John Gardner - Never send flowers

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When an officer of the British Security Service is murdered in Switzerland, James Bond becomes involved in a deadly game of hide and seek. He follows a sinister shadow across the world, from Athens to Milan, Singapore, the USA and ultimately to EuroDisney. By the author of "Death is Forever".
From Publishers Weekly
This sketchy detective story requires a knowledge of James Bond movies rather than Ian Fleming novels, which may explain why it reads like a rough draft for a screenplay. In Gardner's 12th 007 book (after Death Is Forever ), the ageless agent from Her Majesty's Secret Service is sent to Switzerland to investigate the murder of MI5 operative Laura March. Teaming up with Swiss agent Flica von Gruss, he discovers that March's brother was a serial killer and that her ex-lover was legendary English actor David Dragonpol, now retired and living in a fairy-tale castle on the Rhine. Dragonpol's sister, Maeve Horton, proves to be the link between March's death and four recent assassinations; a Bleeding Heart rose bred by Horton appeared at the funeral of each of the victims, March included. Bond and von Gruss pursue the case to Dragonpol's castle in Germany, where the usual fiendish plot is uncovered and ultimately resolved in the traditional Bond manner. This light, entertaining read doesn't pretend to be anything more than another episode in what has turned into a never-ending adventure. 
From Kirkus Reviews
Like Pentagon dinosaurs laboring to adapt to a new world order by finding telltale traces of the old in every dark shadow, Gardner's reincarnation of James Bond examines a string of serial killings and finds a freelance terrorist just as dangerous as his old adversaries from SMERSH and SPECTRE. Bond's called in when MI5 agent Laura March is killed at Interlaken. Going through the things in her hotel room, he and Flicka Von Grsse, his leggy opposite number from Swiss Intelligence, find a disturbing letter from Laura to her late brother, a serial beheader of blonds, and fax a copy back to M. While they're coupling in Bond's room, the letter itself is stolen, and M, citing the ``grave moral scandal'' (so much for updating Bond's morality), ostensibly removes Bond from duty. Back in England for Laura's funeral, Bond notices a bizarre floral tribute--a red-tipped white rose--linking Laura's death to four other recent assassinations, and to the flower's only breeder: Maeve Horton, sister of Laura's onetime fianc‚, distinguished actor David Dragonpol. There follow the requisite scenes of tourist-trap mayhem--at Schloss Drache, Dragonpol's Alpine aerie, atop the roof of the Duomo in Milan, and at EuroDisney, where the murderer has planned one last, ultra-high-profile strike--but Gardner's lack of conviction reduces everything to retro-fluff. Bond really isn't cut out for the work of tracking down serial killers, even the ones whose targets include Yasir Arafat and Kiri Te Kanawa. As Gardner struggles to update the perils his superstar hero faces, Bond himself remains the biggest anachronism of all.  

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`Just what I wanted to hear,' he told the caller. `I owe you one.

`And I'll collect. The Washington contact closed the line, and drove back to the house in Arlington where his friend from the Pentagon waited patiently she was a G3, twenty-eight years old and with the greatest legs this side of New York.

Bond then dialled a number in Chalfont St Giles, greeting an old friend he had not seen for almost two years. After the usual pleasantries, the talk turned to the growing of hybrid roses. The conversation lasted for almost thirty minutes.

Only when he had finished talking on the phone, did he call Fredericka from where she was reading a paperback in the bedroom.

`So, Sherlock,' she dropped gracefully on to the big leather couch. `Have you found the secret of life and death?" `Enough to tie a few knots together, and enough to put at least one name in the frame, as they say on those TV police dramas. Look. ` He came over and sat close beside her, the four files on his lap.

`When it comes to murder or assassination, one of the standard procedures as you must know is the general surveillance of those who come to the victim's funeral. There were people from both my service and the Security Service there today. You saw the MIS couple, my guys were not so obvious, but they were around. Again, as you know, the job is to identify everyone who comes to pay their respects, and, when it's all over, someone else usually goes through the so-called floral tributes.

Notes are kept regarding the messages, and then the sources are tracked down if necessary. That's straightforward stuff as far as the police, and the security and intelligence services are concerned.

`Of course. Yes, it's standard." `You saw that hybrid rose. Odd.

I've never seen anything quite so perfect. The petals all seemed identical, and the blood-red tips could have been painted on, they were so symmetrical. Then there was the message which would strike the dimmest probationary detective as odd.

"`This is the way it must end. Goodbye,"' she muttered, almost under her breath. `Sure, a murderer's message, perhaps? Or a bit of sentiment..

