John Gardner - Never send flowers

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When an officer of the British Security Service is murdered in Switzerland, James Bond becomes involved in a deadly game of hide and seek. He follows a sinister shadow across the world, from Athens to Milan, Singapore, the USA and ultimately to EuroDisney. By the author of "Death is Forever".
From Publishers Weekly
This sketchy detective story requires a knowledge of James Bond movies rather than Ian Fleming novels, which may explain why it reads like a rough draft for a screenplay. In Gardner's 12th 007 book (after Death Is Forever ), the ageless agent from Her Majesty's Secret Service is sent to Switzerland to investigate the murder of MI5 operative Laura March. Teaming up with Swiss agent Flica von Gruss, he discovers that March's brother was a serial killer and that her ex-lover was legendary English actor David Dragonpol, now retired and living in a fairy-tale castle on the Rhine. Dragonpol's sister, Maeve Horton, proves to be the link between March's death and four recent assassinations; a Bleeding Heart rose bred by Horton appeared at the funeral of each of the victims, March included. Bond and von Gruss pursue the case to Dragonpol's castle in Germany, where the usual fiendish plot is uncovered and ultimately resolved in the traditional Bond manner. This light, entertaining read doesn't pretend to be anything more than another episode in what has turned into a never-ending adventure. 
From Kirkus Reviews
Like Pentagon dinosaurs laboring to adapt to a new world order by finding telltale traces of the old in every dark shadow, Gardner's reincarnation of James Bond examines a string of serial killings and finds a freelance terrorist just as dangerous as his old adversaries from SMERSH and SPECTRE. Bond's called in when MI5 agent Laura March is killed at Interlaken. Going through the things in her hotel room, he and Flicka Von Grsse, his leggy opposite number from Swiss Intelligence, find a disturbing letter from Laura to her late brother, a serial beheader of blonds, and fax a copy back to M. While they're coupling in Bond's room, the letter itself is stolen, and M, citing the ``grave moral scandal'' (so much for updating Bond's morality), ostensibly removes Bond from duty. Back in England for Laura's funeral, Bond notices a bizarre floral tribute--a red-tipped white rose--linking Laura's death to four other recent assassinations, and to the flower's only breeder: Maeve Horton, sister of Laura's onetime fianc‚, distinguished actor David Dragonpol. There follow the requisite scenes of tourist-trap mayhem--at Schloss Drache, Dragonpol's Alpine aerie, atop the roof of the Duomo in Milan, and at EuroDisney, where the murderer has planned one last, ultra-high-profile strike--but Gardner's lack of conviction reduces everything to retro-fluff. Bond really isn't cut out for the work of tracking down serial killers, even the ones whose targets include Yasir Arafat and Kiri Te Kanawa. As Gardner struggles to update the perils his superstar hero faces, Bond himself remains the biggest anachronism of all.  

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Quick, come and look." He ran up the big stairs, through the bedroom to the bathroom where she stood, in the dark, on tiptoe peering out of the window.

`He said nobody could use the tower. That it was unsafe." Bond swore under his breath. Looking out across the low roof, they had the same clear picture of the tower they had seen in daylight, only now, in the pitch darkness of a moonless night, the whole structure was illuminated from within, its huge clear windows lit up from top to bottom. Behind the windows figures moved people ran and gestured.

`Let's get out now, Flick. Something's really screwed up here." Quickly they went back to the sitting-room, and Bond was reaching out for the elevator button when suddenly they heard the clunk and whine of the machinery. The cage was on its way up.

`Stand back, Flick. Get to one side." The cage stopped and the doors opened.

`Mr Dragonpol is sorry for this intrusion, but he needs to see you now, quickly, in the library." Lester stepped into the room. In his right hand he carried a Colt .45 automatic. The safety was off, and he held the weapon like someone who was used to handling these things.

`He says now! He needs you in a hurry!" The wicked eye of the pistol moved slightly, beckoning them into the cage.

CHAPTER TWELVE

THE TIME MACHINE

`Do you think we should take our luggage with us?" Bond spoke as though oblivious to the big automatic with which Lester was still gesturing.

`I hardly think that would be appropriate, sir." Even with the pistol, Lester retained the snobbish servility of the complete English butler.

As he asked about the luggage, Bond turned slightly, reaching down as if to pick up his garment bag. Now, frozen, with his hand on the bag, he gave a small shrug, as though acquiescing to Lester's suggestion. Then, in a blur, his fingers curved around the handle, lifting the bag and flinging it, with all his strength, straight at Lester's groin.

He heard the man grunt loudly in pain, beginning to double over, but his right hand came up and Bond saw that the big automatic was still very steady, with Lester's finger moving on the trigger.

