Joe Lansdale - Lost Echoes

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Since a mysterious childhood illness, Harry Wilkes has experienced horrific visions. Gruesome scenes emerge to replay themselves before his eyes. Triggered by simple sounds, these visions occur anywhere a tragic event has happened. Now in college, Harry feels haunted and turns to alcohol to dull his visionary senses. One night, he sees a fellow drunk easily best three muggers. In this man, Harry finds not only a friend that will help him kick the booze, but also a sensei who will teach him to master his unusual gift. Soon Harry’s childhood crush, Kayla, comes and asks for help solving her father’s murder. Unsure of how it will affect him, Harry finds the strength to confront the dark secrets of the past, only to unveil the horrors of the present.
From Publishers Weekly
In this superior East Texas crime thriller from Stoker-winner Lansdale (
), Harry Wilkes discovers after a severe childhood ear infection that he has a peculiar "hindsight." Harry can not only see dead people but see and hear violent events as they occurred in the recent or distant past. "It's like I hear and see ghosts in sounds," he tells his father. By the time he's a college student, Harry's psychic abilities have driven him to booze. After meeting alcoholic Tad Peters, a retired martial arts expert, Harry becomes Tad's surrogate son and student. The two forge a pact to sober up together. Their resolve is tested when Harry agrees to help Kayla Jones, an old childhood crush now a cop, solve her father's murder, which her boss, the local police chief, has dismissed as a suicide. Lansdale's down-home prose erupts with explosive twists and razor sharp insights into how "echoes from the original sounds" can never be silenced until action is taken to defeat the fear that created them.
From Booklist
The prolific Lansdale returns, after sojourns in pulp, sf, and horror, to work his peculiar mojo on the supernatural crime thriller. Harry Wilkes has inherited his family's curse of experiencing "dark sounds," full-sensory recordings of traumatic events that can be unleashed by, for example, the banging of a toilet lid upon which a guy once blew his brains out. Booze helps hold the "ghosts in the noise" at bay, but his life as a drunken recluse isn't going well. He gets things under control with the help of an eccentric sensei named Tad, but when a boyhood girlfriend named Kayla comes home to find her father's killer, Harold grits his teeth and journeys into the dark once more. Lansdale's prose finds the perfect pitch between the laid-back cadences of front-porch storytelling and the thriller's demand for growing urgency. He is a bit unreconstructed when it comes to gender relations--or at least the vocabulary to describe them--but he's got both the charisma and the balls to pull it off. Funny and scary, with a barn-burner ending. 

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Or maybe it was just the trumpet blast that told the truth. How it is on earth and not in heaven, and how it is for the not-so-fine and the not-so-beautiful and the not-so-gifted and the not-so-lucky and the not-so-rich.

And how is it, you ask?

Not good, the poor boy answers. Not good.

Joey is an asshole, and maybe, as Tad says, he is like a monkey who throws his own shit because it’s all the ammunition he has, but, that said, he still knows some things; there is still some undigested fruit or nuts in the shit he throws.

38

“It’s a very nice party,” Talia said. “You want to look nice.”

“I have a good suit.”

“The one in your closet? Or is that your room it’s hanging in?”

“What do you mean?”

“The place is small.”

“Yes. Yes, it is. Sometimes I pretend it’s large, but when I open my eyes, it isn’t.”

“Oh, don’t be mean.”

“I’m just saying. Yes, it’s small. And my suit is just fine. And, hey, when I met your dad, you didn’t even give me time to shower and shave. So now I’m supposed to look sharp?”

“I wasn’t thinking. I just wanted you to meet him while I had him cornered.”

“That was it?”

“Of course. What else? But for this, you should look nice. There will be a lot of people there. They will all be very well dressed, and Harry, I’ve seen your suit, and it’s what, from JC Penney?”

“Yeah. Well, maybe Bealls. I don’t remember.”

“I rest my case.”

“What case?”

“The one in your closet isn’t the suit you want to wear to the gala. Trust me on that. Everyone will be there, and—”

“It’s the suit I got.”

“I can fix that.”

“Oh, no. I don’t want you to buy me anything, and I can’t afford to buy anything. Maybe I can rent a tux.”

“Those never fit right. Listen, Harry, I want to do it. It’s not a problem for me.”

“You mean it’s not a problem for your daddy.”

“Same thing.”

“Either way, I don’t like it.”

“Harry, you have to look nice if you’re going to come, and you do want to come, don’t you? You and me, at my father’s house, and all those people? A lot of them very prominent.”

“You mean rich.”

