Joe Lansdale - Lost Echoes

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Since a mysterious childhood illness, Harry Wilkes has experienced horrific visions. Gruesome scenes emerge to replay themselves before his eyes. Triggered by simple sounds, these visions occur anywhere a tragic event has happened. Now in college, Harry feels haunted and turns to alcohol to dull his visionary senses. One night, he sees a fellow drunk easily best three muggers. In this man, Harry finds not only a friend that will help him kick the booze, but also a sensei who will teach him to master his unusual gift. Soon Harry’s childhood crush, Kayla, comes and asks for help solving her father’s murder. Unsure of how it will affect him, Harry finds the strength to confront the dark secrets of the past, only to unveil the horrors of the present.
From Publishers Weekly
In this superior East Texas crime thriller from Stoker-winner Lansdale (
), Harry Wilkes discovers after a severe childhood ear infection that he has a peculiar "hindsight." Harry can not only see dead people but see and hear violent events as they occurred in the recent or distant past. "It's like I hear and see ghosts in sounds," he tells his father. By the time he's a college student, Harry's psychic abilities have driven him to booze. After meeting alcoholic Tad Peters, a retired martial arts expert, Harry becomes Tad's surrogate son and student. The two forge a pact to sober up together. Their resolve is tested when Harry agrees to help Kayla Jones, an old childhood crush now a cop, solve her father's murder, which her boss, the local police chief, has dismissed as a suicide. Lansdale's down-home prose erupts with explosive twists and razor sharp insights into how "echoes from the original sounds" can never be silenced until action is taken to defeat the fear that created them.
From Booklist
The prolific Lansdale returns, after sojourns in pulp, sf, and horror, to work his peculiar mojo on the supernatural crime thriller. Harry Wilkes has inherited his family's curse of experiencing "dark sounds," full-sensory recordings of traumatic events that can be unleashed by, for example, the banging of a toilet lid upon which a guy once blew his brains out. Booze helps hold the "ghosts in the noise" at bay, but his life as a drunken recluse isn't going well. He gets things under control with the help of an eccentric sensei named Tad, but when a boyhood girlfriend named Kayla comes home to find her father's killer, Harold grits his teeth and journeys into the dark once more. Lansdale's prose finds the perfect pitch between the laid-back cadences of front-porch storytelling and the thriller's demand for growing urgency. He is a bit unreconstructed when it comes to gender relations--or at least the vocabulary to describe them--but he's got both the charisma and the balls to pull it off. Funny and scary, with a barn-burner ending. 

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She smiled. She had recognized that flying gentleman.

“Good riddance, asshole,” she said aloud.

59

EXCERPT FROM HARRY’S JOURNAL

And so I lay me down to sleep at night, and the bad ear, the gun-banged ear, lies dead, and the other, it does not pick up sound. No, sir.

I hear. But I do not hear what I used to hear. I do not hear behind the sounds. The images rest. No flashes at the edge of the eye, no wiggles of light, and no sensations of terror.

It’s just me now. No time-traveling souls.

And I realize something that I should have realized all along. I wasn’t just afraid of what was in those sounds. I was just afraid. Afraid of life. Afraid of failure. But I had a moment. I was brave. I actually fought well. Even if I won through luck. Had the chief not been standing on that ledge, had his arm lifted a bit more quickly, he might be writing in his journal, telling it what a fine shot he was.

Yeah. I was brave. Or crazy. Angry. And, for one fleeting second, I was one with the universe.

Good for me!

I did what I did, scared or not.

And you want to know something, my journal friend?

Come on. I know you’re curious.

Here it is. I’m still scared.

Scared my hearing in my right ear will come back, and with it will come again my special gift. My fucking curse.

Seems likely. It was just a sudden explosion. Temporary, the doctor says.

I’m scared of that, the sounds returning. Scared I might like a drink someday. Scared of lots of things.

But maybe not so much as before.

60

A week after it all happened, Harry and Kayla met at the hospital, in Tad’s room.

“I to’ed when I should have fro’ed,” Tad said.

Harry reached down and took Tad’s hand, lying limp on the hospital bed, and squeezed it.

Kayla, sharp in uniform, with a cast on her arm, sat stiffly in a chair on the other side of the bed. Tad turned his head to look at her. “You make me feel better than he does. He’s got bruises.”

“I’ve got rib wrappings and some cement,” Kayla said.

“You still look better than he does.”

“We were worried,” Harry said. “Doctor said it was a concussion, and a pretty bad bullet wound, and you were in a delirium for some time, kept asking the same question over and over.”

“What was it?”

“‘Why is he hitting me with that stick?’”

“Oh. Well, yeah. I wondered about that at the time. The chief? What happened to him?”

“He bounced real hard,” Harry said. “Over the side of the cliff. I think when they found him they had to pick his teeth out of his ass. But here’s the thing. He lived. He does any kind of activity from here on out, it’ll be like, you know, the Special Olympics. Maybe they got something there like the Jell-O roll.”

“Figures he would live.”

“It’s best,” Kayla said. “We can prove what he did much more easily. Even if he lies, he can’t say he wasn’t there, and his fingerprints are on the gun that killed Sergeant Pale, and there’s my word on things. And the files I used to put it together. I doubt Harry’s sound stuff is something we want to mention too much, if at all. But it won’t be too hard to prove the chief’s a killer. We also got you, and your testimony, and Harry’s. Joey, he’s in the morgue.”

“Poor guy,” Harry said, “he just can’t get buried.”

“Weasels are not one with the universe,” Tad said. “Even the ground doesn’t want to accept him.” Tad turned his head to look at Harry. “You did it. You actually fought a real bad guy and won.”

Harry shook his head. “After you softened him up. Anyway, looks as if it might all be over with.”

“Yeah,” Tad said. “Just might work out. You two do me a favor?”

“Name it,” Harry said.

“Leave me alone so I can rest. Go somewhere and commune with the universe. Or the bed linens.”

“Tad,” Kayla said.

“Or whatever, and later, maybe you can see if you can sneak me in a bag of taco chips. The hot kind. Maybe some kind of cheese dip.”

Joe R. Lansdale

LOST ECHOES

Joe R. Lansdale has written more than a dozen novels in the suspense, horror, and Western genres. He has also edited several anthologies. He has received the British Fantasy Award, the American Mystery Award, six Bram Stoker Awards, and the 2001 Edgar Award for best novel from the Mystery Writers of America. He lives in Nacogdoches, Texas, with his family.

Also by Joe R. Lansdale

Sunset and Sawdust

A Fine Dark Line

Captains Outrageous

The Bottoms

Freezer Burn

Rumble Tumble

Bad Chili

Mucho Mojo

A VINTAGE CRIME/BLACK LIZARD ORIGINAL, FEBRUARY 2007

Copyright © 2007 by Joe R. Lansdale

All rights reserved. Published in the United States by Vintage Books, a division of Random House, Inc., New York, and in Canada by Random House of Canada Limited, Toronto.

Vintage is a registered trademark and Vintage Crime/Black Lizard and colophon are trademarks of Random House, Inc.

This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

Library of Congress Cataloging-in-Publication Data

Lansdale, Joe R., 1951–

Lost echoes : a novel / Joe R. Lansdale.

p. cm.

eISBN: 978-0-307-27817-3

1. Psychological fiction. I. Title.

PS3562. A557L67 2006

813'.54—dc22 2005058492

www.vintagebooks.com

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