Bentley Little - The Collection

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How far would you go with a hitchhiker who'd left behind an unimaginable trail of horror and destruction?
How would you feel if your father's new bride was something dredged up from the bowels of hell?
What would you do if you discovered an old letter suggesting one of America's Founding Fathers had been a serial killer?
How long would you last in a mysterious border town that promised to let you in on one of its most gruesome secrets?
This is The Collection — thirty-two stories of hot blood and frigid terror that could have come only from the mind of Bentley Little. And that's a scary place to be. 
He's been hailed by Dean Koontz for his "rock-'em, jolt-'em, shock-'em contemporary terror fiction." Now Little presents a 32-story collection that could only have come from an author with "a deft touch for the terrifying" (
).
From Publishers Weekly
Little (The Association) displays his darker side in the 32 mostly memorable stories that comprise this collection of unpublished and previously published stories. Drawing from a bizarre cauldron of influences (cited in brief introductions to each piece), Little tackles some disturbing topics, including pedophilia, family crucifixions, incest and bestiality. Indeed, even fans accustomed to the gore found in Little's novels may be taken aback by the manner in which characters carry out their fetishes and crimes. The main character in "Blood," for example, kills both little boys and grown men without remorse, believing that his macaroni and cheese craves human blood. The supernatural and the unexplained are common themes, but some plot lines are underdeveloped. In "Monteith," readers are left to ponder what would have happened had the main character confronted his wife about a one-word note - written in her hand - that turned his life upside down. Among Little's best offerings are "Bob," a chilling tale of mistaken identity, and "Pillow Talk," a witty yet sad story about bed linens that come to life and ultimately display more human traits than many of the characters in this collection. A fascinating glimpse into how Little's creativity has evolved over the years, this volume is a must-have for the author's fans despite its uneven nature. 
From Booklist
Of the 32 spine tinglers in Little's gathering, some inevitably stand out. In "The Phonebook Man," the guy delivering the directory, once invited into a woman's house, changes his appearance drastically and refuses to leave. "Life with Father," one of the darkest stories in the collection, concerns a recycling obsession that leads to incest and murder. In "Roommates," Ray searches for one, only to get a strange batch of applicants, including a woman who believes her monkey is her daughter, a three-foot-tall albino, and a dirt-obsessed nurse. In "Bob," a group of women cleverly "sell" a young man on the idea of killing the abusive husband of a woman they know. And in "Pillow Talk," a man is shocked to find himself pursued sexually--by pillows. Little introduces each story by briefly explaining his inspiration for writing it. Little's often macabre, always sharp tales are snippets of everyday life given a creepy twist. 

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I was completely baffled, trapped in that dazed and foggy netherworld between sleep and wakefulness. I did not know what was going on. I looked down at my body and got an­other rude shock. I was female.

Then it came to me. I remembered my warm comfortable bed in my rented beach shack. "I am back in my cabin on the beach," I blurted out. "I am the same person I was when I went to sleep last night."

And I was.

I must have been talking in my sleep. It was the only plausible explanation. No one had ever mentioned it to me-not my parents, my brother, not any of my friends or roommates-and perhaps it wasn't even audible, but appar­ently I was a sleeptalker. That was a problem. I could con­trol my waking actions and my conscious thoughts, but sleep, dreams, and my subconscious were beyond my reach.

The sleeptalking continued, and I was never sure whether I'd wake up in my own bed, wake up on some alien planet, or even if I would wake up at all. Sometimes, I would awaken in the middle of the night only to find myself in some surrealistic nightmare, in a world with no recognizable features and with the bizarre juxtaposition of unrelated ob­jects so characteristic of dreamscapes. Once, I remember, I awoke in a Wild West fort on a huge bed of ostrich feathers nearly twenty feet high. I was surrounded by soldiers. To my right, a storm was brewing over a barren plain. To my left, bright and shining, stood an ultra-modern supermarket.

Although I never broke my vow of silence during the day, I constantly talked in my sleep, and then again when I awoke-in order to return to the "real world."

Eventually, the problem did go away. Whether I willed myself to stop talking in my sleep or whether it disappeared of its own accord I don't know. All I know is that it took a long, long time.

I refuse to let myself think about the possible reverberat­ing effects my nighttime mumblings may have had.

