Joe Lansdale - Lost Echoes

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Lost Echoes: краткое содержание, описание и аннотация

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Since a mysterious childhood illness, Harry Wilkes has experienced horrific visions. Gruesome scenes emerge to replay themselves before his eyes. Triggered by simple sounds, these visions occur anywhere a tragic event has happened. Now in college, Harry feels haunted and turns to alcohol to dull his visionary senses. One night, he sees a fellow drunk easily best three muggers. In this man, Harry finds not only a friend that will help him kick the booze, but also a sensei who will teach him to master his unusual gift. Soon Harry’s childhood crush, Kayla, comes and asks for help solving her father’s murder. Unsure of how it will affect him, Harry finds the strength to confront the dark secrets of the past, only to unveil the horrors of the present.
From Publishers Weekly
In this superior East Texas crime thriller from Stoker-winner Lansdale (
), Harry Wilkes discovers after a severe childhood ear infection that he has a peculiar "hindsight." Harry can not only see dead people but see and hear violent events as they occurred in the recent or distant past. "It's like I hear and see ghosts in sounds," he tells his father. By the time he's a college student, Harry's psychic abilities have driven him to booze. After meeting alcoholic Tad Peters, a retired martial arts expert, Harry becomes Tad's surrogate son and student. The two forge a pact to sober up together. Their resolve is tested when Harry agrees to help Kayla Jones, an old childhood crush now a cop, solve her father's murder, which her boss, the local police chief, has dismissed as a suicide. Lansdale's down-home prose erupts with explosive twists and razor sharp insights into how "echoes from the original sounds" can never be silenced until action is taken to defeat the fear that created them.
From Booklist
The prolific Lansdale returns, after sojourns in pulp, sf, and horror, to work his peculiar mojo on the supernatural crime thriller. Harry Wilkes has inherited his family's curse of experiencing "dark sounds," full-sensory recordings of traumatic events that can be unleashed by, for example, the banging of a toilet lid upon which a guy once blew his brains out. Booze helps hold the "ghosts in the noise" at bay, but his life as a drunken recluse isn't going well. He gets things under control with the help of an eccentric sensei named Tad, but when a boyhood girlfriend named Kayla comes home to find her father's killer, Harold grits his teeth and journeys into the dark once more. Lansdale's prose finds the perfect pitch between the laid-back cadences of front-porch storytelling and the thriller's demand for growing urgency. He is a bit unreconstructed when it comes to gender relations--or at least the vocabulary to describe them--but he's got both the charisma and the balls to pull it off. Funny and scary, with a barn-burner ending. 

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“I killed someone, and I had on a hat?” Mr. McGuire said. “A redheaded man with freckles?”

“He might have been you. The size he was…I don’t know. Maybe it wasn’t you.”

“Now you’re not sure. Son, you need to make sure you stay on your medicine.”

“I think you might be right,” Harry said.

Mrs. McGuire said something, but Mr. McGuire yelled her down. She said, “You’re always such a shit. I’m going back to the house.”

And away she went, adrift and a-stumble toward the house.

They all stood there, Harry in the center, the crowd talking amongst themselves, breathing alcohol into the night air, and Harry, like some kind of sculpture, waited while they looked at him.

About ten minutes past forever the sky began to vibrate with red, blue, yellow, and white lights that wrapped around the golden light from the front yard and twisted it into a knotty rainbow.

The police cars had arrived.

With lights flashing, no sirens, three cop cars pulled into the back driveway and parked, doors opened, and cops poured out. The crowd split and the cops came up beside Mr. McGuire.

One of the cops was Kayla.

41

“Before we go any further,” the sergeant said, “my name is Sergeant Tom Pale. This scar on my face, I know it can be distracting, so I’m gonna tell you how I got it, so maybe you’ll quit wondering, ’cause I know you are. Everyone does. I want your mind on the business at hand, not this thing. A naked guy on PCP was using a Sheetrock knife on cars in a parking lot, scratching them up. I was on call. We got into it. I arrested him. By myself. Which was some real work. So that’s where the scar came from. I got the cut, he got his nuts squashed and lost hearing in his right ear. So that’s the scar story, all right?”

Harry said, “All right,” because the sergeant was correct; he had, in fact, been focusing on the scar. It was quite a doozy, ran from the sergeant’s left eyebrow under his eye, across his cheek, and cut deep into his lips. It had a kind of leathery look, and a shine like a sugary doughnut. It made the sergeant’s left eye look a little squinted.

The sergeant said, “So let’s go at the important business again. He lit a candle that wasn’t there, this big guy in the hat and coat, and he strangled the redheaded guy who was all trussed up? That right? After he lit this candle?”

“Yes, sir.”

