Kerry Greenwood - Urn Burial

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Phryne Fisher, intelligent, brave and stunningly chic, is back in this most entertaining mystery. With a brand new stylish 1920s cover, this seventh Phryne Fisher murder mystery is superb.
Phryne Fisher, scented and surprisingly ruthless, is not one to let sleuthing an horrific crime get in the way of an elegant dalliance.
The redoubtable Phryne Fisher is holidaying at Cave House, a Gothic mansion in the heart of the Victorian mountain country. But the peaceful country surroundings mask danger. Her host is receiving death threats, lethal traps are set without explanation around the house and the parlourmaid is found strangled to death.
What with the reappearance of the mysterious funerary urns, a pair of young lovers, an extremely eccentric swagman, an angry outcast heir, and the luscious Lin Chung, Phryne's attention has definitely been caught.
Phryne's search for answers takes her deep into the dungeons of the house and of the limestone Buchan caves. But what will she...

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‘Yes. Nice old bird but Mother never lets me have him to myself.’

‘What do you really want to do? Marry Gerry Randall? He’s a nice boy.’

‘Yes, he’s nice. But I don’t really know yet. He’s dreamy, is Gerry, lazy. But very handsome.’

‘Yes, very,’ said Phryne, visited by a reminiscent vision of the naked young man with the curly hair.

‘But what I’d really like to do is have a little farm somewhere and breed horses. I’d have my chums to visit and then I could shut the door on all of them, light my fire, sit down in my chair and listen to the silence.’

‘Then what you need to do, my dear,’ Phryne extended a hand and hauled Miss Fletcher to her feet, ‘is go and see your nice trustee and tell him that’s what you want to do. If he agrees, then all the mothers in the world won’t be able to stop you. Tell him that you’re tired of all these parties and if he doesn’t comply with your wishes you’ll marry a taxi-driver and fling all your worldly wealth away on gigolos. Tell your mother that, too. It might work. Has it occurred to you that she is actually living off your capital, and making your life a misery into the bargain? Now, get back to the house before you freeze, Miss Fletcher, and next time, think before you fling yourself into deep water.’

Judith Fletcher had the gaffed-cod look of soul’s awakening on her round face. She goggled at Phryne for fully a minute before she lowered her head and ran for the house, whipped along by a chill breeze.

The boathouse would do, Phryne ascertained a moment later. And not only had it stopped raining, but the sun looked like it was trying to come out.

The stableman had the heavy dray out and was backing a stout horse into the shafts as she came past.

‘’Ere, ’old ’im,’ he grunted, thrusting a leading rein into her hands. The piebald carthorse at the end of it was backing steadily away. He knew those shafts. At any moment they might spike him in the behind. They also meant that he would spend the next few hours dragging a heavy weight behind him instead of the leisurely day’s grazing he had planned.

‘Calm yourself,’ said Phryne to the horse, looking it in the eye and keeping a steady pressure on the rein. ‘No use kicking against the pricks, Dobbin dear. We all have our cart to drag and today you are for it.’

The horse, soothed by her voice, stepped a pace towards Phryne and allowed her to stroke his nose.

‘Good on yer, Miss, now back ’im in ’ere.’

Phryne walked Dobbin around in a tight circle, then stood in front of him and laid a hand on his chest. ‘Back, ho!’ she said. ‘Whoa back!’

Dobbin, uneasy, danced a little on hoofs the size of soup plates before stepping back between the shafts. Willis threaded the tug girths and Phryne caressed the fringed ears. Dobbin, once harnessed, appeared resigned to his fate. She handed over the rein to the ex-jockey and walked around the dray.

It was a huge, heavy, lumbering wagon, obviously designed for carrying tree trunks. It had been fitted with benches and could be covered with a canvas hood as seen in all the best westerns. Phryne half expected to hear someone play ‘The William Tell Overture’.

She walked around the vehicle, noting its allover muddiness and resolving to take an oilskin. Then she noticed a clean spot of bright metal in the centre of the front spoked wheel.

