David Durham - Pride of Carthage

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“Durham vividly captures the frenzy of ancient warfare. . . . A skillfully structured, gripping novel – “Masterly. . . . First-rate historical fiction. Durham has delivered some of the best battle scenes on the page since Michael Shaara’s Civil War fiction.” – “Stunning. . . . A brilliant exploration of the tension between private destiny and historical force.” -- “Fascinating. . . . Nimbly exploits what is known about this distant period. . . . The author has speculated and invented optimally.” — “An extraordinary achievement: Durham puts flesh on the bones of Carthage in a way that no novelist has done since Flaubert wrote
.”—Tom Holland, author of “
is that rare and wonderful thing: an historical novel that’s not only deeply evocative of time and place, character and situation, but is also lyrically written, compellingly composed. I savored each page while ever more breathless as the story unfolded. Durham has broken the mold of historical fiction and created a masterpiece.”—Jeffrey Lent, author of
and “Durham leaps continents and centuries to tell the epic story of Hannibal and his march on Rome in this heady, richly textured novel. . . . The novel’s grand sweep is balanced by intimate portraits of Hannibal, his family, his allies and his enemies. . . . Durham weaves abundant psychological, military, and political detail into this vivid account of one of the most romanticized periods of history.”—
(starred review)
“Durham has reimagined this vanished world in stunningly precise detail, and his lucid explanations of the give-and-take of military decision-making help ...
From Publishers Weekly
Known for his novels of African-American life in 19th-century America (
;
), Durham leaps continents and centuries to tell the epic story of Hannibal and his march on Rome in this heady, richly textured novel. After Hannibal assumes command of the Carthaginian army in Spain and conquers the Roman city of Saguntum, Carthage refuses to accept Rome's demand that it abandon the city, precipitating the Second Punic War. In 218 B.C., Hannibal begins his daring march toward Rome, leading an army of upward of 100,000—complete with elephants and cavalry—over the Pyrenees, across the Rhône and through the snowcapped Alps. Ill prepared for the frigid weather, pummeled by avalanches and harassed by Celtic tribes, the army arrives in Italy reduced to perhaps 30,000. Against all odds, Hannibal brings his soldiers through the tortuous marshes of the Arno, and traps and massacres a large Roman force at Lake Trasimene and again at Cannae. The novel's grand sweep is balanced by intimate portraits of Hannibal, his family, his allies and his enemies, as well as by the stories of two humble characters: Imco Vaca, a soldier, and Aradna, a camp follower, who meet and fall in love as the saga moves inexorably toward an account of the beheading of Hannibal's brother and Hannibal's eventual defeat at the gates of Rome. Durham weaves abundant psychological, military and political detail into this vivid account of one of the most romanticized periods of history.

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He spent twelve years as a slave to Rome, sold from one master to another three times before finding a permanent place with a traveling merchant of middling wealth. In those twelve years he had lived a lifetime that almost negated the years before. Almost, but not quite. That was why he grasped for freedom several times, finally achieving it one night not far from Brundisium. He had escaped with a pouch full of coins that the drunken man foolishly left resting in his open palm. He used them to pay for a single, extortionately priced passage to Africa.

In his homeland nothing was the same, neither in the sights he saw nor in him, who perceived them. There was no one left to call family. Tusselo found a miserable cluster of hovels more like a leper colony than the thriving town of his birth. He sat down on a hill facing north and looked out on the grassy plains and ragged woodland that flowed toward the sea. It was a beautiful country. It had a largeness different from the land of his enslavement. It pained him that he had to think of that place so often, and yet he could not stop. Every memory his homeland brought to mind had at its back the shadow of how slavery had destroyed it. He had hoped that his hard-won freedom would end some portion of his suffering, but this was not the case. He had been robbed of so many things—how completely, he understood only as he gazed out across a land that pained him with memories and offered no solace. He was an exile in his own country: that was why he had left it to join Hannibal. And it only seemed right that the journey he embarked on should aim back to Italy.

On the day that Tusselo spotted that lone rider near Saguntum—after tracking Hannibal's army on foot—he had not been atop a horse in thirteen years. Nor had he immediately remedied this. He spent months at Saguntum as little more than a laborer, accepting whatever task fell to him. He worked with a more reverent obedience than he had ever shown a master, and he kept always in the company of his countrymen, remembering their ways. He stayed with the victorious army when it returned to New Carthage, and he made sure his desire to mount and fight again was well known.

