Joe Lansdale - A Fine Dark Line

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It is the summer of 1958 in Dewmont, Texas, a town the great American postwar boom passed by. The kids listen idly to rockabilly on the radio and waste their weekends at the Dairy Queen. And an undetected menace simmers under the heat that clings to the skin like molasses... For thirteen-year-old Stanley Mitchell, the end of innocence comes with his discovery of the mysterious long-ago demise of two very different young women. In his quest to unravel the truth about their tragic fates, Stanley finds a protector in Buster Lighthorse Smith, a black, retired Indian-reservation cop and a sage on the finer points of Sherlock Holmes, the blues, and life's faded dreams. But not every buried thing stays dead. And on one terrifying night of rushing creek water and thundering rain, an arcane, murderous force will rise from the past to threaten the boy in a harrowing rite of passage... Vintage Lansdale, A Fine Dark Line brims with exquisite suspense, powerful characterizations, and the vibrant evocation of a lost time.
From Publishers Weekly
The atmosphere is as thick as an East Texas summer day in Edgar-winner Lansdale's (The Bottoms) engaging, multilayered regional mystery, which harks back to 1958. Thirteen-year-old Stanley Mitchel, Jr., has enough on his hands just growing up in Dewmont, Tex., when he literally stumbles on a buried cache of love letters. Stanley pursues the identity of the two lovers with help from the projectionist at his family's drive-in, an aged black man who quotes Sherlock Holmes and doesn't mince words about the world's injustices. As the truth of a gruesome 20-year-old double murder comes to light in the sleepy town, so do the facts of life, death, men, women and race for young Stanley. Unfortunately, this wealth of experience sometimes strains credulity. For instance, Stanley, his sister, Callie, and friend Richard witness a secret burial, see a local phantom, are chased by a murderer and barely miss being hit by a train-all in one night. As the older and wiser Stanley says of the past, "More had happened to my family in one summer than had happened in my entire life." The "down-home" dialect is occasionally overdone, too, with more ripe sayings than Ross Perot on caffeine. But Lansdale clearly knows and loves his subject and enlivens his haunting coming-of-age tale with touches of folklore and humor.
From Booklist
Lansdale makes a rich stew of memory and mystery in the voice of Stanley Mitchel Jr., who is 13 in 1958 and is writing down, in midlife, what he recalls. His parents own the drive-in in Dewmont, Texas; his dad calls his mom "Gal"; his sister, Callie, is turn-your-head pretty and feisty besides. Stanley finds in the burnt ruins behind the drive-in a cache of love letters. Stanley--innocent enough at the beginning of the story to still believe in Santa Claus--is fascinated by the letters and soon learns that the fire marked the deaths of two young women, long ago. Those deaths ripple through the pages, as Stanley struggles with knowledge of good and evil: his friend Richard's abusive dad; the black cook's stalker boyfriend; the drive-in projectionist who faces twin demons of age and alcohol. Stanley's mother, father, and sister are vivid, glowing personages. Stanley doesn't unravel everything, but race and power, and what people do to each other in the name of desire and religion, coalesce to a mighty climax. 

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“My granddaddy was known as Deadwood Dick, like a number of men was. He claimed to be the real one, or so my daddy told me. Said he was the Deadwood Dick that was written about in the dime novels. You don’t know what a dime novel is, do you? They was a kind of book or magazine. Adventure stories about Western folks. Daddy was a tracker for the U.S. Army. He helped track Geronimo down. My father was part Indian himself, Seminole. But he wasn’t like me. He was black as old coaly and rode a big white horse with a black mane and tail. I remember that about him. He had him a white sombrero turned up in front and wore chaps and fine Mexican boots with spurs. He had a way about him. They said he’d been with not only colored and Indian women, but Mexican and whites. He was deadly and good with a gun. He took up with a young woman half Seminole and part African and Cajun, and she was my mother. So I got lots of Indian in me, well as colored and Cajun. I grew up under the trackin’ business, ended up living with my mother in Indian Territory—Oklahoma. My father went off on a track oncet and no one ever heard of him again. Figure Indians got him. My mother used to say Indians got him, all right. A squaw.

“I became a Seminole Lighthorse when I was sixteen. Later, I added Lighthorse to my name. Lighthorse is a Seminole lawman in the small nation that was part of the Five Civilized Tribes. You heard of that, ain’t you?”

“No, sir.”

“Indians. Creeks. Cherokees. Choctaws. Seminoles. Chickasaws. They all made up what the white people called the Five Civilized Tribes. They had their own laws and run the nations when it come to Indian matters. I liked the life, but it come to an end and I come to East Texas. Been here ever since. Ain’t nothin’ ever been as good as them days. Wasn’t nobody callin’ me nigger then. Least not to my face.”

“You say it.”

“What?”

“Nigger. You say it. So does Rosy Mae.”

