John Gardner - Never send flowers

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When an officer of the British Security Service is murdered in Switzerland, James Bond becomes involved in a deadly game of hide and seek. He follows a sinister shadow across the world, from Athens to Milan, Singapore, the USA and ultimately to EuroDisney. By the author of "Death is Forever".
From Publishers Weekly
This sketchy detective story requires a knowledge of James Bond movies rather than Ian Fleming novels, which may explain why it reads like a rough draft for a screenplay. In Gardner's 12th 007 book (after Death Is Forever ), the ageless agent from Her Majesty's Secret Service is sent to Switzerland to investigate the murder of MI5 operative Laura March. Teaming up with Swiss agent Flica von Gruss, he discovers that March's brother was a serial killer and that her ex-lover was legendary English actor David Dragonpol, now retired and living in a fairy-tale castle on the Rhine. Dragonpol's sister, Maeve Horton, proves to be the link between March's death and four recent assassinations; a Bleeding Heart rose bred by Horton appeared at the funeral of each of the victims, March included. Bond and von Gruss pursue the case to Dragonpol's castle in Germany, where the usual fiendish plot is uncovered and ultimately resolved in the traditional Bond manner. This light, entertaining read doesn't pretend to be anything more than another episode in what has turned into a never-ending adventure. 
From Kirkus Reviews
Like Pentagon dinosaurs laboring to adapt to a new world order by finding telltale traces of the old in every dark shadow, Gardner's reincarnation of James Bond examines a string of serial killings and finds a freelance terrorist just as dangerous as his old adversaries from SMERSH and SPECTRE. Bond's called in when MI5 agent Laura March is killed at Interlaken. Going through the things in her hotel room, he and Flicka Von Grsse, his leggy opposite number from Swiss Intelligence, find a disturbing letter from Laura to her late brother, a serial beheader of blonds, and fax a copy back to M. While they're coupling in Bond's room, the letter itself is stolen, and M, citing the ``grave moral scandal'' (so much for updating Bond's morality), ostensibly removes Bond from duty. Back in England for Laura's funeral, Bond notices a bizarre floral tribute--a red-tipped white rose--linking Laura's death to four other recent assassinations, and to the flower's only breeder: Maeve Horton, sister of Laura's onetime fianc‚, distinguished actor David Dragonpol. There follow the requisite scenes of tourist-trap mayhem--at Schloss Drache, Dragonpol's Alpine aerie, atop the roof of the Duomo in Milan, and at EuroDisney, where the murderer has planned one last, ultra-high-profile strike--but Gardner's lack of conviction reduces everything to retro-fluff. Bond really isn't cut out for the work of tracking down serial killers, even the ones whose targets include Yasir Arafat and Kiri Te Kanawa. As Gardner struggles to update the perils his superstar hero faces, Bond himself remains the biggest anachronism of all.  

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`We'll have to be very careful." `I think we've been careful for too long. My fault really. This should have been done months ago.

With luck it'll all be over by tomorrow night."

*

*

*

The morning came, bright and cheerful, another lovely day. It was hard to believe that the summer was almost over. There were still plenty of tourists around, savouring the last days of the holiday season, bracing themselves for the journey home and the return of autumn and winter.

As they had planned, Bond and Fredericka strolled through the streets.

They did not take taxis, or any other form of public transport, but walked everywhere, considering that, should Dragonpol be looking out for them, he would be more likely to spot them on the streets.

First they went to one of the larger travel agencies where they booked seats on an Alitalia flight direct to Athens for the Thursday morning.

They even lingered, bombarding a harassed girl with questions about the best place to stay, and gathering up as many brochures as they could.

Fredericka carried a little pile of leaflets with the name Athens in full view and they walked into the Piazzale San Giornate and towards the wonderful lasade of the opera house, the Teatro alla Scala.

Inside, they joined a tour and admired the building; had the wonderful acoustics demonstrated to them; looked at the statues of Rossini, Bellini, Donizetti and Verdi in the foyer.

Neither saw anyone who could be remotely identified with Dragonpol, though Bond was aware of Orsini's watchers everywhere. They arrived back at the Palace after a light lunch, just before two-thirty.

By a quarter past three, Bond was saying that Carmel would not call, that it was some kind of runaround, when the phone began to ring.

`You know who this is?" Carmel asked at the distant end.

`Yes. Anything for us?" `He'll come to meet you, with me, at four-thirty.

`Where?" `The Duomo. On the roof." `We'll be there." Bond closed the line.

`She says he'll be on the roof of the cathedral at four-thirty,' he told Fredericka.

`You believe her?" `I have no reason not to believe her. You want to stay behind? Wait for me here?" `You must be joking. If you're going to be face to face with Dragonpol high up above Milan, then I want to be with you." `Then we'd better try to make it ahead of time.

