Berry, Steve - the Amber Room

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The Amber Room is one of the greatest treasures ever made by man: an entire room forged of exquisite amber, from its four massive walls to its finely crafted furniture. But it is also the subject of one of history’s most intriguing mysteries. Originally commissioned in 1701 by Frederick I of Prussia, the Room was later perfected Tsarskoe Selo, the Russian imperial city. In 1941, German troops invaded the Soviet Union, looting everything in their wake and seizing the Amber Room. When the Allies began the bombing of Germany in August 1944, the Room was hidden. And despite the best efforts of treasure hunters and art collectors from around the world, it has never been seen again. Now, two powerful men have set their best operatives loose in pursuit, and the hunt has begun once more. . . .
Life is good for Atlanta judge Rachel Cutler. She loves her job, loves her kids, and remains civil to her ex-husband, Paul. But everything changes when her father, a man who survived the horrors of World War II, dies under strange circumstances—and leaves behind clues to a secret he kept his entire life . . . a secret about something called the Amber Room.
Desperate to know the truth about her father’s suspicious dealings, Rachel takes off for Germany, with Paul close behind. Shortly after arriving, they find themselves involved with a cast of shadowy characters who all claim to share their quest. But as they learn more about the history of the treasure they seek, Rachel and Paul realize they’re in way over their heads. Locked in a treacherous game with ruthless professional killers and embroiled in a treasure hunt of epic proportions, Rachel and Paul suddenly find themselves on a collision course with the forces of power, evil, and history itself.
A brilliant adventure and a scintillating tale of intrigue, deception, art, and murder, 
 is a classic tale of suspense—and the debut of a strong new voice in the world of the international thriller.
From the Hardcover edition. From Publishers Weekly
First-time novelist Berry weighs in with a hefty thriller that's long on interesting research but short on thrills. Atlanta judge Rachel Cutler and ex-husband Paul are divorced but still care for each other. Rachel's father, Karol Borya, knows secrets about the famed Amber Room, a massive set of intricately carved panels crafted from the precious substance and looted by Nazis during WWII from Russia's Catherine Palace. The disappearance of the panels, which together formed a room, remains one of the world's greatest unsolved art mysteries. Borya's secret gets him killed as two European industrialists/art collectors go head to head in a deadly race to find the fabled room. Searching for Borya's killer, Rachel and Paul bumble their way to Europe, where their naivet‚ triggers more deaths. Berry has obviously done his homework, and he seems determined to find a place for every fact he's unearthed. The plot slows for descriptions of various art pieces, lectures and long internal monologues in which characters examine their innermost feelings and motives in minute detail, while also packing in plenty of sex and an abundance of brutal killings. A final confrontation between all the principals ends in a looming Bavarian castle where Rachel is raped. All the right elements are in place, but the book is far too long and not as exciting as the ingredients suggest. Readers may end up wishing Berry had written a nonfiction account of the fascinating story of the Amber Room and skipped the fictional mayhem.

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"My father was fairly independent. Still drove a car. He had no real health problems, and he'd climbed those stairs for years without a problem."

"Your point?"

She was liking his tone even less. "You tell me."

"Judge, I get the message. But there's nothing here to suggest foul play."

"He survived a Nazi concentration camp, Lieutenant. I think he could climb stairs."

Barlow seemed unpersuaded. "The report says nothing appears missing. His wallet was on the dresser. The televisions, stereo, VCR were all there. Both doors were unlocked. No evidence of forced entry anywhere. Where's the burglary?"

"My father left the doors unlocked all the time."

"That's not smart, but it doesn't appear to have contributed to his death. Look, I agree, no evidence of robbery could lead to an implication of murder, but there's nothing to suggest anyone was even around when he died."

She was curious. "Did your people search the house?"

"I've been told they looked around. Nothing elaborate. There seemed no need. I'm curious, what do you think was the motive for murder? Your father have enemies?"

She did not answer him. Instead she asked, "What did the medical examiner say?"

"Broken neck. Caused by the fall. No evidence of other trauma except bruising on the arms and legs from the fall. Again, Judge, what makes you think your father's death was something other than accidental?"

She considered telling him about the file in the freezer, Danya Chapaev, the Amber Room, and Paul's parents. But the arrogant ass didn't even want to be here, and she'd sound like a conspiratorial nut. He was right. There was no proof her father had been shoved down the stairs. Nothing that connected his death to any "curse of the Amber Room," as some of the articles suggested. So what if her father was interested in the subject? He loved art. Once worked with it every day. So what if he was reading articles in his study, stashed more in his freezer, unfolded a German map in the den, and possessed a keen interest in a man heading for Germany to dig in forgotten caves? A huge leap from that to murder. Maybe Paul was right. She decided to let it lie with this guy.

"Nothing, Lieutenant. You're quite right. Just a tragic fall. Thanks for coming by."

