Berry, Steve - the Amber Room

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The Amber Room is one of the greatest treasures ever made by man: an entire room forged of exquisite amber, from its four massive walls to its finely crafted furniture. But it is also the subject of one of history’s most intriguing mysteries. Originally commissioned in 1701 by Frederick I of Prussia, the Room was later perfected Tsarskoe Selo, the Russian imperial city. In 1941, German troops invaded the Soviet Union, looting everything in their wake and seizing the Amber Room. When the Allies began the bombing of Germany in August 1944, the Room was hidden. And despite the best efforts of treasure hunters and art collectors from around the world, it has never been seen again. Now, two powerful men have set their best operatives loose in pursuit, and the hunt has begun once more. . . .
Life is good for Atlanta judge Rachel Cutler. She loves her job, loves her kids, and remains civil to her ex-husband, Paul. But everything changes when her father, a man who survived the horrors of World War II, dies under strange circumstances—and leaves behind clues to a secret he kept his entire life . . . a secret about something called the Amber Room.
Desperate to know the truth about her father’s suspicious dealings, Rachel takes off for Germany, with Paul close behind. Shortly after arriving, they find themselves involved with a cast of shadowy characters who all claim to share their quest. But as they learn more about the history of the treasure they seek, Rachel and Paul realize they’re in way over their heads. Locked in a treacherous game with ruthless professional killers and embroiled in a treasure hunt of epic proportions, Rachel and Paul suddenly find themselves on a collision course with the forces of power, evil, and history itself.
A brilliant adventure and a scintillating tale of intrigue, deception, art, and murder, 
 is a classic tale of suspense—and the debut of a strong new voice in the world of the international thriller.
From the Hardcover edition. From Publishers Weekly
First-time novelist Berry weighs in with a hefty thriller that's long on interesting research but short on thrills. Atlanta judge Rachel Cutler and ex-husband Paul are divorced but still care for each other. Rachel's father, Karol Borya, knows secrets about the famed Amber Room, a massive set of intricately carved panels crafted from the precious substance and looted by Nazis during WWII from Russia's Catherine Palace. The disappearance of the panels, which together formed a room, remains one of the world's greatest unsolved art mysteries. Borya's secret gets him killed as two European industrialists/art collectors go head to head in a deadly race to find the fabled room. Searching for Borya's killer, Rachel and Paul bumble their way to Europe, where their naivet‚ triggers more deaths. Berry has obviously done his homework, and he seems determined to find a place for every fact he's unearthed. The plot slows for descriptions of various art pieces, lectures and long internal monologues in which characters examine their innermost feelings and motives in minute detail, while also packing in plenty of sex and an abundance of brutal killings. A final confrontation between all the principals ends in a looming Bavarian castle where Rachel is raped. All the right elements are in place, but the book is far too long and not as exciting as the ingredients suggest. Readers may end up wishing Berry had written a nonfiction account of the fascinating story of the Amber Room and skipped the fictional mayhem.

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NINETEEN

6:34 p.m.

Paul's heart pounded as Rachel looked up from her father's final note, tears falling from her sad green eyes. He could feel the pain. Hard to tell where his stopped and hers started.

"He wrote so elegantly," she said.

He agreed.

"He learned English well, read incessantly. He knew more about participial phrases and dangling modifiers than I ever did. I think his broken speech was just a way to hold on to his heritage. Poor Daddy."

Her auburn hair was tied in a ponytail. She wore no makeup, was dressed only in a white terry-cloth robe over a flannel nightgown. The house was finally clear of all the mourners. The children were in their rooms, still upset from the emotional day. Lucy was scampering through the dining room.

"Have you read all these letters?" Rachel asked.

He nodded. "After I left the bank. I went back to your father's house and got the rest of this stuff."

They were sitting in Rachel's dining room. Their old dining room. The two folders with news articles on the Amber Room, a German map, the USA Today , the will, all the letters, and the note to Rachel were fanned out on the table. He'd told her what he found and where. He also told her about the USA article her father specifically asked for Friday and his questions on Wayland McKoy.

"Daddy was watching something on CNN about that when I left the kids with him. I remember the name." Her body sagged in the chair. "What was that file doing in the freezer? That's not like him. What's going on, Paul?"

"I don't know. But Karol was obviously interested in the Amber Room." He pointed to Borya's last note. "What did he mean about Phaethon and the tears of the Heliades?"

"Another story Mama used to tell me when I was little. Phaethon, the mortal son of Helios, God of the Sun. I was fascinated by it. Daddy loved mythology. He said thinking about fantasy was one of the things that got him through Mauthausen." She shuffled through the clippings and photocopies, glancing closely at a few. "He thought he was responsible for what happened to your parents and the rest of the people on that plane. I don't understand."

