Greg Iles - The Devils Punchbowl

Then my wife died.

Four months after my father diagnosed Sarah with cancer, we buried her. The shock of losing her almost broke me, and it shattered my four-year-old daughter. In desperation I fled Houston, taking Annie back to the small Mississippi town where I’d been raised, back to the loving arms of my parents. There— here —before I could begin working my way back to earth, I found myself drawn into a thirty-year-old murder case, one that ultimately saved my life and ended four others. That was seven years ago. Annie'’s eleven now, and almost the reincarnation of her mother. She’s sleeping at home while a babysitter waits in my living room, and remembering this I decide that Tim Jessup gets exactly five more minutes of my time. If he can’t make his own midnight meeting, he can damn well come to City Hall during business hours, like everybody else.

My heart labors from climbing the nearly vertical face of Jewish Hill, but each breath brings the magical scent of sweet olive, still blooming in mid-October. Under the sweet olive simmers a roux of thicker smells: kudzu and damp humus and something dead in the trees—maybe a gut-shot deer that evaded its shortsighted poacher.

When I reach the edge of the table of earth that is Jewish Hill, the land and sky fall away before me with breathtaking suddenness.

The drop to the river is two hundred feet here, down a kudzu-strangled bluff of windblown loess —rich soil made from rock ground fine by glaciers—the foundation of our city. From this height you can look west over endless flatland with almost intoxicating pride, and I think that feeling is what made so many nations try to claim this land. France, Spain, England, the Confederacy: all tried to hold this earth, and all failed as surely as the Natchez Indians before them. A sagging wire bench still stands beneath an American flag at the western rim of the hill, awaiting mourners, lovers, and all the rest who come here; it looks like the best place to spend Tim’s last four minutes.

As I sit, a pair of headlights moves up Cemetery Road like a ship beating against the wind, tacking back and forth across the lane that winds along the edge of the bluff. I stand, but the headlights do not slow, and soon a nondescript pickup truck rattles past the shotgun shacks across the road and vanishes around the next bend, headed toward the Devil’s Punchbowl, a deep defile out in the county where Natchez Trace outlaws once dumped the corpses of their victims.

“That'’s it, Timmy,” I say aloud. “Time’s up.”

The wind off the river has finally found its way into my jacket. I’'m cold, tired, and ready to go to bed. The next three days will be the busiest of my year as mayor, beginning with a news conference and a helicopter flight in the morning. But after those three days are up… I’'m going to make some profound changes in my life.

Rising from the bench, I walk to my right, toward a gentler slope of the hill, where my old Saab waits beyond the cemetery wall. As I bend to slide down the hill, an urgent whisper breaks the silence of the night:

“Hey. Dude? Are you up here?”

A shadow is advancing along the rim of Jewish Hill from the interior of the graveyard. From my vantage point, I can see all four entrances to the cemetery, but I’'ve seen no headlights and heard no engine. Yet here is Tim Jessup, materializing like one of the ghosts so many people believe haunt this ancient hill. I know it’s Tim because he used to be a junkie, and he still moves like one, with a herky-jerky progress during which his head perpetually jiggers around as though he’s watching for police while his thin legs carry him forward in the hope of finding his next fix.

Jessup claims to be clean now, thanks largely to his new wife, Julia, who was three years behind us in high school. Julia Stanton married the high school quarterback at nineteen and took five years of punishment before forfeiting that particular game. When I heard she was marrying Jessup, I figured she wanted a perfect record of losses. But the word around town is that she’s worked wonders with Tim. She got him a job and has kept him at it for over a year, dealing blackjack on the casino boats, most recently the Magnolia Queen.

“Penn!” Jessup finally calls out loud. “It’s me, man. Come out!”

The gauntness of his face is unmistakable in the moonlight. Though he and I are the same age—born exactly one month apart—he looks ten years older. His skin has the leathery texture of a man who’s worked too many years under the Mississippi sun. Passing him on the street under that sun, I’'ve seen more disturbing signs. His graying mustache is streaked yellow from cigarette smoke, and his skin and eyes have the jaundiced cast of those of a man whose liver hasn’'t many years left in it.

What bound Jessup and me tightly as boys was that we were both doctors’ sons. We each understood the weight of that special burden, the way preachers’ sons know that emotional topography. Having a physician as a father brings benefits and burdens, but for eldest sons it brings a universal expectation that someday you’ll follow in your father’s footsteps. In the end both Tim and I failed to fulfill this, but in very different ways. Seeing him closer now, turning haplessly in the dark, it’s hard to imagine that we started our lives in almost the same place. That'’s probably the root of my guilt: For though Tim Jessup made a lifetime of bad decisions—in full knowledge of the risks—the one that set them all in train could have been, and in fact was, made by many of us. Only luck carried the rest of us through.

With a sigh of resignation, I step from behind the gravestone and call toward the river, “Tim? Hey, Tim. It’s Penn.”

Jessup whips his head around, and his right hand darts toward his pocket. For a panicked second I fear he’s going to pull a pistol, but then he recognizes me, and his eyes widen with relief.

“Man!” he says with a grin. “At first I thought you’d chickened out. I mean, shit.

”

As he shakes my hand, I marvel that at forty-five Jessup still sounds like a strung-out hippie. “You’re the one who’s late, aren'’t you?”

He nods more times than necessary, a man who’ll do anything to keep from being still. How does this guy deal blackjack all night?

“I couldn'’t rush off the boat,” he explains. “I think they'’re watching me. I mean, they'’re always watching us. Everybody. But I think maybe they suspect something.”

I want to ask whom he’s talking about, but I assume he’ll get to that. “I didn't see your car. Where’d you come from?”

A cagey smile splits the weathered face. “I got ways, man. You got to be careful dealing with this class of people. Predators, I kid you not. They sense a threat, they react— bam!

” Tim claps his hands together. “Pure instinct. Like sharks in the water.” He glances back toward town. “In fact, we ought to get behind some cover now.” He gestures toward the three-foot-high masonry walls that enclose a nearby family plot. “Just like high school, man. Remember smoking grass behind these walls? Sitting down so the cops couldn'’t see the glow of the roach?”

I never got high with Tim during high school, but I see no reason to break whatever flow keeps him calm and talking. The sooner he tells me what he came to say, the sooner I can get out of here.

He vaults the wall with surprising agility, and I step over it after him, recalling with a chill the one memory of this place that I associate with Tim. Late one Halloween night a half dozen boys tossed our banana bikes over the wall and rode wildly through the narrow lanes, laughing hysterically until a pack of wild dogs chased us up into the oak trees near the third gate. Does Tim remember that?

With a last anxious look up Cemetery Road, he sits on the damp ground and leans against the mossy bricks in a corner where two walls meet. I sit against the adjacent wall, facing him at a right angle, my running shoes almost touching his weathered Sperrys. Only now do I realize that he must have changed clothes after work. The dealer’s uniform he usually wears on duty has been replaced by black jeans and a gray T-shirt.