David Durham - Pride of Carthage

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“Durham vividly captures the frenzy of ancient warfare. . . . A skillfully structured, gripping novel – “Masterly. . . . First-rate historical fiction. Durham has delivered some of the best battle scenes on the page since Michael Shaara’s Civil War fiction.” – “Stunning. . . . A brilliant exploration of the tension between private destiny and historical force.” -- “Fascinating. . . . Nimbly exploits what is known about this distant period. . . . The author has speculated and invented optimally.” — “An extraordinary achievement: Durham puts flesh on the bones of Carthage in a way that no novelist has done since Flaubert wrote
.”—Tom Holland, author of “
is that rare and wonderful thing: an historical novel that’s not only deeply evocative of time and place, character and situation, but is also lyrically written, compellingly composed. I savored each page while ever more breathless as the story unfolded. Durham has broken the mold of historical fiction and created a masterpiece.”—Jeffrey Lent, author of
and “Durham leaps continents and centuries to tell the epic story of Hannibal and his march on Rome in this heady, richly textured novel. . . . The novel’s grand sweep is balanced by intimate portraits of Hannibal, his family, his allies and his enemies. . . . Durham weaves abundant psychological, military, and political detail into this vivid account of one of the most romanticized periods of history.”—
(starred review)
“Durham has reimagined this vanished world in stunningly precise detail, and his lucid explanations of the give-and-take of military decision-making help ...
From Publishers Weekly
Known for his novels of African-American life in 19th-century America (
;
), Durham leaps continents and centuries to tell the epic story of Hannibal and his march on Rome in this heady, richly textured novel. After Hannibal assumes command of the Carthaginian army in Spain and conquers the Roman city of Saguntum, Carthage refuses to accept Rome's demand that it abandon the city, precipitating the Second Punic War. In 218 B.C., Hannibal begins his daring march toward Rome, leading an army of upward of 100,000—complete with elephants and cavalry—over the Pyrenees, across the Rhône and through the snowcapped Alps. Ill prepared for the frigid weather, pummeled by avalanches and harassed by Celtic tribes, the army arrives in Italy reduced to perhaps 30,000. Against all odds, Hannibal brings his soldiers through the tortuous marshes of the Arno, and traps and massacres a large Roman force at Lake Trasimene and again at Cannae. The novel's grand sweep is balanced by intimate portraits of Hannibal, his family, his allies and his enemies, as well as by the stories of two humble characters: Imco Vaca, a soldier, and Aradna, a camp follower, who meet and fall in love as the saga moves inexorably toward an account of the beheading of Hannibal's brother and Hannibal's eventual defeat at the gates of Rome. Durham weaves abundant psychological, military and political detail into this vivid account of one of the most romanticized periods of history.

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To think of this speech now troubled Publius. His father had been speaking to him as if from beyond the grave, and from now on he always would. He could not find fault with the sentiments Cornelius had spoken. Indeed, it gave him pride to remember them. They lodged at his center beside his unshakable faith in the right of Rome. And yet something about the sincerity of his father's declarations shamed him. He did not know whether he could live up to them. He did not know that he was yet worthy of the man who had been his father. He could not say for certain that his path in life had thus far proved the man's faith well founded.

Recruiting and training new troops kept him in Rome, though he had pleaded to return to the field. All day long he focused his mind on war. He marched the new soldiers—farmers and slaves, tradesmen and merchants—through the midday swelter. He pored over chronicles of earlier wars. He interviewed those who had already suffered from Hannibal's cunning stratagems, absorbing what he heard, taking it in and reworking it, digesting it, making it part of the fabric of his consciousness. He largely kept his opinions to himself as yet, but he inquired much of others and listened to any man with a mouth willing to use it. He set about studying Carthage itself. And he meditated long and hard on the man: Hannibal. No man could be unbeatable, Publius believed. No man. Not even the gods were without weaknesses. He was fond of things Greek, had been since he first bloomed into early manhood. He thought of Homer's aged tale of Achilles. Splendid, beautiful, peerless warrior that he was, even he possessed a weakness. Hannibal must, as well. He must.

Submerged so fully in martial matters, he often drilled his men well past the ninth hour without knowing it. He would find the midafternoon sun slanting into remission, shadows lengthening, men staring at him with veiled questions behind their eyes. More than once his lieutenant had to pull him aside and remind him of the time of day. Even in wartime, he was reminded, a Roman must still be a Roman. He should not forget the day's divisions: the portions of the day set aside for work, and those for leisure.

