Joe Lansdale - A Fine Dark Line

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It is the summer of 1958 in Dewmont, Texas, a town the great American postwar boom passed by. The kids listen idly to rockabilly on the radio and waste their weekends at the Dairy Queen. And an undetected menace simmers under the heat that clings to the skin like molasses... For thirteen-year-old Stanley Mitchell, the end of innocence comes with his discovery of the mysterious long-ago demise of two very different young women. In his quest to unravel the truth about their tragic fates, Stanley finds a protector in Buster Lighthorse Smith, a black, retired Indian-reservation cop and a sage on the finer points of Sherlock Holmes, the blues, and life's faded dreams. But not every buried thing stays dead. And on one terrifying night of rushing creek water and thundering rain, an arcane, murderous force will rise from the past to threaten the boy in a harrowing rite of passage... Vintage Lansdale, A Fine Dark Line brims with exquisite suspense, powerful characterizations, and the vibrant evocation of a lost time.
From Publishers Weekly
The atmosphere is as thick as an East Texas summer day in Edgar-winner Lansdale's (The Bottoms) engaging, multilayered regional mystery, which harks back to 1958. Thirteen-year-old Stanley Mitchel, Jr., has enough on his hands just growing up in Dewmont, Tex., when he literally stumbles on a buried cache of love letters. Stanley pursues the identity of the two lovers with help from the projectionist at his family's drive-in, an aged black man who quotes Sherlock Holmes and doesn't mince words about the world's injustices. As the truth of a gruesome 20-year-old double murder comes to light in the sleepy town, so do the facts of life, death, men, women and race for young Stanley. Unfortunately, this wealth of experience sometimes strains credulity. For instance, Stanley, his sister, Callie, and friend Richard witness a secret burial, see a local phantom, are chased by a murderer and barely miss being hit by a train-all in one night. As the older and wiser Stanley says of the past, "More had happened to my family in one summer than had happened in my entire life." The "down-home" dialect is occasionally overdone, too, with more ripe sayings than Ross Perot on caffeine. But Lansdale clearly knows and loves his subject and enlivens his haunting coming-of-age tale with touches of folklore and humor.
From Booklist
Lansdale makes a rich stew of memory and mystery in the voice of Stanley Mitchel Jr., who is 13 in 1958 and is writing down, in midlife, what he recalls. His parents own the drive-in in Dewmont, Texas; his dad calls his mom "Gal"; his sister, Callie, is turn-your-head pretty and feisty besides. Stanley finds in the burnt ruins behind the drive-in a cache of love letters. Stanley--innocent enough at the beginning of the story to still believe in Santa Claus--is fascinated by the letters and soon learns that the fire marked the deaths of two young women, long ago. Those deaths ripple through the pages, as Stanley struggles with knowledge of good and evil: his friend Richard's abusive dad; the black cook's stalker boyfriend; the drive-in projectionist who faces twin demons of age and alcohol. Stanley's mother, father, and sister are vivid, glowing personages. Stanley doesn't unravel everything, but race and power, and what people do to each other in the name of desire and religion, coalesce to a mighty climax. 

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I finally watched it from the veranda where there were speakers, and thought it was dumb. I could not believe anybody could be as stupid as Jimmy Stewart was in that movie.

Not long after that we got in a John Wayne cowboy movie. That one I liked.

My leg itched a lot and I straightened out a coat hanger to stick down in my cast to scratch. I carried that hanger with me wherever I went. I named it Larry.

Worse than the itch, however, was my head. It really ached. Not all the time, but often enough, and when the pain came it was like being hit all over again by that Mack Truck. It seemed as if there was a crack in my head and my brains were about to ooze out. But all I had was a big blue knot that pulsed like some kind of second head growing.

When my head wasn’t killing me, I read Hardy Boys books, and when I tired of that, I managed the box out from under my bed and took to reading the letters and the journal again, this time more carefully, and completely.

I began to know something about Margret, began to feel certain she was the Margret that ended up dead, down by the railroad track, her head cut off. There were hints in the letters.

She talked about how at night she could hear the trains go by and how they rattled the glass in the window of her bedroom and how lonesome the whistle sounded and how much her mother drank and yelled at her. She wrote about her mother’s “friends” and how her mother took them in and they paid her money. She never said what all the friends and money were about, but now from talking to Callie, learning about the world a little, it was all starting to click together fast.

I had also begun to notice an oddity. At night, when I lay down and closed my eyes to sleep, I had the sensation of someone being in the room. I felt cold all over, thought if I opened my eyes someone would be standing by my bed, looming over me like a shadow, perhaps the cronish shadow I had seen in the Stilwind house on the hill.

I feared whatever it was would take hold of me and drag me with them across the fine dark line that made up the border between the world of the living and the world of the dead.

After a time, the sensation would pass, and I would awake exhausted, usually with the sun shining through the window, Nub beside me, lying on his back with his feet in the air, his head thrown back, his mouth open, his tongue hanging out.

