David Durham - Pride of Carthage

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“Durham vividly captures the frenzy of ancient warfare. . . . A skillfully structured, gripping novel – “Masterly. . . . First-rate historical fiction. Durham has delivered some of the best battle scenes on the page since Michael Shaara’s Civil War fiction.” – “Stunning. . . . A brilliant exploration of the tension between private destiny and historical force.” -- “Fascinating. . . . Nimbly exploits what is known about this distant period. . . . The author has speculated and invented optimally.” — “An extraordinary achievement: Durham puts flesh on the bones of Carthage in a way that no novelist has done since Flaubert wrote
.”—Tom Holland, author of “
is that rare and wonderful thing: an historical novel that’s not only deeply evocative of time and place, character and situation, but is also lyrically written, compellingly composed. I savored each page while ever more breathless as the story unfolded. Durham has broken the mold of historical fiction and created a masterpiece.”—Jeffrey Lent, author of
and “Durham leaps continents and centuries to tell the epic story of Hannibal and his march on Rome in this heady, richly textured novel. . . . The novel’s grand sweep is balanced by intimate portraits of Hannibal, his family, his allies and his enemies. . . . Durham weaves abundant psychological, military, and political detail into this vivid account of one of the most romanticized periods of history.”—
(starred review)
“Durham has reimagined this vanished world in stunningly precise detail, and his lucid explanations of the give-and-take of military decision-making help ...
From Publishers Weekly
Known for his novels of African-American life in 19th-century America (
;
), Durham leaps continents and centuries to tell the epic story of Hannibal and his march on Rome in this heady, richly textured novel. After Hannibal assumes command of the Carthaginian army in Spain and conquers the Roman city of Saguntum, Carthage refuses to accept Rome's demand that it abandon the city, precipitating the Second Punic War. In 218 B.C., Hannibal begins his daring march toward Rome, leading an army of upward of 100,000—complete with elephants and cavalry—over the Pyrenees, across the Rhône and through the snowcapped Alps. Ill prepared for the frigid weather, pummeled by avalanches and harassed by Celtic tribes, the army arrives in Italy reduced to perhaps 30,000. Against all odds, Hannibal brings his soldiers through the tortuous marshes of the Arno, and traps and massacres a large Roman force at Lake Trasimene and again at Cannae. The novel's grand sweep is balanced by intimate portraits of Hannibal, his family, his allies and his enemies, as well as by the stories of two humble characters: Imco Vaca, a soldier, and Aradna, a camp follower, who meet and fall in love as the saga moves inexorably toward an account of the beheading of Hannibal's brother and Hannibal's eventual defeat at the gates of Rome. Durham weaves abundant psychological, military and political detail into this vivid account of one of the most romanticized periods of history.

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But Masinissa did not die. The river spat him to shore at a constriction in its great girth, on a patch of sand so fine and soft that it reminded him of otter fur. His two remaining men found him and together they sat contemplating the desolation that had overtaken them. They had been no great force that morning, but now they had only two horses to share between them, and one of those was lame. How could this have happened? Masinissa asked himself silently, again and again as if the answer would come with dogged persistence. He had accomplished nothing, nothing at all, and now he feared he could not.

One of his companions tugged at his elbow and urged flight. Villagers from a nearby settlement had spotted them and were suspiciously watching from the opposite bank. They could sail for Rome, his companion proposed. They would enlist in the Roman army and return later to set these matters to rights. But these men, brave and true as they were, were not leaders of nations. Masinissa knew that if he arrived in this condition in Rome his life would be worth no more than the price of his skin, the value of his bones and of the jewelry that clung to them.

Instead, he turned from the plains and ascended into the Naragara highlands of his father's territory. He traded his tattered royal garments for a humble disguise. He wore no emblem of sovereignty and shared the two horses fairly with his guards, taking his turn afoot when it came. They dressed the same as he and, to onlookers, occupied no different station in life. In the guise of a holy pilgrim, he sheltered with the peasants of Mount Bellus and made offerings there to the Egyptian god Bes, hoping for some of his mischievous power. He ate the meat of goats roasted on open fires and stole fruit where he could find it. Throughout this time his companions looked on with troubled eyes, for he seemed to have no direction. He did not speak to them of strategy, of tactics to regain his throne. He kept his thoughts to himself and appeared miserably content to roam the land without direction, from the mountain back down to the plains and then through the orchard lands south of Zama and from there into the scraggly hills south of Sicca, a land of mountain goats and of people who walked as if on cloven hooves themselves. They went high enough that they looked down on the flight paths of eagles and condors, creatures that could only take flight by jumping from heights onto columns of heated air rising from the plains.