Waking from the world of his thoughts, Publius was always surprised that the normal workings of Roman life went on undisturbed. Strolling into the Forum in the early evening, head full of military violence, he would look up to find his countrymen's faces turned congenial. Though he invariably wore his toga, the people of the night dressed in bright tunics, reds and yellows and blues, garments embroidered with gold, the hooded cloaks that were the fashion that summer. Perhaps it was the freedwomen who took the most pleasure from these pageants, widows who eyed the limbs and torsos and backsides of young men and giggled like girls with their servants. The air was alive with sounds of merriment, with storytellers plying their trade, with the smells of roasted sausages and fragrant honey cakes. And after all this, the evening meal, the cena, tempted everyone to give in to food and wine and rest.

Most evenings Publius ate reclining, talking quietly with his companion, Laelius. He took joy in these moments, but it was a strange joy. Laelius was the only person he could confide his sadness to. He found it hard to understand how people could go on seeking small pleasures. Were they so forgetful? Were they deceived or overly proud? Or was there a testament to the Roman spirit in this? People had no choice but to live until they died. So it always had been. Perhaps the children of Rome, the prostitutes and lusty matrons and wine-soaked senators, knew this better than he. Perhaps there was wisdom in what seemed like folly.

Even if this were true, there were other moves afoot that Publius could not find virtue in. Terentius Varro still commanded the Senate's respect. No man in history was responsible for the death of more brave Romans than he, and yet few seemed to notice this. Publius bore him no unfair ill will, but he did fear that Rome would not learn from the man's blunders unless they recognized them as such and said so publicly.

On the other hand, aspersion after insult after curse was thrown upon the thousands who had surrendered to Hannibal at Cannae. They were seen as so disgraced that the Senate refused the ransom Hannibal demanded and forbade the men's relatives from paying the sum themselves. Better that they should languish in the enemy's hands. Publius—who had only just escaped disgrace himself—bridled at the insult to those men. Never before had so many soldiers been abandoned by the state.

Eventually, most of them trickled home. Hannibal gained nothing from them monetarily, so he released them and set them walking through a country that no longer wished to claim them. Many considered it an insane gesture, but Publius saw reason in it in terms of striking blows at the nation's heart. On the other hand, he despised the Senate's reaction. They sent the bulk of the men to Sicily, to serve Rome's cause on foreign soil, where the sight of them need not offend the eye. Surely this was madness. Publius, imagining the men's shame, knew that they would make valiant fighters yet. Who more than they had cause to prove themselves? And Publius knew that any survivor of Cannae had stared a particular horror in the face, a vision of hell unlike anything in living memory. This bound them together and made them special, even if other men's petty understandings suggested otherwise.

In the Senate, on the Ides of the new year, he rose to speak. He invoked his father's presence and asked for his blessing on what he was about to propose. And then he said out loud, “My countrymen, if ever you valued my father and called him and his brother heroes of the nation, then give me what I ask of you now. Let me go to Iberia and take up my father's command. The Scipios left their task unfinished there, and I would dearly love to see it through.”

The chamber was silent for some time. Then, gradually, various senators posed questions. A few debated the issue of Publius' youth. Still others suggested that he need not sacrifice himself out of mourning. The truth was that with several enemy armies roaming Iberia some in the Senate were whispering that they should write the place off for the time being. But this was just talk. In the end, the senators, knowing that no one else wanted the assignment, acquiesced to the young man's wishes. He would not have a great army. He would not have the full resources of the state. And the task was formidable. But if he wanted it . . .

Sapanibal never spoke a word to Imilce about her attempt to sail to Italy. She never explained how she found out about her plan, never chastised her for the foolishness of it. To Imilce, this silence became an even greater admonishment. Hers had been too absurd an idea even to merit reproach. She could not explain it herself. It had just come upon her suddenly: the knowledge that Hannibal wintered near Capua, the desire to fly to him. What might she have found, arriving unannounced in some foreign port? Would Hannibal have welcomed her? Would he even have recognized her, or she him? And what if she had been captured by the enemy?

She still believed Sapanibal a coldhearted creature, but with each passing day Imilce felt herself more and more in her sister-in-law's debt. One of the strange things about the family she had married into was that there was something about each of them that made Imilce crave their approval. This was not usual for her. Most people, she had learned long ago, are not worthy to judge others. She had found that many wore their avarice in the motion of their hands, their lust in the pout of their lips, their insecurities on their tongues, their petty minds behind the flutter of their eyelids. Not so with Barcas. Each was an island of stillness to her. Sapanibal had taken inside herself the discipline of her family name and demonstrated it in the only ways possible for a woman of their class. Even Sophonisba—for all her chatter and gossiping—contained strength unusual for her age. And Didobal awed Imilce with every motion: every word said or not said, each gesture, the placement of her gaze and the tilt of her head and the flare of her nostrils in breathing. Their encounters were tense affairs, during which the matriarch rarely uttered more than the polite minimum.

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