Neither did he. And he'd thought of little else during the past two hours. "Weren't your parents in Italy on museum business?" asked Rachel.

"The whole board went. The trip was to secure loans of works from Italian museums."

"Daddy seemed to think there was a connection."

He also recalled something else Borya wrote. I should never have asked him to inquire again while in Italy.

What did he mean, again ?

"Don't you want to know what happened?" Rachel suddenly asked, her voice rising.

He'd not liked that tone years ago and didn't appreciate it now. "I never said that. It's just that nine years have passed, and it would be nearly impossible to find out. My God, Rachel, they never even found bodies."

"Paul, your parents may have been murdered, and you don't want to do anything about it?"

Impetuous and stubborn. What had Karol said? Got both traits from her mother. Right.

"I didn't say that either. There's just nothing practical that can be done."

"We can find Danya Chapaev."

"What do you mean?"

"Chapaev. He may still be alive." She looked down at the envelopes, the return addresses. "Kehlheim couldn't be that hard to find."

"It's in southern Germany. Bavaria. I found it on the map."

"You looked?"

"Not hard to spot. Karol circled it."

She unfolded the map and saw for herself. "Daddy said they knew something on the Amber Room but never went to check. Maybe Chapaev could tell us what that was?"

He couldn't believe what she was saying. "Did you read what your father said? He told you to leave the Amber Room alone. Finding Chapaev is the one thing he didn't want you doing."

"Chapaev might know more about what happened to your parents."

"I'm a lawyer, Rachel, not an international investigator."

"Okay. Let's take this to the police. They could look into it."

"That's far more practical than your first suggestion. But the trail's still years old."

Her face hardened. "I hope to hell Marla and Brent don't inherit your complacency. I'd like to think they'd want to know what happened if a plane blew out of the sky with you and me on it."

She knew exactly how to push his buttons. It was one of the things he most resented about her. "Did you read those articles?" he asked. "People have died searching for the Amber Room. Maybe my parents. Maybe not. One thing's for certain. Your father didn't want you involved. And you're way out of your league. What you know about art could fit inside a thimble."

"Along with your nerve."

He stared hard into her angry eyes, bit his tongue, and tried to be understanding. She'd buried her father this morning. Still, one word kept reverberating through his brain.

Bitch.

He took a deep breath before quietly saying, "Your second suggestion is the most practical. Why don't we let the police handle this." He paused. "I realize how upset you are. But, Rachel, Karol's death was an accident."

"Trouble is, Paul, if it wasn't, then add my father to the list of casualties along with your parents." She cut him one of her looks. The kind he'd seen too many times before. "Still want to be practical?"

TWENTY

Wednesday, May 14, 10:25 a.m.

Rachel forced herself to climb out of bed and get the children dressed. She then dropped the kids off at school and reluctantly headed for the courthouse. She'd not been in her chambers since last Friday, having taken Monday and Tuesday off.

Throughout the morning her secretary made things easy, running interference, rerouting calls, deflecting lawyers and the other judges. Originally the week had been scheduled for civil jury trials, but they were all hastily postponed. An hour ago she'd called the Atlanta police department and requested somebody from Homicide be sent to her chambers. She wasn't the most popular judge with the police. Everyone seemed to assume that since she was once a hard-nosed prosecutor, she'd be a pro-police judge. But her rulings, if they could be labeled, tended to be defense-oriented. Liberal was the term the Fraternal Order of Police and the press liked to use. Traitor, was the description she'd been told a lot of the narcotics detectives whispered. But she didn't care. The Constitution was there to protect people. The police were supposed to work within its bounds, not outside them. Her job was to make sure they didn't take any shortcuts. How many times had her father preached, when government comes before law, tyranny is not far behind .

And if anyone should know, he should.

"Judge Cutler," her secretary said through the speaker phone. Most times they were simply Rachel and Sami; only when someone came around was she labeled judge . "A Lieutenant Barlow is here from the Atlanta police. In response to your call."

She quickly dabbed her eyes with a tissue. The picture of her father on the credenza had triggered more tears. She stood and smoothed her cotton skirt and blouse.

The paneled door opened and a thin man with wavy black hair strutted in. He closed the door behind him and introduced himself as Mike Barlow, assigned to the homicide division.

She regained her judicial composure and offered a seat. "I appreciate your coming over, Lieutenant."

"No problem. The department always tries to accommodate the bench."

But she wondered. The tone was irritatingly cordial, bordering on condescending.

"After you called, I pulled the incident report on your father's death. I'm sorry about your loss. It appears to be one of those accidents that sometimes happen."

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