David Durham - Pride of Carthage

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Pride of Carthage: краткое содержание, описание и аннотация

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“Durham vividly captures the frenzy of ancient warfare. . . . A skillfully structured, gripping novel – “Masterly. . . . First-rate historical fiction. Durham has delivered some of the best battle scenes on the page since Michael Shaara’s Civil War fiction.” – “Stunning. . . . A brilliant exploration of the tension between private destiny and historical force.” -- “Fascinating. . . . Nimbly exploits what is known about this distant period. . . . The author has speculated and invented optimally.” — “An extraordinary achievement: Durham puts flesh on the bones of Carthage in a way that no novelist has done since Flaubert wrote
.”—Tom Holland, author of “
is that rare and wonderful thing: an historical novel that’s not only deeply evocative of time and place, character and situation, but is also lyrically written, compellingly composed. I savored each page while ever more breathless as the story unfolded. Durham has broken the mold of historical fiction and created a masterpiece.”—Jeffrey Lent, author of
and “Durham leaps continents and centuries to tell the epic story of Hannibal and his march on Rome in this heady, richly textured novel. . . . The novel’s grand sweep is balanced by intimate portraits of Hannibal, his family, his allies and his enemies. . . . Durham weaves abundant psychological, military, and political detail into this vivid account of one of the most romanticized periods of history.”—
(starred review)
“Durham has reimagined this vanished world in stunningly precise detail, and his lucid explanations of the give-and-take of military decision-making help ...
From Publishers Weekly
Known for his novels of African-American life in 19th-century America (
;
), Durham leaps continents and centuries to tell the epic story of Hannibal and his march on Rome in this heady, richly textured novel. After Hannibal assumes command of the Carthaginian army in Spain and conquers the Roman city of Saguntum, Carthage refuses to accept Rome's demand that it abandon the city, precipitating the Second Punic War. In 218 B.C., Hannibal begins his daring march toward Rome, leading an army of upward of 100,000—complete with elephants and cavalry—over the Pyrenees, across the Rhône and through the snowcapped Alps. Ill prepared for the frigid weather, pummeled by avalanches and harassed by Celtic tribes, the army arrives in Italy reduced to perhaps 30,000. Against all odds, Hannibal brings his soldiers through the tortuous marshes of the Arno, and traps and massacres a large Roman force at Lake Trasimene and again at Cannae. The novel's grand sweep is balanced by intimate portraits of Hannibal, his family, his allies and his enemies, as well as by the stories of two humble characters: Imco Vaca, a soldier, and Aradna, a camp follower, who meet and fall in love as the saga moves inexorably toward an account of the beheading of Hannibal's brother and Hannibal's eventual defeat at the gates of Rome. Durham weaves abundant psychological, military and political detail into this vivid account of one of the most romanticized periods of history.

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Mago saw the infantryman he wanted from a hundred strides out and homed in on him. He took the man with a swinging blow that cut his neck to the spine. A warm spray of blood coated Mago's clenched fist at the sword hilt and splashed up his arm. The man never knew what hit him. Nor was he alone. Mago's group drove into the side of the legions like famished locusts, stepping over the bodies they had slain to get to more. The legionaries in the center could not yet have known what had happened, but they must have felt the shifting press of the men on both sides of them and with it the first hints of panic. Their forward progress ground to a halt. Instead of slicing through unarmored Gauls, the front ranks were now toe to toe with the spears of the Libyan veterans, soldiers fresh from the fires, well oiled and salivating for Roman blood and urged on by Bomilcar, whose voice boomed above the din.

For Mago, the battle lasted no more than a few blurred moments. His arms lashed and thrust, his legs stepped over bodies, his ankles stiffened to steady him on the earth or on the abdomens or backs or necks of those beneath him. He turned and ducked and screamed at the top of his lungs, all at a speed beyond thought. A primal fury took hold of him completely and rendered him, for a few moments, a furious agent of death. He would remember afterward that he sliced open the unprotected belly of a velite with a right-handed stroke. On some impulse previously unknown to him, he punched a fist into the man's abdomen and ripped out the warm, steaming loops of viscera. He flicked them from his fingers and pushed the man from his path and carried on. He would later find images like this troubling, but in the heat of those short moments he was his father's son and Hannibal's brother, gifted at death, fighting not with his deliberative mind but with pure instinct.

He was among the first to drive the Romans into the river. He felt the euphoria of blood but the work was no clear rout. The Romans managed some order in their retreat. He was ankle deep in the crimson water when he realized Hannibal had called the battle to a halt. He stood panting, watching the remnants of the legions retreat behind the screen of falling sleet, which was turning gradually to snow. When he turned and looked upon the carnage, it took his breath away, not in elation or even relief. He knelt as if to pray and, thus disguised, spat chunks of his breakfast into the river.