Then, Fredericka moved. It was the first time he had seen her do anything violent. She closed on Lester, coming face to face, body to body, with him, slamming her left arm over his right with great force, crushing it against her raised left knee.

Lester's arm snapped audibly and there was a double cry of pain as her knee swivelled, crashing into the unhappy man's groin. The pistol clattered to the ground, followed by its owner who did not know which part of his body to clutch with his one good arm.

Fredericka kicked the pistol back into the room, leaned over and delivered a fierce chop to Lester's neck. The screaming stopped, he fell sideways and was still.

`You killed him, Flick?" Bond, very impressed, tried to sound calm as he scooped up the Colt.

`I hope not." She prodded the body lightly with her toe, and Lester moved, groaning.

`Better truss him up." Bond was down on one knee, fumbling for the butler's braces. They pulled the tail coat from his shoulders and the pain made him stir and begin to regain consciousness. Fredericka chopped him again on the neck, anaesthetizing him once more as they fastened his hands tightly with a handkerchief, then tied his ankles with the braces, stretching the elastic back and securing it around his bound hands. Finally he was gagged with a scarf, which Fredericka pulled from her own bag.

`He's going to try and make a lot of noise when he finally comes out of it." She even smiled a shade sadistically, he thought. `That arm's going to give him gyp, as my mother used to say." `You always as vicious as this, Flick?" `Only when I don't like someone." She gave him an angelic smile. For the first time, he realized how very well trained she was. If, at that moment, he had been allowed to pick a permanent partner from any of the major intelligence services, he knew that she would be his first choice. She was decisive, tough and uncompromising all the qualities someone in Bond's job looked for in a partner.

`I think we should go,' she said, pulling her own bag into the lift cage.

`Luggage and all?" `Well, I'm not leaving any of my personal belongings behind. Not in this place." He dumped his bag beside hers, checked the Colt .45 and pressed the `down' button. As the lift whined towards the ground floor, they were aware of more light than they had previously seen in the castle, and when the doors opened, the quiet, somewhat creepy calm they had become used to appeared to have gone for ever. There were shouts and noises coming from the main body of the building, echoing and fading-the thud of footsteps, and, from somewhere, music filtering in and out of the sounds which seemed to be all around them. These noises, and the reverberation of loud voices, had changed Schloss Drache into a Tower of Babel.

`This way, I think." Instead of heading straight down the corridor, Fredericka turned right, then right again to where the passage continued towards what they both knew could only be the castle's east side.

Finally, they reached a dead end, and a heavy door. She shrugged at Bond, who nodded and turned the doorknob. Light, even more brilliant than before, flooded out at them.

They were in a massive stairwell. The light was unnaturally bright, while the cacophony of sounds became louder, enveloping every corner of the building.

`I always hate it in those movies when people trying to escape go upwards and get cornered on the roof,' Fredericka whispered.

`There's nowhere else to go but up, except right to the centre of things and I don't want to come face to face with the Dragonfly and his rose-growing sister. This way we might at least get a look at the forbidden tower." Eventually they reached a long wide landing which seemed to run across the width of the castle interior, and turned at right angles at each end.

Facing them was a pair of oak double doors. The noise seemed to rise and fall: voices, chanting, conversation, mixed with music, as though the castle had suddenly become inhabited by an invading army of ghosts. If he had believed in the supernatural, Bond would have thought they were in the middle of some terrifying haunting.

He was about to put his hand on the doors when they heard Dragonpol's voice, clear and coming from the right and below them, rising above the rest of the clamour. Quietly Fredericka put down her case, and Bond leaned his garment bag against it.

Softly they moved, clinging to the wall. At the turn they stopped, inching their way out and along the passage.

From this end they could see that, just as the corridor ran for the width of the castle, it also she gasped.

disappeared almost out of sight along what had to be the length of the building. Only in the centre did it angle back into the square U shape, with a balustrade. Dragonpol's voice was coming from below a balcony which looked down on to a hallway, or room, at the castle front.

`I can't wait,' he was saying loudly. `Where's that fool Lester and the two meddlers?" Then he began to shout. `Hort! Hort! Where the hell's she got to? Surely it can't be taking her all this time?

Charles!" `She's just coming in." It was Charles' voice close and below. `Here!" he shouted.

`Hort? How many this time?" She was out of breath. `Three `Only three." `You're certain?" `Absolutely, and you have the key map.

There's still three too many." `I know it, and I'd better get going.

The rest of you Charles, William-get hold of Lester. Keep our guests safe. I want no stupidness. Just keep them here. Don't hurt them unless it's absolutely necessary.

They heard his footsteps thudding away into the distance.

`I'm glad he doesn't want to hurt us,' Fredericka whispered.

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