I'd rather be waiting for him, than find he is waiting for us." They reached the Duomo at twelve minutes past four, when the light had begun to take on a wonderful filtered reddish glow. It was, they heard a passing guide remark, the best time to visit the Cathedral.

* The Duomo, Milan's great cathedral, is one of the wonders of Europe. It dominates the city, colossal in size, yet somehow almost ethereal, with its statues, belfries, pinnacles and gables; a monster cake built in white marble to the glory of God, standing at the far end of an imposing esplanade.

Fredericka went up by the elevator, while Bond took the stairs. Both were conscious that Dragonpol, with ease, could be waiting for them, or even lurking on that hard spiral climb.

When Bond reached the top, he saw Fredericka viewing the exit points from the far side of the roof.

Above them towered the famous Tiburio, the central tower, dominated by the statue of the Blessed Virgin.

It was almost four-twenty-five and, following a quick conference, they spread out to right and left so that they both had clear views of the stairs and elevator cage: relatively safe in the knowledge that even Dragonpol could not look in two directions at once.

On the dot of four-thirty, Carmel Chantry, still wearing the white silk suit of the previous night, emerged from the cage. She stood blinking in the sunlight for a moment, then she reached back and took the arm of a distinguished, grey-haired, tall man wearing the uniform of the retired English officer the double-breasted navy blue blazer and grey slacks.

Bond peered at the man, who also looked around him suspiciously.

Then Carmel saw him and waved, her voice just carrying across the space.

`James. We're here, James." They began to walk towards him, and he now saw that her companion could well be Dragonpol, but in baffling disguise. Then he saw the thick walking stick with the brass duck's head handle.

Carmel's companion faltered slightly. His expression changed, looking first towards Bond and then, sharply it seemed, at Carmel.

He moved on the balls of his feet, one hand reaching for his hip and the big automatic pistol.

His hand had just touched the gun when the shooting and screaming began.

CHAPTER SIXTEEN

RISE OF A DEAF MUTE

Bond heard Carmel cry out, `No! James, No!

He's.. ` Then the front of the white silk shirt and jacket blossomed crimson, her head went back and she flew forward, arms outstretched as though taking a plunge into a swimming pool. For a split second he thought of Maeve Horton's Bleeding Heart rose, then he was dragging the pistol from his waistband, hearing the crash of shots echoing across the roof, aware of people throwing themselves to the ground, and the distinguished grey head of hair levitating under a fine mist of blood, while the deadly walking stick went flying through the air. The man who had been with Carmel went down, pitching forward, hitting the stone with a crash, leaving blood smearing the ground.

Gianne-Franco's men and women were suddenly very visible. At least six of them two women and four men-had weapons out: one of them carried an Uzi, and they were closing in on a tall man who stood just outside the stair entrance. Bond could not believe his eyes at first. The man had an automatic pistol held in the two-handed grip. The shots had hardly crashed out when he simply opened his hands, dropped the pistol, then straightened up, placing his hands on his head.

Later Bond had difficulty in reconstructing the entire incident, for everything happened within seconds, and it was not until the man placed his hands above his head, that he saw it was David Dragonpol.

`I didn't mean to hurt the girl!" Dragonpol was shouting almost hysterically. There were tears running down his face, and he moved towards the two bodies, in spite of the Italians threatening and ordering him to stand still.

Nobody was stupid enough to fire on Dragonpol as he bent over the male corpse. He was now openly weeping, and by the time Bond reached him, he had started to mutter, `Oh, David. David.

I'm sorry but it had to end like this. There was no other way.

No other way. You'd have just gone on killing and killing. It was already too much.

Enough." Other words, from some recent time, flashed through Bond's mind. There for a moment then gone. `Three's still three too many,' the voice in his head called out.

Now, close to the sprawled body, Bond took in two things. First, in spite of the wound to the top of the head, the face was identical to that of Dragonpol who now bent over him. An obscene-looking bloody mass of what had once been a grey wig, lay a few feet from the body.

`David?" He put out a hand and rested it on Dragonpol's shoulder, though his mind had yet to take in the strange mirror-image that seemed to pass between living and dead.

Dragonpol looked up and shook his head.

`James,' he said. `I'm so sorry about the girl. I had to take out David. He would have killed you with that damned thing,' his foot kicked at the walking stick. `Then he would have gone on and killed more people.

`I wasn't expecting..." Bond began, then peered at Dragonpol's face. `David?" he asked again, and Dragonpol slowly shook his head once more.

`That's David." His hand caressed the shoulder of the corpse.

`That's my brother, David. I should've told you when you were at Schloss Drache, but I didn't have the guts. In the end, Laura knew about him, but she thought like you. She believed I was David. I was the one who was to marry Laura.

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