“It’s kind of got to be a habit. But let me tell you so you’ll know, as my mama used to say. Coloreds don’t like that said by no white people. Understand? I don’t like it said by no colored if he says it mean-like.”

“Did the Lighthorse arrest people?”

“Arrested ’em. Executed them if’n they needed it.”

“Really?”

“That’s right. I knowed a fella named Bob Johnston. He was mostly Seminole. He had some white blood in him, but a drop of Indian made you Seminole. Lot of coloreds with a drop preferred to be Seminoles. They was treated better. Some coloreds just joined up with the Seminole and became members of the tribe. Didn’t have no drop of Indian blood in ’em.

“Anyway, Bob got in a tussle with a friend, another Seminole, and killed him in a drunk fight. He was sentenced to death by the tribal council. No one wanted to keep him in a jail, ’cause there wasn’t none, so they turned him loose, told him what day to be back for his execution. He showed up on that day, which wasn’t unusual. That was the way things were done with our people. They gave him a big lunch, laughed with him, gave him a smoke, a snort of whiskey, and if one had been available, they might have given him a woman. After he ate, they pinned a white paper heart on his chest where they felt it beatin’, and he stretched out on the ground on a blanket, and me and another colored-mix fella was given the job to shoot him.

“One man covered Bob’s nose and mouth so he couldn’t breathe good, and Bob didn’t fight a lick. Me and this other fella, Cumsey was his name, leaned over and shot him right through that paper heart with our rifles. I remember I had an old Henry rifle, and with him lyin’ down there on the ground and me with that rifle barrel just an inch from his chest, I was still afraid I’d miss, I was shakin’ so much.

“I liked Bob. He was a good fella. Like me, he loved his drink too much and it got him in trouble. Hell, I been in some trouble and ain’t no one ever shot me for it. I think about that now and then. Think about old Bob lyin’ there, his breath cut off, and me and Cumsey shootin’ him through the chest.”

“I wouldn’t have come back if they had let me go,” I said.

“But Bob did. He had his honor. Honor was important then . . . What’s your name?”

“Stanley.”

“You mind I just call you Stan?”

“No.”

“A man gave his word, he stuck by it, even if it was gonna mean his death. Least it was that way amongst the Seminoles. I can’t say I’ve been able to live up to that good as old Bob. Hell, I think I agree with you. I’d have run off.”

“How could you shoot him if you liked him?”

“Bob broke the law. Law laid down the law, and it laid it down on him. It was my job to uphold tribal law, and I did. I can’t say as I felt all that good about it, but he did murder a man, and there wasn’t no reason on it ’cept too much firewater . . . They’re startin’ to file in now.”

I saw cars moving in through the soft darkness, parking next to speakers, turning off their lights.

“How’s about I show you some more about this here projector?” he said.

8

THAT NIGHT, lying in bed, I dreamed I smelled smoke. The feeling was so intense, I tried to awake, see if a fire had started in my room.

But there was another feeling that was more frightening than the smoke. It was again that sensation of someone in the room. It was stronger this time than it had ever been, and it took every ounce of courage and energy for me to open my eyes.

When I sat up in my bed, the stench of smoke went away immediately. Still, I had the uncomfortable impression of someone moving in the shadows. I fumbled for the lamp beside my bed, turned it on, was greeted with nothing.

An empty room.

I tried to remember what Buster had told me about thinking something was one thing, but not letting yourself decide it was until I knew for certain.

But in the night, that didn’t seem to be a line of thinking that was helping much.

I noted the closet door was slightly open.

I had pulled a fresh pillow from there before bedtime. Had I failed to close it completely?

I sat up in bed for a long time, then slowly eased the covers off, took hold of my crutches, made my way to the closet, fearing any moment the door would swing open to reveal . . .

I was uncertain.

I took hold of the doorknob, started to pull it wider, decided I was being silly. I pushed it shut. Inside, I heard a kind of shuffling. Perhaps some of my junk shifting.

Or something lying down.

Goose bumps roamed over every inch of my skin. I crutched back to bed, feeling a coldness at my back in a room that was anything but cold. The fan in the window was beating the hot air about, and the water-cooled straw at its back was making things more muggy than comfortable, but in that moment, I was cold as a body on a cooling board. I climbed back in bed, sat against the headboard, pulled the covers up to my neck, stared at the closet door. I didn’t turn out the light.

I decided then and there something must have followed me home from the house on the hill and was roaming the shadows of my room as well as hiding in my closet, maybe under the bed.

Something not of this world.

In time, however, sleep was stronger than fear, and I fell asleep with the light on, slept late into the morning.

In the sober light of day, I finally had the courage to look in the closet.

Nub came out wagging his tail. I felt like an idiot. And I thought of Buster’s wisdom, and never forgot it. To this day, I’m a skeptic.

———

NEXT DAY, a hot morning, nearly noon, I looked out through the crack between water fan and window frame, saw a large black man standing out by the highway, looking at our drive-in.

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