrupulous rival is driving her out of business. An incompetent contractor has left her precious kitchen in shambles. And she has just agreed to cater a fashion shoot at a nineteenth-century mountain cabin with her mentor and old friend, French chef André Hibbard.
A dash of cold-blooded murder...
Together Goldy and André struggle in a hopelessly outdated kitchen to cater to a vacuous crowd of beautiful people whose personal dramas climax when a camera is pitched through a window...into the buffet. Then Goldy's contractor is found hanging in the house of one of her best friends. A second murder follows and Goldy must somehow solve a mystery and prepare for a society soirée that could make--or break--her career.
A recipe for disaster...
It's a mystery that involves the dead contractor's unwholesome past, a food saboteur, the theft of four historical cookbooks, and an overzealous D.A. who has suspended Goldy's detective husband, Tom, from the force. What Goldy discovers is the perfect recipe for murder. And she may be dessert!
From the Paperback edition. Amazon.com Review
You could die from reading one of Diane Mott Davidson's culinary mysteries: this one includes recipes for Jailbreak Potatoes (butter, whipping cream, freshly grated Parmesan cheese) and Labor Day Flourless Chocolate Cake with Berries, Melba Sauce, and White Chocolate Cream (butter, chocolate, eggs, sugar, whipping cream). So you might want to take both the recipes and Davidson's pinball machine-like plots in small bites. This time, caterer Goldy Schulz careens between the worlds of contracting and high fashion models, with bodies from both camps falling into the food. It's all in fun, and readers have been lapping up Davidson's merry mélanges with increasing appetite. 




, and 
 are available on the paperback menu.

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I perused the shelves. It had been a long time since I’d worked as a docent, but it didn’t appear that any other familiar items were missing. If Sylvia Bevans was upset, then Andy Fuller’s investigators must be communicating badly with her. But my husband was not the one to be blamed for the museum’s woes. If Sylvia hadn’t heard that bit of news, I intended to enlighten her before we left the premises.

I inched to the end of the wall to get a glimpse into the high-ceilinged area that had served as the residence’s living room and now contained more Old West artifacts donated to the museum. On a buffalo-hide-covered wing chair next to the massive stone fireplace, a brightly lit, scarlet-suited, genuinely plump and white-bearded Santa sat staring glumly at the camera crew. Behind the camera, Ian Hood shifted his weight, readjusted the legs of the tripod, and appeared to be checking and rechecking what he was seeing through the lens. Nearby, Rufus, Leah, Hanna, and several other people, including children, fidgeted, whispered, and cast nervous glances in the direction of the tiny office housing the Furman County Historical Society. The strident voice of Sylvia Bevans pierced the air. She sounded very upset with one of her volunteers.

“I have been gone all morning,” Sylvia complained, “and these fashion people are still here?”

“I have to have quiet!” Ian Hood screamed as he stomped away from his tripod. “Qui- et !” he shrieked meaningfully in the direction of Sylvia’s voice. Julian and André, who had been whispering about the placement of cups and glasses, glanced up, startled. I shrugged.

Sylvia Bevans, her wide face flushed and her silky-haired bun askew, bustled out of the historical society office. When confronted with the hostile faces of the Ian’s Images crew, she hrumphed , turned on her heel, and banged back into her office. The door slammed.

The photo folks refocused their attention on the Yule-tide scene by the stone hearth.

“All right, try again,” Ian said wearily.

A large woman standing on the sidelines scooped up a toddler and placed her next to the fireplace. Santa beckoned to the girl, a pajama-clad, curly-haired brunette with rosy cheeks and an unsmiling bud of a mouth. “Come closer, honey,” Santa implored. The girl would not budge.

“Go see Santa, sweetheart!” the large woman pleaded. She was thirtyish, with the same brunette hair and pink cheeks as the child model. “Rosie, I know it’s summertime, but go tell Santa what you want!”

“I need a smile,” Ian warned from behind the camera. “Is that too much to ask?”

“Look at Mama, baby doll!” called Rosie’s mother. “Smile, honey!” Rosie glanced at her mother; the camera clicked on Rosie’s grim, unsmiling young countenance.

“Look at what I have!” called Leah Smythe, as she waved a Barney doll high in the air. Little Rosie gave the doll a poker-faced stare and made no response.