His first true battle was behind him.

Waiting in the dank cell in Emporiae, Hanno had hour after slow hour to think about the mistakes that had led to his capture. But he did not consider the tactical maneuvers that Gnaeus Scipio had so easily countered. Instead he could not shake the memory of his hands' trembling in the hours leading up to the battle. He had first felt it as he lay awake in the predawn hours. He knew something was wrong with his hands, although he could not tell what. They alternately felt as if they were being pricked by thousands of tiny needles, or as if they crawled with ants, or as if they had been submerged in icy water and had turned blue with cold. He slid them under his buttocks and stilled them with the weight and warmth of his body, but after he rose the tremble continued, gaining strength.

At his meeting with his generals he tried to disguise the trouble, but they clearly noticed that he did not reach for the charts offered him, that he had one of them draw out the lay of the land with a stick instead of doing it himself, that he sat with his hands wedged between his knees. After he dismissed them, he stayed inside his tent and banged his hands against the table before him. This changed nothing. He bashed them on the hard floor of his tent. He sat on them, his mind roiling with fury that his own body spurned him so. None of these methods changed anything, and as he rode out to battle he could only still his hands by making sure they were always clenched on something: his helmet, the creases of his breastplate, the hilt of his sword, which he prayed would be drenched with Roman blood before the day waned.

This, however, was not to be. He knew it from the moment he saw the Romans on the field before him. The battle was a blundering fiasco. He tried to push it from his mind, unsure how he could even learn from such a jumbled collage of images, none of them making any sense, none offering him any alternative to help him escape the outcome. It was as if he had looked over a game board and made the move of ordering his men forward, only to discover that he had already fallen into some classic mistake—recognized immediately by his opponent—and that nothing now could avert his failure. He lost his entire army of ten thousand. Most of them were killed. Many were captured. He could not even be sure how many, because he himself was seized. His guards fought to the death with the swarm of Romans that surrounded him. But when he tried to goad them into murdering him they would not. Instead they worked toward him slowly, in vast numbers, pressing in on him from behind their shields until he was so boxed in that he could not even move. They disarmed him and bound him and kicked him before them in stumbling indignity, a prisoner, a Barca in chains, denied even a mount, so that he eventually entered Emporiae as an amusement for the astonished faces of the Greek townspeople. He would so very much rather have died.

Instead he found himself shoved into a tiny subterranean room, dim and wet from groundwater and frequented by rats. Holes the size of a man's fist lined the upper wall along one side. Through them torchlight from the hallway shone into the cell, casting shadow and highlight across the aged wooden beams that supported the roof. This was all that illuminated the chamber, but Hanno's eyes quickly adjusted. The four walls were carved from a whitish stone, roughly, as if the chamber had been intended for storage, not human habitation. He felt the chalkiness of the stone in the back of his throat. The film of it stuck to his skin. The chill seeped into him slowly, as if the longer he sat the more he himself took on the quality, texture, and substance of the stone. Once deposited here, he was left alone, passing time that he could only estimate by the movements of the guards outside his door, their rotations of duty, and the occasional meals they slipped under the door for him. His hands no longer trembled. They were still, stiff, and aching. Whatever fear he had held in them plagued him no more. This galled him nearly as much as their shaking had.

What type of place was this to keep someone of his stature? He realized that he had no idea what to expect from these Romans. They might treat him with dignity if it suited them, as Hannibal instructed his generals to do with prisoners of note. They might make overtures to Carthage, using him as a negotiating point. But nothing in their behavior so far made dignified treatment seem likely. The Romans were likely ignorant of Hannibal's policies on dealing with prisoners. If they remembered anything, it would be the atrocities of the earlier war between the two nations, when barbarity had reached its zenith. In truth, there were no shared traditions that his captors were obliged to uphold. If they wished, they could peel the skin from his living body and douse him in vinegar and take pleasure commensurate with his pain. He simply could not predict the course ahead of him. Being hit by the full force of this reality, he recognized the truth beneath it: He had never had control of his own destiny; never had the future been certain. So in this piece of knowledge, at least, he exceeded Hannibal in wisdom.

For all of the foulness of the cell and the possible tortures awaiting him, what troubled him most was more mundane. There was no latrine in the cell, neither a hole nor a sewage channel nor any space designated for the purpose. For the first six days he would not squat to relieve himself. He ate nothing and drank water sparingly. He swore that he would not shit until the Romans offered him a proper toilet of their own accord. This they did not do. By the third day he had to clench his buttocks tight. On the fourth day he focused in on the muscles right around his anus and scrunched them to fight the rhythmic churning power of his bowels.

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