Iris Johansen - Blind Alley

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Blind Alley: краткое содержание, описание и аннотация

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Forensic sculptor Eve Duncan returns in this far-fetched but expertly plotted, eminently entertaining novel. When detective Joe Quinn is called to investigate the murder of a young woman whose skin has been peeled away from her skull, he presses the overloaded Eve to work her grisly magic. Eve is shocked to realize that the victim bears an uncanny resemblance to Jane MacGuire, the headstrong 17-year-old she and Joe have adopted, and who was already menaced by another serial killer in 1999's
. Then a suspicious inspector from Scotland Yard, Mark Trevor, arrives with the grim news that a string of women with similar features have been murdered in Italy, England and Spain. A serial killer he calls Aldo has been working his way around the globe, butchering women who look like Cira, a beautiful young actress from the ancient Roman city of Herculaneum (which was destroyed by the eruption of Mt. Vesuvius), whom he holds responsible for his father's death (such is the logic of the insane). Since Jane looks like Cira (and, incidentally, has been having nightmares about being her and trying to escape the volcano's destruction) she will be his prey—or bait. Johansen fans will recall that Eve lost her biological daughter, Bonnie, to a serial killer, so her desire to bring Aldo to justice is tied up with her still-sharp grief. Meanwhile, Jane behaves like a typical teenager, living in denial of her own mortality while feeling intoxicated by the sexy air of peril that now surrounds her. Aldo never comes fully into focus as a villain, but that doesn't matter much, since one of the real engines of fear in the novel is Jane's burgeoning sexuality.
From Booklist
In her latest thriller about Atlanta detective Joe Quinn and the love of his life, forensic sculptor Eve Duncan, Joe gives Eve a skull to reconstruct. Eerily enough, the face resembles 17-year-old Jane MacGuire, who has been offered sanctuary by Eve and Joe after surviving a rough-and-tumble life on the streets. Now it seems that a killer is trying to erase all evidence of her face because it is identical to that of a statue of a woman who died during the eruption of Mount Vesuvius. Several look-alikes have already been killed in Europe, and Scotland Yard sends in hunky Mark Trevor to help. Eve mistrusts him, but Jane, who has had recurring nightmares related to the killings, believes that he's there to help her. Eve and Joe want to protect Jane, but the intrepid teenager knows that unless she confronts the killer, she will live the rest of her life in fear. Johansen has become adept at mixing supernatural elements with intriguing suspense, and her new tale will please both fans and new converts with its unpredictable journey from Atlanta to the archaeological digs of Herculaneum in Italy.

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“Then I'm dismissed?”

“For now.”

“And am I going to be allowed to know what the hell you're planning on doing with it?”

She glanced up. “Oh, yes. I'm going to need you.”

“I'll take comfort in that.” He turned to leave. “I don't imagine you admit you need many people.”

“No.”

“Can you give me a time estimate?”

She shook her head. “I have to think about it and do some research.”

“And you have to recover a little from Aldo's verbal assault.”

“I'm already recovering.” It was the truth, thank heavens. The distraction had diluted the emotional impact of Aldo's venom. “It was stupid to become upset. After all, his call was actually a victory. And it clarified his attitude and intentions.”

“And I'd judge it also clarified your attitude and reinforced your determination to move at light-speed.”

“It didn't take much reinforcement.”

“No, you're at full throttle.” He lifted his brows. “I can't wait to see where you're going with it.”

“Neither can I,” she said dryly. “I just hope it's not a blind alley.”

“Then there's usually a way to backtrack and find your way out.”

Heat. Night without air.

Run. Falling rocks. Pain.

“I don't want to backtrack.” Her lips tightened. “I need to go straight ahead and run over that bastard if he gets in my way.”

He gave a low whistle. “I'll vote for that.” He started down the steps. “And I'll furnish the bulldozer to do it. Just say the word.”

She didn't answer, her gaze once more on the list.

Trevor shook his head ruefully as he moved down the path toward Bartlett. She was so intent, she'd closed out the call from Aldo and she'd probably already forgotten Trevor. Not good for a man's ego.

What the hell. He couldn't apply any of the usual man-woman rules to his relationship with Jane.

He'd better not.

“She's excited.” Bartlett's gaze was fixed on Jane. “She looks like you gave her a present.”

“In a manner of speaking. Not a box of chocolates or a bouquet. A list of Aldo's Web sites.”

“I see.” Bartlett nodded gravely. “Much more valuable than a box of chocolates and she's not one to appreciate sweetness.”

“Maybe she's not had the opportunity to really sample it.”