“Hey!” cried Hanna, “Look at this, Rosie!” Hanna, beautifully dressed, as usual, blew a perfect strand of iridescent soap bubbles across the room. A startled Rosie opened her eyes wide as Santa laughed. Again Ian Hood’s camera clicked and flashed, clicked and flashed.

“How’s André feeling?” murmured Rufus Driggle at my elbow.

“Fine,” I whispered back. “He just gets a little overwrought sometimes.”

Rufus shrugged. “Sorry if I worried you. Between him and that lady curator, we’ve got our hands full, I can tell you.” He stroked his scraggly red beard and gave me an unhappy look. “Anyway, we’ve got a guy bringing Ian’s lens to the cabin today, and another guy fixing the picture window. We’ll be able to get back in front of our own Christmas tree tomorrow.” He tilted his head to indicate the ribboned-off cabinets. “Looks like we aren’t the only ones who need help in the glass-replacement department.”

Yeah, they need a contractor , I thought, but said nothing. If Rufus did not know how the glass had been broken, I wasn’t about to enlighten him.

He whispered, “So what do you think of our set?”

I dutifully appraised the fireplace scene. The errant scrim had been set up over Santa’s head to reflect the light. Flats framed both sides of the tableau. A blond boy of about six had replaced Rosie. Perky and obedient, he wore a pair of reindeer-print pajamas as he sat uncomplainingly in Santa’s lap and offered wide, toothy smiles to Ian. Leah and Hanna frowned at the scene while Ian clicked furiously.

“Looks super,” I told Rufus.

“We’ll put flames in the fireplace on the computer, make the two fireplaces look as if they belong together.”

“Look as if what belong together?”

Rufus smiled, showing straight, yellow teeth. “The two fireplaces, of course.” He raised his voice to a lilt. “Both from the country home of the same wealthy, but not too ostentatious family, with their cute kids and their gorgeous clothes. Having their fantastic Christmas.”

“Ah.” I decided to plunge in. “Rufus, did you know Gerald Eliot?”

He shifted his eyes to the cold fireplace. “Yeah, we used to work together, I’m sorry to say.”

“When?”

“Oh, long time ago. Five years, maybe. We hadn’t been together six months when he went off on his own and I came to work for Ian.”

“And why are you sorry to say?”

He shifted his weight, suddenly uncomfortable. “You know he’s dead? The police came to question me.” I nodded. “Well, I felt bad for Gerald. He always sounded so good talking about his skill at carpentry and all that, and how much money we could make together. Then he’d complain about people not paying him, and about supplies not coming in, and pretty soon I realized he was only working three or four hours a day at the most, and the reason supplies hadn’t come in was because he was too lazy to go pick them up.”

“Why in the world did Leah hire him?”

Rufus frowned. “Oh, hell, I went to Phoenix to see about a job. Leah knew he worked here at the Homestead and happened to mention that she wanted some windows put in, although I think it was her brother Bobby who had the idea. Anyway, Gerald did his usual snow job and they hired him. Of course, it just turned into a big mess. Which I could have warned them about if they’d ever listen to me.” He sighed.

“Do you know why the police questioned you, if you hadn’t worked with him in so many years?”

Sylvia Bevans barreled out of her office before Rufus could reply. Short, cylindrical, and bristling with energy, she wore a calf-length pale-green dress, beige silk stockings that had seen better days, and beige shoes, ditto. We moved out of her way as she marched past us into the kitchen. Within a few seconds she was whining, and I heard the clinking of a cup and saucer.

Rufus sighed again. “He owed me money. I’d complained about it in town a few times. I still think Leah and Ian should have waited for me to come back from Phoenix to do the work, but it’s almost as if they hired Gerald out of spite.”

“Spite?” I asked as Ian clicked away at Santa, now working with a young Asian-American girl.

Dismay clouded Rufus’s face, as if he’d already told me more about his private life than he’d intended. “Ian’s been losing jobs to New York and Miami for the last decade. With sunny Phoenix so close, a big percentage of the department stores are moving their fashion shoots down there. At least, that’s what they tell us. Ian’s never been the easiest fellow to get along with. He hates change. Hates the fact that the elk are being driven out of Aspen Meadow by all the newcomers, new apartments, new houses, you name it. He’s been dropping hints about concentrating on the nature photography, and saving the elk so he can have more nature to photograph. So I went to Phoenix to look for a new job. I like Ian but hey, a fellow’s got to look after himself, doesn’t he?”

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