“Okay. Rich. So what? Is it okay if we’re rich? Is that a crime? You’re starting to hurt my feelings, Harry.”

“I don’t mean to.”

“We want to look our best. Want to dress up and look fine, and I can show you off, introduce you to my mother, and later, well, we’ll go our own way, and we have our place, don’t we?”

“We do. Though we shared it with four other cars last time.”

“True, but they weren’t in our car, were they?”

“No…I don’t know about this suit business, Talia. It doesn’t seem right, you buying me a suit.”

“I want to do it. Everyone at these parties knows a good suit from a bad one, and they’ll spot a cheap one right off. And you’ll need shoes, some good socks, and I’ll pick a tie.”

“I feel like a mannequin.”

“Don’t be silly.”

картинка 7

At seven in the evening the phone rang, and Harry, dressed in his new suit, socks, tie, and shoes, waiting patiently on his couch, hands in his lap, rose and picked up the receiver.

“Hey, baby,” Talia said.

“Hey.”

“We’re coming around the corner. Come down to the curb.”

“Okay. We?”

But she had hung up.

Harry went downstairs and out to the curb. He was no sooner situated then a limousine, black as a crow’s wing, came around the corner and glided to a stop.

The driver got out, went around, opened the back door to let Harry in.

“I could have done that,” Harry said to the driver.

“Yes, sir,” said the driver, “but, unlike me, you wouldn’t have gotten paid for it.”

Harry climbed in. Talia, in a short black dress, her hair pulled back and up, her dark-stockinged legs crossed, her cell phone beside her on the seat, looked at him and smiled.

Harry’s discomfort began to melt away.

“You look fantastic in that suit,” she said.

“For what it costs, I should not only look fantastic, I should be fantastic, maybe have some superpowers. Good God, Talia, you are dynamite. You are so lovely.”

“Thank you, sweetie.”

The car drifted away.

Talia’s parents’ house was off a little road that wound in amongst old oaks and new pines. They pulled up at a gate with a metal box on a pole beside it. The driver pushed a series of buttons on the pole, and the gate opened. They cruised up a hill between oaks, willows, and walnut trees, a sweet gum here and there. As they climbed, Harry could see lights shining brightly through patches of greenery, warm explosions of yellow and orange.

The car window on the driver’s side was still down from the driver having worked the buttons on the pole, and Harry could smell perfume on the air, and hear music, a big-band sound, and it all came down the hill in a waft of smell and sound that filled the car thick as taffy. Harry had gotten to where noise, even noise in which the past did not lurk, annoyed him, but this wasn’t so bad. It was the sound of another time, and there wasn’t any anger or violence in it, not like most of the stuff today.

The greenery divided as the car wound along the concrete path, and now he could see the house up there on a hill, lit up like the pearly gates, so brightly lit that at first glance it appeared to be on fire. The house stood strong and heavy of stone against the night, and outside of it, along the pool, on a large, flat area of tile, well lit up from decorative lights on poles, people danced, and the music was suddenly divided by a voice, the sound of a male singer crooning into an old-style microphone. His voice was rich and strong, and the dark and the lights and all the people were as one, the way Tad had told him the world could be if you looked at it right.

There were cars parked all over, pointing this way and that, like discarded cartridges from big guns, but the limousine slid past them, around to the back of the house, where there was a carport supported by stone pillars. They parked, and with the driver holding the door for them, Harry climbed out first, extended his hand to Talia.

“I thought it would be larger,” Harry said.

Talia grinned at him.

They went in the back way, and as they entered the house there was a burst of light and the bright white paint of the walls jumped out at him. The house on one side was free to the outside by open windows and open glass doors, and the music came inside, loud and friendly, filling the giant cathedral room. People laughed and danced. There was a long table full of food of all persuasions: sushi and barbecue and darkly cooked birds, bowls of this and bowls of that, and all manner of wine and beer and soda and bottled water, and there were Latino men and black women in little white outfits, walking this way and that with silver trays, smiling, as if nothing in the world pleased them more than to cater to the happy, indulgent, honky rich.

“Daddy,” Talia said, and sure enough it was Daddy coming their way. And tonight he seemed happier, and the drink in his hand was probably the source of it, thought Harry. The suit he wore was just like the one Harry wore, so were the shoes. The only difference was the tie. And maybe the socks. Harry decided not to ask him to extend his leg so he could check.

Mr. McGuire said, “Ah, this must be your date. Barry—”

“Harry,” Talia said.

“How are you, Harry? Name’s John.” And he extended his hand.

Harry shook it. He realized that Mr. McGuire didn’t remember that they had met before.

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