“Strangled him dead?”

“I believe so. Yes, sir.”

“He lit a candle? That’s what you’re telling me?”

“Yeah.”

“But there weren’t any candles in the shelter. What did he do, put it in his pocket, take it with him?”

“The candles were there when it happened.”

“But not now?”

Harry shook his head.

The sergeant pursed his lips, brought his fingers together, steeple-style. “And he had on a long coat, collar turned up, and was wearing a hat? It ain’t that warm, son. That don’t sound right, him dressed like that.”

“I know how it sounds.”

“And the guy, what’d he do, crawl through a crack in the wall, hide under the bed? He didn’t come out with you, did he? Didn’t say anything to you?”

“He didn’t know I was there.”

“Ah. Because…?”

“It happened in the past.”

“That’s what I thought you said. Just wanted to be sure. So this guy from another time—”

“The past. And it was the memory of him, not actually him, that was there.”

“That right?”

“Yes, sir.”

“So the guy from the past, he wasn’t really there, except in the sounds, which only you can hear?”

“Afraid so.”

“You see the killer’s face?”

“Not really.”

“You’re sure?”

“Yes.”

“And you didn’t dream it?”

“I didn’t dream it.”

“This kind of thing, you said it has happened before?”

“Yes, sir.”

“You on any kind of medication?”

“No, sir.”

“Spent any time in, you know, hospitals?”

“I suppose you could say I’ve seen a few doctors. But, no, outside of tonsils, no real hospital time.”

The sergeant considered this silently, as if trying to mentally phrase his next question before asking it.

Kayla came into the room. When she came in her perfume came with her. It was strong and unique, just the way it had been when they were kids. The room had a long table and a couple of drink and snack machines, a short table with a coffeepot and a microwave on it. There was also an empty box of doughnuts—ambrosia of the law—on the counter.

Kayla poured coffee into a paper cup, sat at the table.

The sergeant looked at her. Harry wasn’t sure what the look meant, but it meant something.

Kayla sat prim and straight. There were no wrinkles in her cop clothes. There was no expression on her face, but from time to time she looked at him. Her eyes were so green they appeared to be gems.

“All right,” the sergeant said, “Here’s the recap. This guy, one you saw, he killed someone in the past, exactly when, you don’t know, but he did, and you saw him, because you see stuff that’s in sound? That right?”

“That’s about it.”

“Sound?”

“Yep.”

“And I’m supposed to believe it?”

“Doubt you will, but that’s it.”

“And you’re saying the guy did it was Mr. McGuire.”

“I thought so. Now I’m not so sure. But someone was murdered there, and the memory of it was trapped in sound.”

“How long ago you think this murder happened?”

“I don’t know.”

“So you didn’t really see him, but you saw his ghost—”

“Impression, actually. He could be dead or alive. If it’s Mr. McGuire, he’s definitely alive. I probably shouldn’t have said it was him. It’s just who came to mind, because the killer knew the place, knew where the candles were. Guess that’s why he came to mind. Shouldn’t have said it was him, though.”

“You’re right. You shouldn’t have said it.”

Kayla said, “I got a question, it’s okay with you, Sergeant.”

The sergeant lifted his eyebrows, said, “Okay.”

Kayla leaned across the table toward Harry. She really did smell good. “The redheaded guy, can you describe him?”

“Him I saw very well. Redheaded, freckle-faced—”

“In match light?” the sergeant said. “In candlelight?”

“The light was on his face,” Harry said. “He wasn’t a big man. He wasn’t a kid, exactly, but he was young. Maybe my age, maybe some younger. He was as small as a child. The killer was strong though, guy that carried him. Way he carried him, coming down those stairs and all.”

“So the guys you dreamed,” the sergeant said, “the big guy had a coat and hat and the little guy was redheaded and freckle-faced.”

Harry was getting tired of this. He needed a drink. A tall drink.

“Yeah,” Harry said.

“Sure you didn’t try and encourage Miss McGuire to give you sex; sure you didn’t try and rape her?”

“I didn’t.”

“Got to wonder, a story like that. Sounds like something you would make up off the top of your head—”

“It’s not,” Kayla said.

The sergeant shifted in his chair to look at Kayla.

“I know Mr. Wilkes,” she said. “He’s always believed this sound business. He might have some kind of condition, but he’s telling the truth as he sees it.”

“Really?” the sergeant said.

“Yeah, really,” Kayla said.

The sergeant ran a hand through his hair. “Let me explain some things to you, son. What happened tonight, it could get your ass thrown in jail. And I don’t take kindly to men who mistreat women. I don’t take kindly to that at all.”

The door opened. An officer came in, beckoned the sergeant out. “One minute,” the sergeant said. He got up and went out.

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