This feeling was so intense I began to suspect someone was actually entering my room at night.

Callie?

Maybe Mom or Dad coming in to check on me because of my leg, just making sure I was okay?

Maybe it was the letters and the journal entries that had me feeling that way. Thinking about Margret (I no longer thought of her as M, because I was certain it had to be Margret) and how she died, down there by the railroad track, her head cut off, stories of her ghost wandering along the rails.

In the letters, Margret wrote to J, telling how she missed him, that she hoped to see him soon. She talked about the trees where she lived, big dogwoods, and how she heard that the dogwood tree was the one used to make the cross that held Jesus up. That the white flowers that bloomed on the dogwoods had little red spots inside, like the drops of blood Jesus shed. That this was God’s message to remind us that Jesus had given his life on a dogwood cross.

This dogwood cross thing was a popular story of the time, though when I grew up and read about such things, I never found serious reference to it. Most agreed the crosses used by the Romans would have been made of almost anything but dogwood.

But Margret talked about all kinds of things like that. She was a dreamer, and I enjoyed her dreams.

There were pages and pages of the journal where Margret mentioned the pregnancy, said how they could keep the child, raise it, as she said, “In spite of everything.”

When I finally bored of the letters and journal pages, I put them back in the box and used my crutches to get me across the room to my closet. I put the box on the top shelf behind my cowboy hat and my Indian war bonnet, noticed something had eaten off the tips of the feathers.

Oh well, I didn’t wear the bonnet anymore. I had outgrown playing cowboys and Indians. I had even stored my Davy Crockett coonskin cap away in my wooden chest. I now found the idea of running around the yard on an invisible horse with a racoon’s hide on my head, or an Indian war bonnet, foolish.

I crutched back to the bed and lay down. I used Larry to scratch inside my cast, and gave up thinking about Margret for a while.

7

NEXT DAY I spent in a lawn chair pulled up next to the projection booth, residing in its shade, reading a book by Edgar Rice Burroughs called Tarzan the Terrible . Nub lay at my feet, snoozing.

I paused briefly to stretch, realized the sun was falling away. I was amazed to discover I had spent all day, except for a brief bathroom trip and time for lunch, in that chair reading.

Late as it had become, it was still hot as a griddle, and when I returned to my book, sweat ran down my face.

“You better get you a hat, boy. Only an idiot sits out in the sun like that.”

I turned, startled. Nub raised his head for a look, lowered it again and closed his eyes.

It was Buster Abbot Lighthorse Smith, carrying two paper sacks. One was wrapped tight around a bottle. The lid and neck of it stuck out of the top. He was unlocking the projection booth, sliding inside.

He left the door open to let the heat out. He had a fan in there and he lifted it and sat it on a chair and turned it on. It could swing from left to right, but he had screwed it down so it wouldn’t move. He sat in a chair across from it and opened the top of his paper sack, produced a church key, and popped the top off the bottle and took a swig.

“Shit,” he said, when he brought the bottle down. “Don’t ever take to this stuff, boy. Seen it knock many a nigger low, and it won’t do a white boy no good neither. You put this in a Mason jar lid, bugs will get in it and die. That ought to tell you somethin’. So, you don’t want none of this.”

“No, sir.”

He pulled the sack down and revealed an RC Cola.

“Had you fooled, didn’t I?”

“Yes, sir.”

But I could smell alcohol, and knew he had been hitting the liquor before arriving.

“I’m just kiddin’. Wouldn’t want you to think I’m drinkin’ on the job. Your daddy might not like that, and I wouldn’t want to have to go find some job shoveling gravel in this hot sun. How’s that book? That the one where Tarzan finds them dinosaurs, people that’s got tails.”

“You’ve read it.”

“You think niggers don’t read.”

“I didn’t say that.”

Buster laughed.

“See you got you a plate by your chair. You eat out here?”

“Lunch. Rosy Mae brought it to me.”

“That old fat nigger gal?”

I didn’t know what to say to that, so I said nothing. I had never had a conversation with Buster before, and this one seemed out of character. He was usually broody and sullen, his brows knit up tight. But I guessed he’d nipped enough before arriving today to feel friendly.

Daddy knew he drank, but so far it had not affected Buster’s job, and therefore had not been a real problem.

“You know today’s my birthday?” he said.

“No, sir.”

“Well it is. You know how old I am?”

“No, sir.”

“Guess.”

“Forty?”

He laughed. “You tryin’ to flatter me, little boy, that what you’re tryin’ to do? I ain’t seen forty in a long time. Try seventy-one.”

“Try seventy-eight if you a day,” Rosy Mae said.

She had come out of the house with a glass of lemonade for me. In spite of her size, way she walked, she moved silent as an Indian when she wanted to. I hadn’t even heard the gravel crunch.

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