When the week was up, I left my rented cabin. I traveled. At first, I wanted to get as far away from people and civi­lization as I could. So I headed north, to the wilds of Canada and then on to Alaska, doing odd jobs here and there for my room and board, pretending to be mute. But I'm a city per­son. And I found that I missed the throngs of people and the hustle and bustle of city life. I wanted to be near the crowds, even if I could not be part of them. And, truth be told, it's just as easy to remain isolated and alone in crowded cities as it is in deserted countrysides. Cities are so impersonal and cold, and the people in them so alienated from each other, that I fit right in. I mean, / notice my lack of communication; I have to live with it, it is an unending constant in my life and it is torture to me. But to everyone else, I'm just another person. No one notices that I don't speak.

But this is all beside the point. This is all background in­formation. This is all a preface to what I want to say.

I have given it a lot of thought. Over twenty years of thought. And I have decided to use the power one last time. I do this not out of selfishness or greed. I do this not for my­self at all. And I do not enter into this rashly or without rea­son. I do this after careful consideration and deliberation, and with a definite goal in mind. I do this purposefully and with a clear conscience.

For over these past decades, I have come to realize the full implications of this ability. I understand the tremendous, almost supreme and absolute power which I wield in my fal­lible and mortal body. It is a terrible thing to live with day in and day out, a terrible burden and responsibility. I cannot and should not be entrusted with such capabilities. Nor should any person.

I do not know if there are others with this power. Perhaps, even as I write, whole realities are coming and going, shift­ing and changing all around me. But no more. I intend to put a stop to it. I intend to make sure that no human being shall ever have to live through the hell which I have experienced.

Tonight I will speak. And the power will cease to exist.

I have thought this through, as I've said, for many years, and I believe I have honed down, defined, and clarified my statement to such an exact degree that it will have no effect other than the one which I intend. I have even written it down, to make sure I make no mistakes.

Of course, it is impossible to know exactly what all the consequences of my words may be. The laws of nature and science may crack and break; the world itself may change ut­terly. But I am willing to take that risk. I must take that risk.

In the process I, too, along with my power and along with any other individuals who have this ability, will cease to exist. It is for the best. My senile ravings, once I grow old, will now never be able to affect anyone; the cries of my death will not cause chaos. Instead, I will simply de-exist. I will probably never have existed at all. The people I once knew will not retain even a faint memory of me.

This, then, is my record, my proof. I have written down the events as they have transpired and have attempted to ex­plain, somewhat, the full implications of my power. If I am successful in what I intend, the power will disappear forever and will never trouble humankind again. If I am not suc­cessful ... who knows? I can only try. And I am willing to chance it.

Wish me luck.

The Washingtonians

During the Gulf War, I was amazed at the public's mass acceptance of the government's view of events. Something like 120,000 Iraqis were killed, not all of them soldiers or Husseins-in-training, many of them ordinary men, women, and children who happened to be living in the same geographical area in which we were dropping bombs. But the news was controlled, information filtered through official government press conferences, and on TV we saw no bodies, no blood. So people believed what they were told. I got to think­ing about what it would be like if all our history was like that, if what we learned in school was simply the party line, not the actual truth. "The Washingtonians" grew from there.

I will Skin your Children and Eat Them.

Upon Finishing, I will Fashion Utensils of Their Bones.

"It's authentic," Davis admitted. "It was written by George Washington." He flipped off the light and, with gloved fin­gers, removed the parchment manuscript from underneath the magnifier. He shook his head. "Where did you get this? I've never come across anything like it in all my years in the business."

Mike shook his head. "I told you. It was in a trunk of my great-grandmother's stuff that we found hidden in her barn."

"May I ask what you intend to do with it?"

"Well, if it was authentic, we were thinking we'd donate it to the Smithsonian or something. Or sell it to the Smith­sonian, if we could. What's the appraisal value of something like this?"

Davis spread his hands in an expansive gesture. "It's in­valuable."

"A ballpark figure."

He leaned forward, across the counter. "I'm not sure you realize what you have here, Mr. Franks. With this one sheet of paper, you can entirely rewrite the history of our coun­try." He paused, letting his words sink in. "History is myth, Mr. Franks. It's not just a collection of names and dates and facts. It's a belief system that ultimately tells more about the people buying into it than it does about the historical partic­ipants. What do we retain from our school lessons about George Washington? About Abraham Lincoln? Impressions. Washington was the father of our country. Lincoln freed the slaves. We are who we are as a nation because of what we believe they were. This letter will shatter that belief system and will forever change the image we have of Washington and perhaps all our Founding Fathers. That's a huge respon­sibility, and I think you should think about it."

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