Greg Iles - The Devils Punchbowl

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With his gift for crafting “a keep-you engaged- to-the-very-last-page thriller” (
) at full throttle, Greg Iles brings back the unforgettable Penn Cage in this electrifying suspense masterpiece.
A new day has dawned . . . but the darkest evils live forever in the murky depths of a Southern town. Penn Cage was elected mayor of Natchez, Mississippi—the hometown he returned to after the death of his wife—on a tide of support for change. Two years into his term, casino gambling has proved a sure bet for bringing new jobs and fresh money to this fading jewel of the Old South. But deep inside the 
, a fantastical repurposed steamboat, a depraved hidden world draws high-stakes players with money to burn on their unquenchable taste for blood sport and the dark vices that go with it. When an old high school friend hands him blood-chilling evidence, Penn alone must beat the odds tracking a sophisticated killer who counters his every move, placing those nearest to him—including his young daughter, his renowned physician father, and a lover from the past—in grave danger, and all at the risk of jeopardizing forever the town he loves.
From Publishers Weekly
Iles's third addition to the Penn Cage saga is an effective thriller that would have been even more satisfying at half its length. There is a lot of story to cover, with Cage now mayor of Natchez, Miss., battling to save his hometown, his family and his true love from the evil clutches of a pair of homicidal casino operators who are being protected by a homeland security bigwig. Dick Hill handles the large cast of characters effortlessly, adopting Southern accents that range from aristocratic (Cage and his elderly father) to redneck (assorted Natchez townsfolk). He provides the bad guys with their vocal flair, including an icy arrogance for the homeland security honcho, a soft Asian-tempered English for the daughter of an international villain and the rough Irish brogue of the two main antagonists. One of the latter pretends to be an upper-class Englishman and, in a moment of revelation, Hill does a smashing job of switching accents mid-sentence. 

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“Couldn’t come out here dressed for work,” he says, as though reading my mind. What he actually read, I realize, was my appraising glance. Clearly, all the drugs he’s ingested over the years haven'’t yet ruined what always was a sharp mind.

I decide to dispense with small talk. “You said some pretty scary things on the phone. Scary enough to bring me out here at this hour.”

He nods, digging in his pocket for something that turns out to be a bent cigarette. “Can’t risk lighting it,” he says, putting it between his lips, “but it’s good to know I got it for the ride home.” He grins once more before putting on a serious face. “So, what had you heard before I called?”

I don'’t want to repeat anything Tim hasn’'t already heard or seen himself. “Vague rumors. Celebrities flying in to gamble, in and out fast. Pro athletes, rappers, like that. People who wouldn'’t normally come here.”

“You hear about the dogfighting?”

My hope that the rumors are false is sinking fast. “I’'ve heard there’s some of that going on. But it was hard to credit. I mean, I can see some rednecks down in the bottoms doing it, or out in the parishes across the river, but not high rollers and celebrities.”

Tim sucks in his bottom lip. “What else?”

This time I don'’t answer. I’'ve heard other rumors —that prostitution and hard drugs are flourishing around the gambling trade, for example— but these plagues have been with us always. “Look, I don'’t want to speculate about things I don'’t know to be true.”

“You sound like a fucking politician, man.”

I suppose that’s what I’'ve become, but I feel more like an attorney sifting the truth from an unreliable client’s story. “Why don'’t you just tell me what you know? Then I'’ll tell you how that fits with what I’'ve heard.”

Looking more anxious by the second, Jessup gives in to his nicotine urge at last. He produces a Bic lighter, which he flicks into flame and touches to the end of the cigarette, drawing air through the paper tube like someone sucking on a three-foot bong. He holds in the smoke for an alarming amount of time, then speaks as he exhales. “You hear I got a kid now? A son.”

“Yeah, I saw him with Julia at the Piggly Wiggly a couple of weeks ago. He’s a great-looking boy.”

Tim’s smile lights up his face. “Just like his mom, man. She’s still a beauty, isn’t she?”

“She is,” I concur, speaking the truth. “So…what are we doing here, Timmy?”

He still doesn’'t reply. He takes another long drag, cupping the cigarette like a joint. As I watch him, I realize that his hands are shaking, and not from the cold. His whole body has begun to shiver, and for the first time I worry that he’s started using again.

“Tim?”

