David Durham - Pride of Carthage

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Pride of Carthage: краткое содержание, описание и аннотация

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“Durham vividly captures the frenzy of ancient warfare. . . . A skillfully structured, gripping novel – “Masterly. . . . First-rate historical fiction. Durham has delivered some of the best battle scenes on the page since Michael Shaara’s Civil War fiction.” – “Stunning. . . . A brilliant exploration of the tension between private destiny and historical force.” -- “Fascinating. . . . Nimbly exploits what is known about this distant period. . . . The author has speculated and invented optimally.” — “An extraordinary achievement: Durham puts flesh on the bones of Carthage in a way that no novelist has done since Flaubert wrote
.”—Tom Holland, author of “
is that rare and wonderful thing: an historical novel that’s not only deeply evocative of time and place, character and situation, but is also lyrically written, compellingly composed. I savored each page while ever more breathless as the story unfolded. Durham has broken the mold of historical fiction and created a masterpiece.”—Jeffrey Lent, author of
and “Durham leaps continents and centuries to tell the epic story of Hannibal and his march on Rome in this heady, richly textured novel. . . . The novel’s grand sweep is balanced by intimate portraits of Hannibal, his family, his allies and his enemies. . . . Durham weaves abundant psychological, military, and political detail into this vivid account of one of the most romanticized periods of history.”—
(starred review)
“Durham has reimagined this vanished world in stunningly precise detail, and his lucid explanations of the give-and-take of military decision-making help ...
From Publishers Weekly
Known for his novels of African-American life in 19th-century America (
;
), Durham leaps continents and centuries to tell the epic story of Hannibal and his march on Rome in this heady, richly textured novel. After Hannibal assumes command of the Carthaginian army in Spain and conquers the Roman city of Saguntum, Carthage refuses to accept Rome's demand that it abandon the city, precipitating the Second Punic War. In 218 B.C., Hannibal begins his daring march toward Rome, leading an army of upward of 100,000—complete with elephants and cavalry—over the Pyrenees, across the Rhône and through the snowcapped Alps. Ill prepared for the frigid weather, pummeled by avalanches and harassed by Celtic tribes, the army arrives in Italy reduced to perhaps 30,000. Against all odds, Hannibal brings his soldiers through the tortuous marshes of the Arno, and traps and massacres a large Roman force at Lake Trasimene and again at Cannae. The novel's grand sweep is balanced by intimate portraits of Hannibal, his family, his allies and his enemies, as well as by the stories of two humble characters: Imco Vaca, a soldier, and Aradna, a camp follower, who meet and fall in love as the saga moves inexorably toward an account of the beheading of Hannibal's brother and Hannibal's eventual defeat at the gates of Rome. Durham weaves abundant psychological, military and political detail into this vivid account of one of the most romanticized periods of history.

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He had more to contend with. The Macedonians sent to secure a treaty with King Philip had been captured at sea months ago. Lysenthus and Carthalo had been executed, the other officers kept as prisoners, and the staff sold as slaves. A Roman force under Valerius had sailed to raise other Greek cities into rebellion. Valerius had surprised the Macedonians at Apollonia, routed the army, and burned most of the fleet. As the documents had never reached Philip, there was no treaty, and instead of playing a part in winning Carthage's war, Philip was fighting for his very survival.

Such news might once have been dumbfounding, but events were now moving so swiftly that Hannibal put it behind him. Bomilcar died suddenly in his winter quarters. He was taken not by any war injury but by a swelling in his groin that grew over the space of weeks and seemed to sap the life from him. A work of witchcraft, undoubtedly, and yet another massive blow to Hannibal, for they had been friends since adolescence. Mighty Bomilcar gone; it barely seemed possible. He should have died in the thick of battle, with a sword in one hand and a spear in the other. Why had he been denied that?

Livius Salinator skulked nearby, not offering battle but intent on keeping the Carthaginians pinned down in the south. That was all he really had to do. Even without major battles Hannibal's numbers dwindled slowly, from the attrition natural to the passage of time, fatigue, injury and illness, and occasional desertions. Carthage continued to deny him reinforcements. The city's councillors had already begun to worry about their own skins.

Perhaps most directly pressing for him, however, was that Capua was suffering under a new siege. Three Roman armies had the city surrounded and they looked intent on pushing through to the end. They had even sent a message to the city leaders advising them not to waste their time considering under what terms they would surrender. Rome alone would name the conditions, and they could be sure these would be harsh. Representatives of the city had managed to escape and were begging Hannibal to come to their aid. The other generals advised it too. There was no real choice. Capua could not be abandoned: It had been the first city to join their cause willingly. If it fell, more tentative alliances would fall away like leaves in an autumn breeze.