‘Mr Willis, have a look at this,’ she called, and the old man tutted, looped the rein over a mounting-block, and came to her side.

‘Someone’s been playing tricks again, Mr Willis,’ she said. The axle nut was missing. Fresh sawdust on the muddy ground indicated that the axle itself might have been partially sawn through. Terry Willis rubbed a shaking hand over his gnome’s face. He looked like a kobold who had just been told that he was mythical.

‘Jeez, it’d take mebbe ten minutes to work loose, then . . .’

‘You know, I’ve lost all my taste for travelling,’ commented Phryne. ‘I think we’d better give Dobbin a holiday and tell the Boss that the trip to the caves is off.’

‘Yair, reckon,’ agreed the old man. ‘You want to unharness ’im? I gotta get my boy and we gotta get this dray back inta the shed. Don’t want every man and his dog ta know.’

Phryne found that unharnessing the carthorse was a lot easier than harnessing him. One just undid every buckle in sight and led the beast forward with his enthusiastic cooperation.

‘There you are,’ she hauled on the rein to bring the big head down low enough so that she could take the headstall off past his ears. ‘And a nice little walk back to your paddock. At least I’ve improved your day,’ she said to the horse, who shook his head at the contrariness of humans and trotted back to his paddock, waited for her to unlatch the gate, and plodded through.

Tom Reynolds was as astonished as a man with a newly recovered hangover could be when he heard Phryne’s news. Stopping only to pull on some gumboots, he rushed out of the house to interview Willis. The house party scattered in search of other diversions and Phryne went up to her room.

‘I’m going for a walk, Dot,’ she yelled to her maid, over the hammer blows of Mr Black, the houseman, who was fitting the bolt. Dot nodded. Phryne pulled on a heavy velvet-lined cape and went to find Lin Chung.

He was standing in the parlour, looking out of the window. When she came in, he asked quietly, ‘How was the beautiful young man?’

‘Beautiful,’ said Phryne carelessly. ‘But only beautiful.’

‘And I?’

‘Ah, you are quite different. Much more than just beautiful.’

Lin Chung sighed. Then he held out a closed hand to her. She opened his fingers and revealed a chess-piece. It was the Red King.

Phryne scanned the board, caught up a small figure and laid the White Queen beside the Red King. The alchemical marriage. The Shanghai ring gleamed on her hand, next to a bright, silver-mounted diamond. Lin Chung took up their intertwined hands and kissed her palm.

Phryne did not care for hunting. Her view was that she had never been personally threatened by a rabbit (unless you took into account a villainous long-dead lapin ragout once served to her by a Marseilles cook of few morals and a penny-pinching disposition), so she saw no need to shoot them. She had sacked the cook, so that took care of him. And the rabbits, she considered, had enough problems without her persecuting them as well.

Wandering out into the grounds, however, she noticed Jack and the angelic Gerald heading out bush with a couple of rifles, apparently intent on slaughtering some of the local wildlife. That disposed of them. According to her careful investigations, the staff were all safely in the house. Tom was in the stables, Mrs Reynolds was arguing with the cook about bottled beans, the Major was apparently still sleeping off his dissipated evening and his wife was sitting on a bench under the beech tree embroidering. Miss Fletcher and Mrs Fletcher were playing the Victrola in the parlour and Miss Cynthia was inducing the Doctor to dance a foxtrot with her. The poet, having been inspired by the sight of Cave House at dawn, absurd amongst the gum trees, was in the library, immersed in ink and swearing under his breath in some Finno-Ugric language. Miss Mead was knitting in the parlour and Miss Cray was in the kitchen, attempting to extract contributions from the staff in aid of missions to the heathen.

The heathens Phryne and Lin Chung were drifting across the lawn toward the boathouse, which had a door that latched, a punt, two boats loaded with cushions, and the requisite amount of privacy.

Phryne found that she was breathing as if she had been running. They slipped inside, into a scent of old mattresses and varnish. The door had barely closed before she was unfastening the buttons of Lin’s shirt, and he had pulled her jumper over her head.

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