Her head was bent over the list and he could see the tenseness, the taut, slim elegance of her body as she reached for her computer. She did everything with a natural grace that was as unconscious as it was a delight to watch. There was youth without the awkwardness of youth. Grace and fire. She burned like a candle in the—

“No, Trevor.”

He glanced at Bartlett. “What?”

Bartlett was shaking his head, his expression troubled. “She's too young.”

“Do you think I don't know that?” He tried to pull his gaze away from her. God, it was hard. “It doesn't hurt to look.”

“It might. She's not a statue and she's not Cira.”

“No?” His lips twisted. “Tell that to Aldo.”

“I'm telling you.” Barlett frowned. “And I shouldn't have to tell you. You could hurt her.”

He smiled recklessly. “She'd deny it. She'd say she was far more likely to hurt me.”

“But you know that's not true. Experience counts, and she's seventeen.”

He turned away. “Why are we even talking about it? I told you I wasn't going to do anything but look.”

“I hope not.”

“Count on it.” He went down the path. “I'll come back and relieve you in an hour. She spent all afternoon taunting Aldo and he's mad as hell. I want to be around if he decides to pounce.”

THIRTEEN

You've been watching me all evening. I feel like a bug under a microscope.” Eve turned away from the reconstruction on the pedestal before her to look at Jane. “Is something wrong? Are you still upset about that call from Aldo?”

“A little.” She made a face. “You can understand it would stick in my mind.”

“That goes without saying. It's been worrying me since you told me about it.”

“But you'll be able to forget it once you get deep enough into your work. That's a blessing, isn't it?”

“Work is always a great healer.” She frowned. “Have you been concerned that you're interfering with my work on this reconstruction?”

Jane shook her head. “I was just wondering if you were almost finished.”

“Tomorrow. I might have finished tonight if you hadn't decided on dragging me out this afternoon.”

“You didn't object.”

“And I wouldn't again. Keeping you alive is more important than identifying this poor dead girl.”

“What are you calling her?”

“Lucy.” Her hands moved over the skull, carefully measuring the space between the eyes. “The Chicago police think she may be a child that's been missing for over fifteen years. Her parents must be going through hell.”

“Like you.”

Eve didn't deny it. “At least I can give other parents back their children. I suppose that's a form of closure.”

“Bull. Very noble but it doesn't keep you from hurting.”

“No.” Eve smiled faintly. “May I ask why you're so interested in my work tonight?”

“I'm always interested. It's kind of creepy but it's part of you.”

“The creepy part.”

“You said it.” Jane grinned. “I wouldn't dare. So Lucy is winging her way back to Chicago tomorrow?”

“Probably.” Eve lifted her brows. “Is it important that she be finished quickly?”

“Maybe. I've been sitting here and thinking. . . .” Her gaze focused musingly on the skull. “How does she . . . feel?”

“Touching her face?” She was silent, thinking about it. “Not creepy. I've done it so long that it's difficult to describe.”

“Pity?”

“Yes, and anger and sadness.” She gently touched Lucy's cheek. “And a deep, deep urgency to bring her home. Home has always been so important to me. There are so many lost ones out there.”

“I've heard you say that before. Do you really think that her soul is somewhere wandering around and that she cares about being brought home?”

“I don't know. Maybe. But I do know I care.” Eve smoothed the clay at Lucy's forehead. “Now go to bed and let me work or I'll never get her finished.”

“Okay.” Jane stood up. “I was just curious.”

“Jane.”

Jane glanced back over her shoulder.

“Why now?” Eve asked. “You've never been this curious about my work before.”

Jane turned back to face her. “I've never been brought this close to the possibility of my own death before. It's bound to make you wonder what's out there for us.”

“Right now, the only thing out there for you is a long and happy life.”

“Don't worry. I'm not being gloomy and pessimistic. I don't know why all this came tumbling out of left field. I was sitting here watching you and thinking about something completely different when it occurred to me . . .” She paused. “Cira is one of those lost ones. Nobody seems to know what happened to her. She probably died in that eruption.”

“Two thousand years ago, Jane.”

“Does time make a difference? Lost is lost.”

“No, I guess not. It's just that it takes away the personal, familiar factor.”

“No, I don't agree.” She reached up and touched her own cheekbone and traced the line to her temple. “I'm taking this very personally. She had my face.”

“And it bothers you that she's one of the lost ones?”

“I don't know. Maybe she wasn't lost at all. Maybe she wasn't killed. Maybe she lived to be a hundred with her great-great-grandchildren all around her.”

“It's possible.”

“Yeah, but I've been asking myself, what if you're right and lost souls have a passion to come home? What if these dreams I've been having have been her way of telling me that she needs to be found and brought to a final resting place?”

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