“It’s not what you think, bro. I’'ve just been carrying this stuff around in my head for a while, and sometimes I get the shakes.”

He'’s crying,

I realize with amazement.

He’'s wiping tears from his eyes.

I squeeze his knee to comfort him.

“I'm sorry,” he whispers. “We’re a long way from Mill Pond Road, aren'’t we?”

Mill Pond Road is the street I grew up on. “We sure are. Are you okay?”

He stubs out his cigarette on a gravestone and leans forward, his eyes burning with passion I thought long gone from him. “If I tell you more, there’s no going back. You understand? I tell you what I know, you won'’t be able to sleep. I know you. You’ll be like a pit bull yourself. You won'’t let it go.”

“Isn'’t that why you asked me here?”

Jessup shrugs, his head and hands jittery again. “I'm just telling you, Penn. You want to walk away, do it now. Climb over that wall and slide back down to your car. That'’s what a smart man would do.”

I settle against the cold bricks and consider what I’'ve heard. This is one of the ways fate comes for you. It can swoop darkly from a cloudless sky like my wife’s cancer; or it can lie waiting in your path, obvious to any eyes willing to see it. But sometimes it’s simply a fork in the road, and rare is the day that a friend stands beside it, offering you the safer path. It’s the oldest human choice:

comfortable ignorance or knowledge bought with pain?

I can almost hear Tim at his blackjack table on the

Magnolia Queen:

“Hit or stay, sir?” If only I had a real choice. But because I helped bring the Queen to Natchez, I don'’t.

“Let’s hear it, Timmy. I don'’t have all night.”

Jessup closes his eyes and crosses himself. “Praise God,” he breathes. “I don'’t know what I would have done if you’d walked away. I'm way out on a limb here, man. And I'm totally alone.”

I give him a forced smile. “Let’s hope my added weight doesn’'t break it off.”

He takes a long look at me, then shifts his weight to raise one hip and slides something from his back pocket. It looks like a couple of

playing cards. He holds them out, palm down, the cards mostly concealed beneath his fingers.

“Pick a card?” I ask.

“They’re not cards. They’re pictures. They’re kind of blurry. Shot with a cell phone.”

With a sigh of resignation I reach out and take them from his hand. I’'ve viewed thousands of crime-scene photos in microscopic detail, so I don'’t expect to be shocked by whatever Tim Jessup has brought in his back pocket. But when he flicks his lighter into flame and holds it over the first photo, a wasplike buzzing begins in my head, and my stomach does a slow roll.

“I know,” he says quietly. “Keep going. It gets worse.”

CHAPTER

2

Linda Church lies beneath the man who pays her wages and tries to hide the fear behind her eyes. As he drives into her, his eyes burning, his forehead dripping sweat, she imagines she'’s a stone figure in a cathedral, with opaque eyes that reveal nothing. Linda reads fantasy novels during her off hours, and sometimes she imagines she’s a character in a book, a noblewoman forced by a cruel twist of fate to do things she never thought she would. Things like that happened to heroines all the time. All her life (or since she was four years old and played the princess in her nursery-school play) Linda has searched for a real prince, for a gentle man who could lead her out of the thorny maze that’s been her life ever since the other kind of man had his way with her. When she first met the man using her now, she believed that magical moment had finally come. Only a year shy of thirty (and with her looks still holding despite some rough treatment), Linda had finally been placed by fate in the path of a prince. He looked like a film actor, carried himself like a soldier, and best of all actually talked like a prince in the movies her grandmother used to watch. Like Cary Grant or Laurence Olivier or…somebody.

But not even Cary Grant was Cary Grant. He was named Archie Leach or something, and though he was probably an okay guy, he wasn'’t who you thought he was, and that was the truth of life right there. Nothing was what you thought it was, because no one was who they pretended to be. Everybody wanted something, and men mostly wanted the same thing. If her prince had turned into a frog, she would at least have had the comfort of familiarity. But this story was different; this false prince had morphed into a serpent with needle-sharp fangs and sacs of poison loaded behind them. Linda now knew she was only one of twenty or thirty women he’d slept with on the Magnolia Queen, and was probably still screwing, no matter what he claimed. With good-paying work so hard to find, who could afford to say no to him?

“What’s your problem tonight?” he grunted, still going at her without letup. “Squeeze your pissflaps, woman, and give the lad something to work with.”

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