Kerry Greenwood - Urn Burial

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Phryne Fisher, intelligent, brave and stunningly chic, is back in this most entertaining mystery. With a brand new stylish 1920s cover, this seventh Phryne Fisher murder mystery is superb.
Phryne Fisher, scented and surprisingly ruthless, is not one to let sleuthing an horrific crime get in the way of an elegant dalliance.
The redoubtable Phryne Fisher is holidaying at Cave House, a Gothic mansion in the heart of the Victorian mountain country. But the peaceful country surroundings mask danger. Her host is receiving death threats, lethal traps are set without explanation around the house and the parlourmaid is found strangled to death.
What with the reappearance of the mysterious funerary urns, a pair of young lovers, an extremely eccentric swagman, an angry outcast heir, and the luscious Lin Chung, Phryne's attention has definitely been caught.
Phryne's search for answers takes her deep into the dungeons of the house and of the limestone Buchan caves. But what will she...

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‘You have spent insufficient time in servants’ bedrooms. In my chamber is what I judge to be a Monet; there’s a very pretty little Renoir of a girl with an umbrella in Lina’s room and a swingeing great expanse of grass and lilies which have to be either Pissarro or possibly very early Sisley in the servants’ hall. Impeccable provenance, by the way – the original bills of sale are in the library. I asked Tom for ten of them and he agreed. It seems that both he and his wife don’t like all this modern stuff, so they put them away out of the public eye. I think they ought to realise you enough for a nice comfortable life, don’t you? Or would you rather go and argue with Tom Reynolds for your thousand pounds?’

‘Miss Fisher, these are worth thousands, we can’t accept . . .’ began Jack and Gerald cried out in protest.

Phryne said, ‘Yes, you can. Tom knows, more or less, what these are worth. But he was very close friends with your father and only his own stubbornness stopped him from giving you cash. This terribly generous gift assauges his conscience and he’ll be very hurt if you don’t take them. Don’t, by the way, miss the tiny little Seurat of an acrobat in Doreen’s room. It’s a gem. Now, for God’s sake, escort me to the dining room. It’s been an interesting day and I’d like a glass or two of wine.’

Gerald and Jack held out an arm each, and Phryne paraded down the monumental stair between two beautiful young men. They made an impressive entrance into dinner.

Dinner was lavish, if scrappily served, the kitchen being still deeply engrossed in enough gossip to last them for years. The company adjourned to the parlour to repair their ravelled nerves with dancing and conversation. The music began to play, a slow foxtrot, ideal for the sleepy end of a dreadful day. Tadeusz drew Mrs Luttrell to her feet, saying, ‘If you dance with me I’ll do the bravest thing man ever did for woman.’

‘Oh, what’s that?’ asked Letty, nestling into his arms. The dark-brown hair flopped over his forehead and she smoothed it back. Tadeusz assumed a grave demeanour.

‘I’ll go and teach Mrs Croft how to make coffee,’ he said solemnly and Letty laughed.

Miss Medenham snared the Doctor. Miss Fletcher was claimed by Gerald and Mrs Fletcher danced with Jack. Phryne reflected irritably that Cave House seemed to be positively oozing with happy endings.

Lin openly escorted Miss Fisher to her room. Dot, full of tea and gossip, had gone to bed. The murdered girl and the death of the murderers would not be banished from Phryne’s mind, and the slow inexorable fall insisted on unrolling itself before her tired eyes like a motion picture. She sat down at the table to remove her makeup, and an open book caught her eye. Urne Buriall, by the very learned Sir Thomas Browne.

Afflictions induce calloufities; miferies are slippery or fall like snow upon us, which nonwithftanding is no unhappy stupidity. To be ignorant of evils to come, and forgetful of evils paft, is merciful provifion in nature, whereby we digest the mixture of our few and evil days and, our delivered senfes not relapsing into cutting remembrances, our sorrows are not kept raw by the edge of repetitions .

Phryne puzzled through the unfamiliar spelling, nodded soberly, and stood up into Lin Chung’s arms.

