Bentley Little - The Collection

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How far would you go with a hitchhiker who'd left behind an unimaginable trail of horror and destruction?
How would you feel if your father's new bride was something dredged up from the bowels of hell?
What would you do if you discovered an old letter suggesting one of America's Founding Fathers had been a serial killer?
How long would you last in a mysterious border town that promised to let you in on one of its most gruesome secrets?
This is The Collection — thirty-two stories of hot blood and frigid terror that could have come only from the mind of Bentley Little. And that's a scary place to be. 
He's been hailed by Dean Koontz for his "rock-'em, jolt-'em, shock-'em contemporary terror fiction." Now Little presents a 32-story collection that could only have come from an author with "a deft touch for the terrifying" (
).
From Publishers Weekly
Little (The Association) displays his darker side in the 32 mostly memorable stories that comprise this collection of unpublished and previously published stories. Drawing from a bizarre cauldron of influences (cited in brief introductions to each piece), Little tackles some disturbing topics, including pedophilia, family crucifixions, incest and bestiality. Indeed, even fans accustomed to the gore found in Little's novels may be taken aback by the manner in which characters carry out their fetishes and crimes. The main character in "Blood," for example, kills both little boys and grown men without remorse, believing that his macaroni and cheese craves human blood. The supernatural and the unexplained are common themes, but some plot lines are underdeveloped. In "Monteith," readers are left to ponder what would have happened had the main character confronted his wife about a one-word note - written in her hand - that turned his life upside down. Among Little's best offerings are "Bob," a chilling tale of mistaken identity, and "Pillow Talk," a witty yet sad story about bed linens that come to life and ultimately display more human traits than many of the characters in this collection. A fascinating glimpse into how Little's creativity has evolved over the years, this volume is a must-have for the author's fans despite its uneven nature. 
From Booklist
Of the 32 spine tinglers in Little's gathering, some inevitably stand out. In "The Phonebook Man," the guy delivering the directory, once invited into a woman's house, changes his appearance drastically and refuses to leave. "Life with Father," one of the darkest stories in the collection, concerns a recycling obsession that leads to incest and murder. In "Roommates," Ray searches for one, only to get a strange batch of applicants, including a woman who believes her monkey is her daughter, a three-foot-tall albino, and a dirt-obsessed nurse. In "Bob," a group of women cleverly "sell" a young man on the idea of killing the abusive husband of a woman they know. And in "Pillow Talk," a man is shocked to find himself pursued sexually--by pillows. Little introduces each story by briefly explaining his inspiration for writing it. Little's often macabre, always sharp tales are snippets of everyday life given a creepy twist. 

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He shook his head. "I don't know."

He peeked again through the split in the curtains, study­ing the strangers more carefully. She pressed her face next to his. He heard her gasp, felt her pull away. "Jesus," she whispered. There was fear in her voice. "Look at their teeth."

Their teeth? He focused his attention on the men's mouths. Pam was right. There was something strange about their teeth. He squinted, looked closer.

Their teeth were uniformly yellow.

Their teeth were false.

George Washington had false teeth.

He backed away from the window. "Call the police," he told Pam. "Now."

"We want the letter!" The voice was strong, filled with an anger and hatred he had not expected. The pounding stopped. "We know you have it, Franks! Give it to us and we will not harm you!"

Mike looked again through the parted curtains. All four of the men were facing the window, staring at him. In the porchlight their skin looked pale, almost corpselike, their I eyes brightly fanatic. The man who had been pounding on f the door pointed at him. Rage twisted the features of his face. "Give us the letter!"

He wanted to move away, to hide, but Mike forced him­self to hold his ground. He was not sure if the men could ac­tually see him through that small slit, but he assumed they could. "I called the police!" he bluffed. "They'll be here any minute!"

The pounder was about to say something but at that second, fate stepped in and there was the sound of a siren com­ing from somewhere to the east. The men looked confusedly at each other, spoke quietly and quickly between themselves, then began hurrying off the porch. On their arms, Mike saw round silk patches with stylized insignias.

A hatchet and a cherry tree.

"We will be back for you!" one of the men said. "You can't escape!"

"Mom!" Amy called from her bedroom.

"Go get her," Mike said.

"You call the police then."

He nodded as she moved off, but even as he headed to­ward the phone, he knew with a strange fatalistic certainty that the police would not be able to track down these people, that when these people came back-and they would come back-the police would not be able to protect him and his family.

He heard a car engine roar to life, heard tires squealing on the street.

He picked up the phone and dialed 911.

