David Durham - Pride of Carthage

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“Durham vividly captures the frenzy of ancient warfare. . . . A skillfully structured, gripping novel – “Masterly. . . . First-rate historical fiction. Durham has delivered some of the best battle scenes on the page since Michael Shaara’s Civil War fiction.” – “Stunning. . . . A brilliant exploration of the tension between private destiny and historical force.” -- “Fascinating. . . . Nimbly exploits what is known about this distant period. . . . The author has speculated and invented optimally.” — “An extraordinary achievement: Durham puts flesh on the bones of Carthage in a way that no novelist has done since Flaubert wrote
.”—Tom Holland, author of “
is that rare and wonderful thing: an historical novel that’s not only deeply evocative of time and place, character and situation, but is also lyrically written, compellingly composed. I savored each page while ever more breathless as the story unfolded. Durham has broken the mold of historical fiction and created a masterpiece.”—Jeffrey Lent, author of
and “Durham leaps continents and centuries to tell the epic story of Hannibal and his march on Rome in this heady, richly textured novel. . . . The novel’s grand sweep is balanced by intimate portraits of Hannibal, his family, his allies and his enemies. . . . Durham weaves abundant psychological, military, and political detail into this vivid account of one of the most romanticized periods of history.”—
(starred review)
“Durham has reimagined this vanished world in stunningly precise detail, and his lucid explanations of the give-and-take of military decision-making help ...
From Publishers Weekly
Known for his novels of African-American life in 19th-century America (
;
), Durham leaps continents and centuries to tell the epic story of Hannibal and his march on Rome in this heady, richly textured novel. After Hannibal assumes command of the Carthaginian army in Spain and conquers the Roman city of Saguntum, Carthage refuses to accept Rome's demand that it abandon the city, precipitating the Second Punic War. In 218 B.C., Hannibal begins his daring march toward Rome, leading an army of upward of 100,000—complete with elephants and cavalry—over the Pyrenees, across the Rhône and through the snowcapped Alps. Ill prepared for the frigid weather, pummeled by avalanches and harassed by Celtic tribes, the army arrives in Italy reduced to perhaps 30,000. Against all odds, Hannibal brings his soldiers through the tortuous marshes of the Arno, and traps and massacres a large Roman force at Lake Trasimene and again at Cannae. The novel's grand sweep is balanced by intimate portraits of Hannibal, his family, his allies and his enemies, as well as by the stories of two humble characters: Imco Vaca, a soldier, and Aradna, a camp follower, who meet and fall in love as the saga moves inexorably toward an account of the beheading of Hannibal's brother and Hannibal's eventual defeat at the gates of Rome. Durham weaves abundant psychological, military and political detail into this vivid account of one of the most romanticized periods of history.

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“You make that promise to me ?” Sapanibal asked. “Why not make it to Sophonisba?”

“You'll take the message to her. It's hard for me to look at her now. She utters not a single word of complaint, but that only makes this marriage seem a greater crime.”

Sapanibal had been surprised at what he said next. The words did not seem to fit the image she had of him standing there, an armored warrior ready to ride toward the enemy. He did not soften his erect posture or come any nearer to her, but he had made a confession to her. He said that for all the years he could remember, he had feared Hannibal, feared and envied him. Hannibal had made his life a misery just by being so gifted, so beloved by all who witnessed his deadly grace. But recently this had not mattered to Hanno as much. He had come to believe that they are all put on the earth to be who they are, not to aspire to be anyone else, not to be measured against others at all, but rather weighed on a scale calibrated each to one's own special trials. And if he could make peace with the consul on the terms they had already set forth, then he would have achieved something great of his own.

“Hannibal makes war better than anyone,” he had said, “but perhaps Hanno will find a gift for making peace.”

That was what he had said, what he had thought, felt, hoped. It was madness that a man aspiring to such things died with them undone. He was gone, and she had nothing to take home to present her mother. Nothing that had come from his dead body, no trinket taken from his neck, no locket of hair, no ring.

When she finally looked up—ashen, cheeks sunk, and lips still trembling—Imilce was sitting near at hand. She cradled her legs up to her chest, hugging them into her, with her chin resting on one knee. Sapanibal did not speak to her, but it filled her with affection just to know Imilce was near and that she was not yet totally alone in the world.

They did not travel far that night, just out of sight of Cirta, really; then they cut in and anchored off a fishing village. That evening the crew stripped all distinguishing trappings from the vessel. They furled both the flag of Carthage and the Barca lion. They tossed watered-down excrement onto the sail, for it was far too white to go unnoticed. They pried the golden eyeballs of Yam off the prow and scratched at the face painted there with hooks to make it look old and ill maintained, and they piled fishing nets into heaps at visible points on the deck.