ALSO FROM ALLEN & UNWIN

The Castlemaine Murders

Kerry Greenwood

Phryne Fisher is back—as smart and sassy as ever.

Phryne Fisher, her sister Beth and her faithful maid, Dot, decide that Luna Park is the place for an afternoon of fun and excitement with Phryne’s two daughters, Ruth and Jane. But in the dusty dark Ghost Train, amidst the squeals of horror and delight, a mummified bullet-studded corpse falls to the ground in front of them. Phryne Fisher’s pleasure trip has definitely become business.

Digging to the bottom of this longstanding mystery takes her to the country town of Castlemaine where it soon becomes obvious that someone is trying to muzzle her investigations. With unknown threatening assailants on her path, Phryne seems headed for more trouble than usual.

Meanwhile, Phryne’s lover Lin Chung has his own mystery to solve. Feuding families and lost gold fill his mind until he learns that Phryne herself has become missing treasure.

‘Greenwood is the class act of local crime writing.’

Weekend Australian

ISBN 1 74114 074 9

Murder in Montparnasse

Kerry Greenwood

The divine Phryne Fisher returns to lead another dance of intrigue.

Seven Australian soldiers, carousing in Paris in 1918, unknowingly witness a murder and their presence has devastating consequences. Ten years later, two are dead . . . under very suspicious circumstances.

Phryne’s wharfie mates, Bert and Cec, appeal to her for help. They were part of this group of soldiers in 1918 and they fear for their lives and for those of the other three men. It’s only as Phryne delves into the investigation that she, too, remembers being in Montparnasse on that very same day.

While Phryne is occupied with memories of Montparnasse past and the race to outpace the murderer, she finds troubles of a different kind at home. Her lover, Lin Chung, is about to be married. And the effect this is having on her own usually peaceful household is disastrous.

‘Phryne Fisher is young, wealthy, beautiful, smart, confident and independently minded . . . and she has a knack for solving murders when she is not sipping a strengthening cocktail or planning another seduction.’

Australian’s Review of Books

ISBN 1 86508 806 4

Away with the Fairies

Kerry Greenwood

Phryne Fisher — dangerous, passionate, kind, clever and seductive. She drinks cocktails, dances the tango, is the companion of wharfies, and is expert at conducting an elegant dalliance.

It’s the 1920s in Melbourne and Phryne is asked to investigate the puzzling death of a famous author and illustrator of fairy stories. To do so, Phryne takes a job within the women’s magazine that employed the victim and finds herself enmeshed in her colleagues’ deceptions.

But while Phryne is learning the ins and outs of magazine publishing first hand, her personal life is thrown into chaos. Impatient for her lover Lin Chung’s imminent return from a silk-buying expedition to China, she instead receives an unusual summons from Lin Chung’s family followed by a series of mysterious assaults and warnings.

‘Snappy one-liners and the ability to fight like a wildcat are appealing in a central character.’ — City Weekly

ISBN 1 86508 489 1

Death Before Wicket

Kerry Greenwood

The sassy Phryne Fisher sets the seamy side of Sydney alight in her tenth adventure.

Phryne Fisher has plans for her Sydney sojourn — a few days at the Test cricket, a little sightseeing and the Artist’s Ball with an up-and-coming young modernist. But these plans begin to go awry when Phryne’s maid discovers her thoroughly respectable sister has left her family for the murky nightlife of the Cross. And Phryne is definitely not the woman to say ‘no’ when two delightful young men come to her on bended knees, begging for her help in finding their friend innocent of theft. Phryne’s plans for a simple day or two of pleasure are postponed for good.

It all sounds simple enough as Phryne sets investigations into motion, but when greed and fear are the motivating factors, people become ruthless and Phryne finds herself enmeshed in blackmail, secrets, lies and the dangerous influences of deep magic.

‘Pure indulgence . . . a 1920s heroine for the 90s . . . a fast and elegant read.’ — Who Weekly

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