John Gardner - October Light

The passage in this novel which is entitled “Ed’s Song”—along with other details sprinkled throughout the book — is largely drawn from Noel Perrin’s Vermont in All Weathers, with photographs by Sonja Bullaty and Angelo Lomeo (New York: The Viking Press, Inc., 1973), and is used with Mr. Perrin’s kind permission. James L. Page’s ruminations on the words up and down are adapted with the author’s permission, from an essay by Julius S. Held, “Gravity and Art,” published in Art Studies for an Editor: Twenty-five Essays in Memory of Milton S. Fox (New York: Harry N. Abrams, Inc., 1975). I’ve of course borrowed from numerous other writers, ancient and modern, but I forget which ones. The smugglers’ story which Sally Page Abbott reads, I wrote in collaboration with my wife Joan.

Most of the places I mention in the real-world sections of this novel are actual, and many of the characters are real people, living or dead, introduced into this book by their real names — among others, Ethan Allen and Jedediah Dewey, John G. McCullough, Charles Dewey, Andre Speyer, Kayoko Kodama, Norman Rockwell, Chief Joe Young, George and Peg Ellis, and Mr. Pelkie. I have also borrowed some fictitious people from other people’s novels, notably Judah Sherbrooke and his bare-naked wife, who were originally invented by Nicholas Delbanco in a novel called, in the manuscript I’ve seen, Possession. If there is anyone offended by my having put them or their inventions in this novel, I apologize.

J.G.

TO TURN TO THE NEWS of the day, it seems that the cannibals of Europe are going to eat one another again. A war between Russia and Turkey is like the battle of the kite and the snake; whichever destroys the other leaves a destroyer the less for the world. This pugnacious humor of mankind seems to be the law of his nature, one of the obstacles to too great multiplication provided in the mechanism of the Universe. The cocks of the hen yard kill one another; bears, bulls, rams do the same, and the horse, in his wild state, kills all the young males until when he’s worn down with age and war, some youth kills him.

I hope we shall prove how much happier for the man the Quaker policy is, and that the life of the feeder is better than that of the fighter: and it is some consolation that the desolation by these maniacs of one part of the earth is the means of improving it in other parts. Let the latter be our office; and let us milk the cow, while the Russian holds her by the horns, and the Turk by the tail.

Thomas Jefferson to John Adams,

June 1,1822

“Corruption? I’ll tell you about corruption, sonny!” The old man glared into the flames in the fireplace and trembled all over, biting so hard on the stem of his pipe that it crackled once, sharply, like the fireplace logs. You could tell by the way he held up the stem and looked at it, it would never be the same. The house was half dark. He never used lights, partly from poverty, partly from a deep-down miserliness. Like all his neighbors on Prospect Mountain — like all his neighbors from the Massachusetts line clear to Canada, come to that — he was, even at his most generous, frugal. There was little in this world he considered worth buying. That was one reason that in the darkness behind him the television gaped like a black place where once a front tooth had hung. He’d taken the twelve gauge shotgun to it, three weeks ago now, for its endless, simpering advertising and, worse yet, its monstrously obscene games of greed, the filth of hell made visible in the world: screaming women, ravenous for refrigerators, automobiles, mink coats, ostrich-feather hats; leering glittering-toothed monsters of ceremonies — for all their pretty smiles, they were vipers upon the earth, those panderers to lust, and their programs were blasphemy and high treason. He couldn’t say much better for the endless, simpering dramas they put on, now indecent, now violent, but in any case an outrage against sense. So he’d loaded the shotgun while the old woman, his sister, sat stupidly grinning into the flickering light — long-nosed, long-chinned, black shadows dancing on the wall behind her — and without a word of warning, he’d blown that TV screen to hell, right back where it come from.

It might’ve been a tragedy. The old woman had shot up three feet into the air and fainted dead away and gone blue all over, and it had taken him close to an hour to revive her with ice-water. Though the TV was hers, the old woman — the puffy widowed sister who’d come here to live with him, now that her money’d run out — hadn’t been so brave or so crackers as to try and get another. She’d dropped hints in that direction two, three times, maybe more, and so did all her friends when they stopped in and visited, chattering like magpies, their eyes lighted up like they had fire inside, but they’d never dared pursue it. He was a man of fierce opinions, meaner than pussley broth, a whole lot meaner than those bees he kept — he ought to be locked in the insane asylum — so his sister maintained, shaking like a leaf. But he’d known her all his life: the shaking was pure cunning. He’d told her right off, first minute she’d moved in, that if she wanted TV she could watch it in the shed with the tractor.

He’d been generous enough in every other respect, or so it seemed to him. He’d even been willing to hole up in his room like some drunken hired man out of the County Home when she had friends in — old Estelle Parks, who’d taught school many years ago and played “Smoke Gets in Your Eyes” and “The Beautiful Lady in Blue” on the piano, or old Ruth Thomas, who’d been forty-some years a librarian. He’d done plenty for his sister, had walked his mile and a half and then some. But he had, like any man, his limit, and the limit was TV. God made the world to be looked at head on, and let a bear live in the woodshed, he’d soon have your bed. It was a matter of plain right and wrong, that was all. The Devil finds work for empty heads. “Did God give the world His Holy Word in television pictures?” he’d asked her, leering. “No sir,” he’d answered himself, “used print!” “Next thing,” she said, “you’ll tell me we should only read words if they’re carved on rocks.” She had a crafty tongue, no use denying it. Might’ve been a preacher or a Congressman, if the Lord in His infinite wisdom hadn’t seen fit to send her down as a female, to minimize the risk. He’d told her that, once. She’d preached him a sermon off television about the Equal Rights Amendment. He’d been amazed by all she said — shocked and flabbergasted, though he knew from magazines that there were people who believed such foolishness. “Why, a woman ain’t even completely human,” he’d said to her. “Look how weak they are! Look how they cry like little children!” He’d squinted, trying to understand how anyone could’ve missed a thing like that. She’d thought he was joking — he’d never been more serious in his life, Lord knows — and gradually he’d realized, his amazement increasing, that they might as well be talking different languages, he might as well be trying to hold conference with a horse. She’d seemed as astonished by it all as he was, so astonished to discover what he thought that he almost came to doubt it.