Rachel sat sullen in her office and thought back to when she was sixteen, her father explaining for the first time about Mauthausen, and how the Russians and Dutch worked the stone quarry, hauling tons of boulders up a long series of narrow steps to the camp where more prisoners chiseled them into bricks.

The Jews, though, weren't so lucky. Each day they were tossed down the cliff into the quarry simply for sport, their screams echoing as bodies flew through the air, bets taken by the guards on how many times flesh and bones would bounce before being silenced by death. Eventually, her father explained, the SS had to stop the hurling because it so disrupted the work.

Not because they were killing people, she remembered him saying, only because it affected the work.

Her father cried that day, one of the few times ever, and so had she. Her mother had told her about his war experiences and what he'd done afterward, but her father hardly mentioned the time. She'd always noticed the smeared tattoo on his left forearm, wondering when he'd explain.

They forced us to run into electric fence. Some did willingly, tired of torture. Others were shot, hanged, or injected in the heart. The gas came later.

She'd asked how many died in Mauthausen. And he told her without hesitation that 60 percent of the two hundred thousand never made it out. He arrived in April 1944. The Hungarian Jews came shortly thereafter, every one of them slaughtered like sheep. He'd helped heave the bodies from the gas chamber to the oven, a daily ritual, commonplace, like taking out the garbage, the guards used to say. She remembered him telling her about one night in particular, toward the end, when Hermann Goring marched into the camp wearing a pearl gray uniform.

Evil on two legs, he called him.

Goring had ordered four Germans murdered, her father part of the detail that poured water over their naked bodies until they froze to death. Goring stood impassive the whole time, rubbing a piece of amber, wanting to know something about the Amber Room. Of all the horror that happened in Mauthausen, her father said, that night with Goring was what stayed with him.

And set his course in life.

After the war, he was sent to interview Goring in prison during the Nurnberg trials.

Did he remember you? she'd asked.

My face in Mauthausen meant nothing to him.

But Goring recalled the torture, saying he greatly admired the soldiers for holding out. German superiority, breeding, he'd said. Her love for her father multiplied tenfold after finally hearing about Mauthausen. What he endured was unimaginable and just to survive was an accomplishment. But to survive with his sanity intact seemed nothing short of a miracle.

Sitting in the quiet of her chambers, Rachel cried. That precious man was gone. His voice forever silent, his love only a memory. For the first time in her life she was alone. Her parents' entire family had either perished in the war or were inaccessible, somewhere in Belarus, strangers really, linked merely by genes. Only her two children were left. She remembered how they'd ended that conversation about Mauthausen twenty-four years ago.

Daddy, did you ever find the Amber Room?

He stared back at her with woeful eyes. She wondered then and now if there was something he wanted to tell her. Something she needed to know. Or was it better she not know? Hard to tell. And his words didn't help.

Never did, my darling.

But his tone was reminiscent of when he once explained there really was a Santa Claus, an Easter Bunny, a Tooth Fairy. Hollow words that simply needed to be said. Now, after reading the letters between her father and Danya Chapaev and the note penned in his own hand, she was convinced that there was more to the story. Her father harbored a secret, and apparently had done so for years.

But he was gone.

Only one lead left.

Danya Chapaev.

And she knew what had to be done.

Rachel stepped off the elevator on the twenty-third floor and marched toward the paneled doors labeled PRIDGEN & WOODWORTH. The law firm consumed the entire twenty-third and twenty-fourth floors of the downtown high-rise, its probate division on the twenty-third.

Paul started with the firm right out of law school. She'd worked first with the DA's office, then with another Atlanta firm. They met eleven months later and married two years after that. Their courtship typical of Paul, never in a hurry to do anything. So careful. Deliberate. Afraid to take a chance, play the odds, or risk failure. She'd been the one to suggest marriage, and he readily agreed.

He was a handsome man, always had been. Not rugged, or dashing, just attractive in an ordinary way. And he was honest. Along with possessing a fanatical dependability. But his unbending dedication to tradition had slowly turned irksome. Why not vary Sunday dinner every once in a while? Roast, potatoes, corn, snap peas, rolls, and iced tea. Every Sunday for years. Not that Paul required it, only that the same thing always satisfied him. In the beginning, she'd liked that predictability. It was comforting. A known commodity that stabilized her world. Toward the end it became a tremendous pain in the ass.

But why?

Was a routine so bad?

Paul was a good, decent, successful man. She was proud of him, though she rarely voiced it. He was next in line to head the probate division. Not bad for a forty-one-year-old who needed two tries to get into law school. But Paul knew probate law. He studied nothing else, concentrating on all its nuances, even serving on legislative committees. He was a recognized expert on the subject, and Pridgen & Woodworth paid him enough money to prevent another firm from luring him away. The firm handled thousands of estates, many quite substantial, and most she knew were attributable to the statewide reputation of Paul Cutler.

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