Hannibal agreed that he must take action, but he dismissed the council, saying he needed the night to consider the situation. Back in his tent he tried to do this, but he found his thoughts drifting. They would not stay on one thing but moved from Capua to Rome, Hasdrubal to Publius, Iberia to Carthage. For a time he slept, and on waking he knew he had dreamed of his father and a conversation they had years before. He lay on his cot remembering the look of Hamilcar, the cadence of his voice, the stern intelligence in his eyes. He was not sure whether he remembered things as they actually had been, or whether he had composed and woven his own words into the memory. Perhaps this did not matter. The memory felt real. It occupied a part of him, thoughts and concerns that were real. It was from near the end of his father's life, a decade earlier. They were camped in Iberia, near a hostile tribe to their west. Hannibal had called early upon his father—as was his custom—during the hour before dawn. They spoke briefly of the day to come, but just as he was turning to leave Hamilcar stopped him.

“Hannibal, stay with me a moment as I prepare for this day,” he said.

“Gladly,” Hannibal said. “Should I help you with your armor?”

“That would please me.”

Hamilcar waved away his attendant. The servant ducked out of the tent, though they both knew he was within earshot. Hannibal picked up where the other had left off, bent below his father to lace his sandals. He left the bands of leather loose around the joint of the ankle for mobility, but a little higher up he tugged the hide snug against the flesh like a second, thicker skin.

Hamilcar was an old warrior, past his fortieth year. Every part of his body bore the damage to prove it. A livid scar dripped from his left eye, a curving incision made during the mercenary revolt, as if the artist who drew it had wished to place a permanent tear on the man's cheek. His right hand had been shattered beneath a chariot wheel his first year in Iberia. He thought the injury fortunate, as he favored his left. Ribs cracked the year previous had healed at an off angle and had left his chest cavity asymmetrical when seen without armor.

When he spoke, he almost seemed to have been spurred by a musing on his injuries. “Do you know why I chose this life?”

Hannibal almost responded glibly, thinking for a moment that his father might be leading into a joke. But looking up, he saw the distant look on the older man's face. The wrong word might silence Hamilcar even before he answered his own question, so he pursed his lips and carried on with his work.

“I did not have to make war my life,” Hamilcar said. “My father fought, but I could have chosen another pursuit. I could have taken our riches and built upon them in truly Carthaginian style. I could have lived a soft and luxurious existence and never known the danger of battle or the pain of being far from the ones who complete you. There is some good to be had in such a life, but I could not honestly have chosen it.”

Hannibal finished with the sandals and began to fit greaves over his father's shins, pounded iron infused with a red dust that gave them a color akin to blood. “We are richer now than your father could ever have imagined,” the young man said. “Is that not true?”

Hamilcar considered the point, cocked his head, and looked off again. “Yes. I rule a vast empire now. I bend hundreds of thousands to labor for my benefit. My father would not have imagined that. But as to my earlier question, I chose the sword because it seemed the only honest pursuit available to me. Only with the blade, through a contest of wills in which one measures gains and losses against the value of one's own life . . . only this have I found to be truly honest. Do you understand what I mean? That I can be honest and yet lie time and again to achieve my aims? The honesty is in the simple fact that any and all who treat with me know the lengths to which I will go to achieve my goals. If I tell one of these Iberian chiefs that I will have his allegiance and his tribute by his permission or over his mutilated body, he knows I am a man of my word. To fulfill that word I may kill innocents or bribe his friends. I may fight on the open field or set a trap for him. I may not fight with him at all, but might find a willing slave close to him to slit his neck in sleep. I may, to prove a point, unleash an orgy of bloodletting and lust that erases his people from existence. All this I may use to achieve my ends. Do you think that I can still call this an honest profession?”

“Yes. You are honest in your goals. You deceive no man about them.”

“And what right have I to demand anything of another?”

“The right of capacity. Does the rain ask our permission to fall upon us? Or the seas to drown ships? You do because you can. All of nature is the same.”

“But the seas and rains are elements controlled by the gods. They are beyond our question, beyond our justice.”

Hannibal paused in his work and looked up, a smile at the edge of his lips. “Father, are we not tools of the gods as well?”

“Yes, yes,” Hamilcar conceded, waving his son away as he tested the fit of his sandals and shin guards. “Blessed be Baal, perhaps I am only a sword in his hand. Simple vanity makes me sometimes believe I am the hand instead. I say I choose this life, but who is to say it was not chosen for me?”

Hannibal rose from his knees and found his father's breastplate. It was a heavy piece of iron, intricately molded. The portion that protected the abdomen bore an image of Elissa, she who had founded Carthage in the dim past. She had fine, strong features, even lips, and a headdress. This was a crown of sorts, and yet it had a martial appearance, as if she might wear it into battle. Her hair curled upward in two thick braids, like the curved horns of a ram. But—a strangely intimate detail—locks of hair escaped at her temples and fell down in wavering ribbons that framed her face. It was an ancient piece, artwork melded with the needs of war. He had always admired it. The only fault was in the hollow orbs of her large eyes. As beautiful as it was, this blind stare always troubled him. Why had the artist not gifted her with sight?

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