To aid him his companions spoke casually with the people they met, testing their opinions. Did they mourn King Gaia's death? Did they welcome Syphax, or loathe him as he deserved? They brought Masinissa reports of all they heard. The people were afraid, they said. They despaired, but they still loved the line of Gaia.

Sometimes, huddled beside the campfire or mounted on a ridge or plucking the feathers from a rainbow-throated dove—anytime, really, for it came unannounced by an external impetus—the prince muttered aloud things strange for the men to hear. Words of praise, evocations of beauty, whole speeches of bottomless longing, Sophonisba's name pronounced so slowly that it seemed a new word added to the language, something expressing the tortured love of a man stripped of the skin of artifice: all this embarrassed his men and made them nervous.

When he spoke of his father they understood him somewhat better. He had always claimed that his father had no vision, no ambition. He was a kind man, wise and strong enough to hold together the disparate Massylii people, but Masinissa admitted to his companions that he had always been an ungrateful son, sure he could do better. He could not remember a time when he did not count the days until his father stepped from power and let him stride on to greatness. He had just woken to the fact that he knew nothing of how to be a king. He knew only what it took to be the spoiled son of one.

To this one of his companions offered, “That cannot be so. Our fathers teach us whether we listen or not.”

“A crocodile is born of an egg and never knows his parents after hatching,” the other added. “And yet he grows to be a crocodile; he cannot be anything else.”

Masinissa turned to the two men and stared at them for a long time, unsure that he even recognized them.

When they arrived at the remote council of Massylii elders a few weeks later, it seemed nothing more than a chance happening, as if they had been blown there by a random wind. The council took place at an ancient site known only to the tribal leaders and outside the range of any one elder's base of power. Masinissa was fortunate in his timing, although as yet he took no comfort from this. The council seldom needed to be held more than once in a generation, always in times of turmoil. This was such a time.

There was no structure large enough for the men to gather in so they met in the open. If they noticed Masinissa at all, they thought him one of the local herdsmen. His clothing was poor and bedraggled and his hair hung in knotted locks that obscured his features. He listened as the men—some of whom he had known from birth—spoke of the troubled times they lived in. They couched their words cautiously. It was obvious they wanted to speak frankly to each other, but none knew who among them might have turned to Syphax. They might speak their minds tonight, only to find themselves skewered tomorrow. So the conversation was roundabout and seemed to be heading for no definite conclusion. It was clear that Syphax had grabbed them all by the balls. They hated him for this and spoke with fondness of their dead king. But it was not until one of them offered a prayer of remembrance for Masinissa himself that the prince decided his time had come. It would have been unnatural to hear one's own death lamented and not speak up.

Masinissa stood and pushed his way into the group of men. They turned and looked at him. One elbowed him and another asked his business. He held his tongue until he had centered himself in their circle, and then he kept silent a little longer. He drew his hair back from his face and fastened it with a thong made of lion's hide. And then he dropped his arms, raised his chin, and met the men with his gaze. His fingers twitched as he stood there, ready to draw his dagger and take all the lives he could before he was killed, if it came to that.

He said, “Do not mourn me. The king's son lives.”

Landing on Sicily in the spring, Publius found the island simmering like a pot of boiling water just taken from the fire. The cities of Syracuse, Agrigentum, and Lilybaeum had not watched the war indifferently. Throughout it they had swayed in their allegiance, tipped here and there by the machinations of their ambitious leaders. Many of their residents—the Greeks especially—remembered the fine times they had enjoyed under Carthaginian rule and had not found Roman dominion to their liking. They had rebelled, although with only mixed, temporary success. At the time of Publius' arrival, however, the island had returned to Roman hands. All active revolt and political ploys had been quashed by the forces stationed there, thanks, in part, to the irresolute support Carthage had provided those declaring for them. The Greek rebels in Syracuse found themselves being stripped of their wealth. Many had been kicked onto the streets, where Latin children pelted them with stones and women spat on them and men used any pretense to lash out at them.

Publius, looking at this, reckoned it hardly a stable base from which to launch the greatest military action of his life. So he set about to right things from the first day. Citing his authority as consul, he ordered Greek property returned and demanded that the people of the city live together once more as they had in the years before this recent conflagration. In as short a space of time as he could manage, he circumnavigated the island, bringing this message to all the cities. Then he called the disgraced legions from Cannae to muster. He merged them with the seven thousand volunteers he had secured before leaving Italy. Together, this formed an army of just under twelve thousand, the vast majority of them infantry.

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