In the dead of night, they lifted anchor and moved on. They tried to go slowly, for the coast was not without dangerous shoals, but they were passing the Roman landing point and had no wish to dally either. Indeed, at first light they spotted an entire fleet of Roman vessels beached along the shore. Hundreds of them. And there were more coming. The captain had thought to pass at half-sail, but spotting several ships moving in from the north, he gave the order to bend all the sails and fly behind the wind. Fortunately, the gods favored them again. They passed unnoticed, or at least without piquing the enemy's interest.

Later that day a Roman quinquereme came upon them at an angle heading toward the shore. The warship passed within shouting distance, a lean craft four times their length. Oars, stacked three rows high and numbering almost three hundred, dipped into the water, sliced up into the air, and splashed back down, all to the beat of a great drum that even from a distance thudded against Sapanibal's temples. The vessel dwarfed theirs completely. It cut the sea into two foaming curls, interrupted by the lifting and submerging of the prow through the waves, an armored prong that looked like the head of an angry whale each time it broke the surface. Had it rammed them it would have splintered their boat into pieces and plowed through them without losing the slightest momentum. But the quinquereme did not turn toward them. It just rowed on, some of the crew peering over long enough to inspect them in passing, uninterested, on other business they deemed more important.

They sailed on into the night, turned the point of Cape Farina the next morning, and steered straight for Carthage across a frothy sea, the glass-clear water whipped into foam by the same wind that carried them home. That afternoon, the captain approached the two women where they sat behind a shelter toward the rear of the boat. He walked steadily, even though the boat heaved with their progress, and he stood before them, body swaying to adjust to the boat's pitching. He did not look at them at first, but just remained nearby, kneading the coarse hairs of his beard with his thick fingers.

“It's ill news that we carry home with us,” he said finally. “It's likely we'll be the first back with word of Hanno's defeat. The Council won't look on this kindly at all. Perhaps you should report the news in your brother's name.”

“You fear they'll kill the messenger?”

He squatted and looked at Sapanibal. His eyes were a remarkable blue, as if they held the sea. “They wouldn't harm you, but me or one of my men?” He pinched the air and flicked his fingers, as if tossing sand into the wind. “Tell them to call Hannibal back, if they haven't done so already. Nothing else can save us now. Without him, Rome will grind us like wheat beneath a millstone . . .”

“Is this the state of Carthaginian manhood?” Sapanibal asked, scornfully. “You ask a woman to do your work, and then despair of the nation in same breath. Have you no pride?”

Under his sunburn the captain flushed, but he answered calmly, so firm in his reasoning that anger was not necessary. “If I speak out of turn, please silence me before I offend. But think of Troy, my lady. Think of Thebes. And there are other cities whose names are no longer spoken. If Rome seeks a pretext to wipe us off the earth they have only to look into the past. Only a fool believes that a victor knows mercy.”

“So you know the future as well as the past? No one yet wears the crown of victory in this war.”

“Just so,” the captain said. “This is why the Council must call Hannibal home. I pray they already have.”

Once the captain rose and moved off Imilce said, “Carthage will not perish. My son's life will never turn on such catastrophe. I must believe this, or lie down and die of grief right now.”

Imilce stopped short, glancing sideways, inhaling through her nose to indicate that perhaps she was being foolish. But in a few moments she lifted her eyes. “Do you love no one, sister?” she asked. “No one who makes you imagine the best of the coming world?”

Sapanibal's first impulse was to answer scornfully. Did the question suggest that she was unlovable? But looking into Imilce's eyes she knew otherwise. They were a wonderfully light gray, flecked with streaks of metallic brilliance, set against a white background almost clear of blemish. They stared at her with such naked kindness that she wanted to reach out and kiss each orb. Why was her instinct always to calculate her place in the world as if in combat? She had to put such thoughts behind her. And how could she have thought herself superior to this woman? Sapanibal knew nothing more than Imilce did. She was no wiser. No stronger. She answered honestly.

“There is a man,” she said.

“Is there? And do you love him truly?”

“I've never told him so,” Sapanibal said, “but perhaps I do. He fills me with fear, but it's not only fear . . .”

“Such is the one cruelty of Tanit,” Imilce said. “She binds together love and loss so that one always lies beneath the skin of the other. But you must tell him. Go to him at the first opportunity. We have so little, Sapanibal. All around us things come and go. People live and die. We kill each other for petty things. We make such a great noise across the world, and why? Who is ever happy because of any of this? Who? Have you ever been happy?”

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