`No, you were right the first time. Those four assassinations which took place last week, just before Laura was killed. -`Yes?" `Would it surprise you that the same hybrid rose, with the same message, turned up at each of the funerals? The General in Rome; our MP, here in London; old Pavel in Paris, and the CIA man, Fish, in Washington. In the case of the MP, Shaw, and the Russian, it was made clear that there should be no flowers, yet the rose turned up at each interment..

`And the same message? Exactly the same message?" `Exactly. Word for word, and nobody has been able to trace the source. They simply appeared at the graveside, or the crematoriums, as if by magic.

There is one tiny clue and it doesn't mean much.

In Paris, the undertaker saw a young boy thirteen or fourteen years old hanging around the graveside before the service. Again, in Washington, there was a schoolgirl, early teens, seen in the funeral home, looking at the flowers." `Kids paid to drop off the rose?" `That's what I would go for.

`And the message was exactly the same yes, I asked before.

`Word for word. A calling card left by the killer, or killers.

It's like a terrorist group claiming responsibility. Someone, or some organization, is telling us that, not only did they murder Laura, but also the four high-profile people as well." `And the rose? I heard you talking to some expert about roses." He paused, closing the files, and piling them neatly on his knees. `That's the most interesting piece of information. The man I spoke to is probably the world's greatest expert on roses. He's responsible for at least twelve new varieties himself, and what he doesn't know about other growers could be written on a pin head.

`He gave you a name? It's a well-known rose?" `Not well known, but he knows of one person who's been experimenting with a white rose bearing blood-red tips on each petal. As far as he's aware, the person concerned has not actually pulled it off. He told me that one was exhibited at a show last year and it came very near to the perfection the grower is seeking. It was named Bleeding Heart, and he actually spoke to the grower who said she thought the perfect specimen would be ready in a year or two.

`Someone we know?" `Someone we're going to know. A widow, aged forty-one, by the name of Maeve Horton. Maeve Horton, the younger sister of David Dragonpol.

Maeve Horton who lives with her brother in his castle, Schloss Drache, on the banks of the Rhine.

Maeve Horton, sister to David Dragonpol who, if we believe that letter we found, was "brother and dear dead lover" to Laura March." `So we pay a call on David Dragonpol and his sister?" `You bet we do." He worked the phones again for a couple of hours, first checking flights, making bookings and car reservations; then trying his many official contacts, winkling out a telephone number for Dragonpol at Schloss Drache. By midnight everything was in place.

On the Thursday morning, they flew to Bonn, took delivery of the rental BMW and began the long drive down the Rhine to Andernach where they spent the night, and part of Friday morning at the delightful Villa am Rhine. It was from their suite at this hotel that Bond used the telephone number which he was told would get him in touch with Dragonpol.

The telephone was answered by a woman who spoke fluent German with an atrocious British accent, so he launched straight into English.

`Mrs Horton? Is that Mrs Horton?" `Yes, who's this?" She had a low, very calm voice and sounded as though she was the kind of woman who expected bad news every time the telephone rang.

`You won't know me, Mrs Horton. My name's Bond. James Bond, and I really need to speak with your brother, Mr Dragonpol. Is he available?" She started to speak, then stopped and waited for a moment in silence. Bond had the impression she was not alone. Then: `What's it about, Mr Boned?" `Bond,' he corrected. `I'm a representative of a British government agency. I have my opposite number from Switzerland with me, and we really do have to speak with Mr Dragonpol if it's convenient. If not, we will wait, of course, but I personally feel it would be best to get this over and done with as quickly as possible." He let the words sink in, and felt that she had probably put her hand over the receiver and was talking to someone else.

Then that familiar voice, known throughout the world, spoke into his ear. `Mr Bond? This is David Dragonpol." The voice was unmistakable, and the man's face came straight to mind as soon as he spoke: calm, firm and with an authority you could feel even on the telephone.

`I'm very sorry to trouble you, sir, but this really is quite important.

`You're from a British government agency, my sister tells me, so \hat means you want to talk to me about Laura... He left the end of the sentence unsaid, as though calculating that Bond would fill in the gaps. It was very theatrical.

`Yes, sir. It won't take long, I..

`I understand, yes. I suppose I've been waiting for someone to arrive on my doorstep. Can you come over today?" `This afternoon if that's convenient, Mr Dragonpol.

`Of course. Look, why don't you stay for the night? We can talk.

I'd welcome talking to someone else about this whole terrible business.

Have dinner with us, then, perhaps I can show you around Schloss Drache. If you have the slightest interest in the theatre or any of the performing arts, you're in for a very pleasant surprise.

`It's very kind of you, sir, but well, there are two of us. .

`Yourself and.. ?` `Fraulein von Grusse, from Switzerland. As I said to Mrs Horton, she's my opposite number, so to speak." They made arrangements. Dragonpol gave him directions to follow what he considered the best route: `The most scenic route anyway, the most dramatic, for you first see Schloss Drache from above.

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