He left Pam and Amy home alone the next morning, told them not to answer the door or the telephone and to call the police if they saw any strangers hanging around the neigh­borhood. He had formulated a plan during the long sleepless hours between the cops' departure and dawn, and he drove to New York University, asking a fresh-faced clerk in ad­ministration where the history department was located. Fol­lowing the kid's directions across campus, he read the posted signs until he found the correct building.

The secretary of the history department informed him that Dr. Hartkinson had his office hours from eight to ten-thirty and was available to speak with him, and he followed her down the hallway to the professor's office.

Hartkinson stood upon introduction and shook his hand. He was an elderly man in his mid- to late sixties, with the short stature, spectacles, and whiskers of a Disney movie college professor. "Have a seat," the old man said, clearing a stack of papers from an old straight-backed chair. He thanked the secretary, who retreated down the hall, then moved back behind his oversized desk and sat down him­self. "What can I do for you?"

Mike cleared his throat nervously. "I don't really know how to bring this up. It may sound kind of stupid to you, but last night my wife and I were... well, we were sleeping, and we were woken up by this pounding on our front door. I went out to investigate, and there were these four men on my porch, calling out my name and threatening me. They were wearing powdered wigs and what looked like Revolu­tionary War clothes-"

The old man's eyes widened. "Washingtonians!"

"Washingtonians?"

"Shh!" The professor quickly stood and closed his office door. His relaxed, easygoing manner no longer seemed so relaxed and easygoing. There was a tenseness in his move­ments, an urgency in his walk. He immediately sat back down, took the phone off the hook, and pulled closed his lone window. He leaned conspiratorially across the desk, and when he spoke his voice was low and frightened. "You're lucky you came to me," he said. "They have spies everywhere."

"What?"

"Dr. Gluck and Dr. Cannon, in our history department here, are Washingtonians. Most of the other professors are sympathizers. It's pure luck you talked to me first. What do you have?"

"What?"

"Come on now. They wouldn't have come after you un­less you had something they wanted. What is it? A letter?"

Mike nodded dumbly.

"I thought so. What did this letter say?"

Mike reached into his coat pocket and pulled out the piece of parchment.

The professor took the note out of the plastic. He nodded when he'd finished reading. "The truth. That's what's in this letter."

Mike nodded.

"George Washington was a cannibal. He was a fiend and a murderer and a child eater. But he was also chosen to be the father of our country, and that image is more important than the actuality."

"Someone else told me that."

"He was right." The professor shifted in his seat. "Let me tell you something about historians. Historians, for the most part, are not interested in truth. They are not interested in learning facts and teaching people what really happened. They want to perpetuate the lies they are sworn to defend. It's an exclusive club, the people who know why our wars were really fought, what really happened behind the closed doors of our world's leaders, and most of them want to keep it that way. There are a few of us altruists, people like my­self who got into this business to learn and share our learn­ing. But the majority of historians are PR people for the past." He thought for a moment. "Benjamin Franklin did not exist. Did you know that? He never lived. He was a com­posite character created for mass consumption. It was felt by the historians that a character was needed who would em­body America's scientific curiosity, boldness of vision, and farsighted determination, who would inspire people to reach for greatness in intellectual endeavors. So they came up with Franklin, an avuncular American Renaissance man. Ameri­cans wanted to believe in Franklin, wanted to believe that his qualities were their qualities, and they bought into the concept lock, stock, and barrel, even falling for that absurd kite story.

"It was the same with Washington. Americans wanted him to be the father of our country, needed him to be the fa­ther of our country, and they were only too happy to believe what we historians told them."

Mike stared at Hartkinson, then looked away toward the rows of history books on the professor's shelves. These were the men who had really determined our country's course, he realized. The historians. They had altered the past i and affected the future. It was not the great men who shaped' the world, it was the men who told of the great men who j shaped the world.

"You've stumbled upon something here," Hartkinson said. "And that's why they're after you. That note's like a; leak from Nixon's White House, and the President's going to do everything in his power to make damn sure it goes no further than you. Like I said, the history biz isn't anything like it appears on the outside. It's a weird world in here, weird and secretive. And the Washingtonians ..." He shook his head, "They're the fringe of the fringe. And they are a very dangerous group indeed."

"They all had wooden teeth, the ones who came to my house-"

"Ivory, not wood. That's one of those little pieces of trivia they're very adamant about getting out to the public. The original core group of Washingtonians screwed up on that one, and subsequent generations have felt that the im­pression that was created made Washington out to be a weak buffoon. They've had a hard time erasing that 'wooden teeth' image, though."

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