It had been his master's custom to keep all of his slaves' heads shaven. As he was a slave no longer, Tusselo freed his hair to run its course. He did not remember when he stopped dragging the honed edge of his knife over his scalp, but his hair soon grew long enough that he could take fingerfuls of the curly stuff and twirl them into matted locks. He rarely caught sight of his own reflection—it had never before mattered to him—but now he took to pausing and studying himself in still pools of water, in the circlets of pounded metal shields, or in the dull reflection on the flat of his knife. He took some joy in what he saw. It was a different self than he had known for some time, an earlier incarnation. His hair was black, thick. It sprang from his head with pent-up aggression, as unruly as Medusa's crown of snakes and no less impressive. It framed his face and gave his features a new completion, a solidity, a strong Africanness that he welcomed. Perhaps that was why his master had shaved him, to deprive him of these things and to leave him ever a stranger to his own reflection, so that he would forget himself and remember only the slave. No longer. He had his hair back, and in midwinter he also regained his identity as a horseman.

The day he was assigned a mount he stood weak-kneed, his throat tight and fingertips tingling. The army horses were Iberian mostly, pulled in from a variety of tribes and regions of the country, schooled by different techniques from African mounts, and all with varying perceptions of their role in relation to man. They were somewhat larger than the fleet-footed creatures of North Africa, in a myriad of colors and temperaments, with a wild energy that flared up as Massylii riders cut individuals from the herd to examine them more closely. It was a wonder to watch and Tusselo, having lived many of his years away from his homeland, was struck with awe at the horsecraft he had been born into.

The Numidians cinched their legs around their horses' backs and spoke to them. They sent signals through touch, sometimes with a stick, but often with their fingers. They shifted their body weight accordingly and flapped their arms from their shoulders as if this motion translated into speed in the horses' hooves and called sudden, surprise maneuvers. The mounts seemed to understand them completely and to take joy at slicing through the Iberian horses, dividing them and circling and dizzying them till the Iberians stood dazzled. Tusselo remembered it now, but he had seen no such skill during the years he spent in exile. It almost shamed him to have gotten so used to how Romans handled horses, with no art, no joy but simply mastery of man over beast.

When his turn came to receive a mount he did not hesitate to take it. He had to move with confidence, he knew, for these men would spot any awkwardness as a lioness sees weakness in her prey. He approached the horse from the side, one arm flat against him and the other raised just slightly, fingertips extended as if he were brushing them across stalks of tall grass. And yet there was no guile in his approach, no stealth. He walked toward the horse as if to do so were the most natural thing in the world. He spoke words of encouragement to her, not shy, but like one friend to another on meeting again.

Before she knew it, he was beside her. And as she cocked her head to follow him he leaped, a smooth motion that somehow draped him over her back as a blanket might fall. He wrapped his arms around her and spread his weight across her and continued his string of words. He had thought that gladness was a thing of the past for him, and perhaps this was so, but there was something stirring in him now and it was not the slow simmering he had carried for so many years. He knew already that he could be nearly his whole self with this horse. Astride her, he could again learn to ride like a whirlwind. He could again belong to a people and fight with a purpose. This horse would never question his manhood, would never taunt him for the damage done to him by his old master. And that was a great blessing. In return he would be kind to her, and feed her well, and not ride her too hard, and lead her only into sensible battle. Together they would see wondrous things. No portion of the earth would hold either of them in bondage. These were some of the things he told her, and, Iberian though she was, she soon calmed to listen.

As his mare was not versed in the Massylii manner of riding, the headman of the cavalry gave Tusselo leave to train her, to care for her as his own. He had seen all he needed to in Tusselo's actions to confirm he belonged among them. Tusselo rode up into the hills beyond New Carthage that very evening, the horse powerful beneath him, her hooves pounding the earth and tearing up divots, the speed of it intoxicating to one so long cursed to the pace of his own legs.

He stopped the horse on a hill. Behind him, New Carthage smoldered, as cities always do, cloaked in a blanket of haze. To the south the sea swelled and receded against the land. To the west and the north the land rolled away to the horizon. None of it seemed beyond him. He was free for the first real time since his boyhood. And—if the gods had finally chosen to smile upon him—he would soon return to business unfinished in Rome, not alone this time, but with an army.

There are some men whom the gods curse by birth into times of war; there are others for whom this is a blessing. There are some who crave nothing more than chaos, who eat their pain and revel in that of others. Such a man was Monomachus, and such was the gift bestowed upon him that he could daily take the base materials of life and open them to air and search out the root of human emotion and twist it into knots of anguish. It was no secret that he had devoted his military labors to Moloch, the Devourer, but many speculated that he communed with even earlier deities. Some said that he was of Egyptian origins and that he walked the modern world as an incarnation of the lost gods of that aged place. Others said the source of his barbarism could be found within the span of his singular life, if one were bold enough to search for it. Still others refused to speak of him or even utter his name. And a few were loyal to him as to no other and served only under him.

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